Disturbia
Disturbia may refer to:
Disturbia (song)
"Disturbia" is a song recorded by Barbadian singer Rihanna for Good Girl Gone Bad: Reloaded (2008), a re-release of her third studio album Good Girl Gone Bad (2007). It was written by Andre Merritt, Chris Brown, Brian Kennedy and Rob. A!, with production of the song helmed by Kennedy. The song was released as the third single from the reloaded edition of the album, and seventh overall. "Disturbia" was sent to US Contemporary hit radio on June 17, 2008, and was released as a CD single in the United Kingdom on July 22, 2008.
"Disturbia" is an uptempo dance-pop and electropop song with a "sizzling" beat. Lyrically, the song is about the experiences of anguish, anxiety and confusion. The song received positive reviews from music critics, who generally praised its dark musical tone, lyrics and beat, and noted that it is reminiscent of Rihanna's previous single, "Don't Stop the Music" (2007). "Disturbia" earned Rihanna an award for Best International Song at the 2009 NRJ Music Awards and a nomination for Best Dance Recording at the 2009 Grammy Awards.
Disturbia (film)
Disturbia is a 2007 American thriller film partly inspired by Alfred Hitchcock's Rear Window,directed by D. J. Caruso. It stars Shia LaBeouf, David Morse, Sarah Roemer and Carrie-Anne Moss. It was released on April 13, 2007.
Plot
High school student Kale Brecht (Shia LaBeouf) and his father Daniel (Matt Craven) go on a fishing trip. On their way back, they crash into an broken down truck. Kale is seriously injured, and Daniel is killed. A year later, Kale is still traumatized by his father's death. Near the end of the school year, he is reprimanded by his Spanish teacher, Señor Gutierrez (Rene Rivera); and, when Gutierrez brings up Kale's father, Kale attacks him. For this assault, he is sentenced by the sympathetic judge to three months' house arrest with an ankle monitor and a proximity sensor. He then learns that one of the police officers monitoring him is his teacher's arrogant cousin. Initially, he satiates his boredom by playing video games; but, shortly after, his mother Julie (Carrie-Ann Moss) cancels his subscriptions to the iTunes Music Store and Xbox Live and cuts the power cord of his television to teach him a hard lesson.
Eyeopener
Eyeopener are a British dance group that emerged in late 2004. Their first hit, which reached #16 on the UK Singles Chart, was a remix of Eric Carmen's "Hungry Eyes". One of their later songs, "Sexy Eyes", was then in the tracklist of Clubland 7.
Discography
Singles
External links
EyeOpener (U.S. TV program)
EyeOpener is an American syndicated morning news program produced by Tribune Broadcasting that premiered on May 9, 2011. The program utilizes a local/national hybrid format billed as a "provocative and unpredictable" combination of general and political news, health, entertainment, technology and opinion segments, mixed with humor and variety elements; stations carrying the program are given the option to provide news, weather and traffic inserts focusing on their local market each half-hour. As of 2015, the program is currently hosted by Oliver Tull and Brooke Thomas, with Kevin Roth serving as news anchor for the program's national update rundown segment "Need to Know".
History
The idea for the program was conceived by Tribune Company chief innovation officer Lee Abrams (who resigned in October 2010 following employee complaints surrounding an inappropriate company-wide e-mail). In the spring of 2011, Tribune Broadcasting developed a concept for a morning news program intended for stations owned by the company that did not maintain existing news departments. The program, which was given the title EyeOpener, would incorporate a local/national format (with the intent to syndicate the program to other markets) similar to that of morning news programs on the major broadcast television networks, with three-minute-long national segments conducted in a more free-form style. Steve Charlier, senior vice president of news at Tribune Broadcasting, described the program as a platform in which "comedy meets national news," designed to distinguish itself and stations carrying the program by offering a morning show that stands out from its traditionally formatted competitors.
Podcasts:
