Dirty South (album)

Dirty South is the debut solo album by Rasheeda. The album features the hit single "Do It". Dirty South was not well received and she was released from her contract with Motown Records.

"Do It" was released three months prior to the album, in December 2000. In late January 2001 the song charted, and it eventually peaked at number 22 on the Billboard Hot R&B/Hip-Hop Songs chart; a music video was released in February 2001. Two subsequent singles—"Get It On", released in April, and "Off da Chain", released in July—both failed to chart.

The album was released in late March 2001 and peaked at number 77 on the Billboard Top R&B/Hip-Hop Albums chart.

Track listing

The Dirty South

The Dirty South may refer to:

Geography

People

Art, entertainment, and media

Music

Television

Dirty South (musician)

Dragan Roganović (Serbian pronunciation: [drǎgan rogǎːnoʋit͡ɕ]; born 15 November 1978), better known by his stage name Dirty South is a Serbian-Australian DJ, remixer and record producer based in Melbourne.

Biography

Born in Belgrade, SFR Yugoslavia, now Serbia, Dirty South's producing career developed in tandem with his DJ'ing career. He got his start at the age of 13 after he relocated to Melbourne, Australia, where he currently resides. Influenced by everything around him, the artist started improvising with his old NEC Hi-Fi and mixing with the tape decks, and then started making bootlegs and mashups, which eventually led to getting a computer, software, and keyboard that resulted in his first official production in 2004 as Dirty South. He used his family computer to create remixes and mashups of other artists' tracks and distributed them worldwide, which caught the attention of Australian Vicious Vinyl records, who signed him in 2005.

Since then, the Australian-based DJ has received numerous honours for his work, including: two ARIA nominations (Australian Music Industry's top accolade) for "Best Dance Release" in 2005 and 2006, he was voted "Most Popular Producer Nationally" in the 2007 InTheMix 50 DJ Poll, he achieved the number one position in the Australian Club Charts with his remix of "It's Too Late" by Evermore in late 2006, and he was the first Australian artist since 1999 to win one of Pete Tong's Essential New Tune awards. He also ranked second in the annual InTheMix 50 DJ Poll in 2007 and he has been ranked in the DJ Mag Top 100 DJ poll every year since 2007.

Southern hip hop

Southern hip hop, also known as Southern rap, South Coast hip hop, or Dirty South, is a blanket term for a subgenre of American hip hop music that emerged in the Southern United States, especially in Atlanta, New Orleans, Houston, Memphis, and Miami.

The music was a reaction to the 1980s flow of hip hop culture from New York City and the Los Angeles area, and can be considered a third major American hip hop genre, after East Coast hip hop and West Coast hip hop. Many early Southern rap artists released their music independently or on mixtapes after encountering difficulty securing record-label contracts in the 1990s. By the early 2000s, many Southern artists had attained national success, and as the decade went on, both mainstream and underground varieties of Southern hip-hop became among the most popular and influential of the entire genre.

History

Throughout the 1980s and 1990s, the American hip hop music market was primarily dominated by artists from the East Coast and West Coast. Los Angeles and New York City were the two main cities where hip hop was receiving widespread attention. In the 1980s, cities throughout the Southern United States began to catch on to the hip hop music movement. The Geto Boys, a hip hop group from Houston, were among the first hip hop artists from the Southern United States to gain widespread popularity. Southern hip hop's roots can be traced to the success of Geto Boys' Grip It! On That Other Level in 1989, the Rick Rubin produced The Geto Boys in 1990, and We Can't Be Stopped in 1991. After the Geto Boys rose to stardom, Houston became the center for Southern hip hop. Miami also played a major role in the rise of Southern Hip-hop during this time frame with successful acts like 2 Live Crew and other artists who relied heavily on the Miami bass sound. In the late 1980s, other rising rap groups such as UGK from Port Arthur, Texas, and 8 Ball & MJG from Memphis, moved to Houston to further their musical careers.