Diner is a 1982 American comedy-drama written and directed by Barry Levinson. The film is Levinson's screen directing debut, and the first of Levinson's four "Baltimore Films" set in his hometown during the 1940s, '50s, and '60s: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999).
Set in the northwest section of Baltimore, Maryland, during the last week of 1959, Diner tells the story of a circle of male friends – now in their early twenties – who reunite for the wedding of one of their group. The title refers to the Hilltop Diner that was located at Reisterstown Road and Rogers Avenue, Baltimore, their late-night hangout. However, the Hilltop had been converted into a liquor store, so the location in the film is in the Canton section of Baltimore. An element of the story includes the Baltimore Colts winning the 1959 NFL Championship Game. The semi-autobiographical film explores the changing relationships among these friends as they become adults through what is mostly a series of vignettes rather than a traditional narrative. Levinson encouraged improvisation among his cast to capture realistic camaraderie.
Diner is a type of North American restaurant.
Diner may refer to:
Diner is a pinball machine produced by Williams. The objective of the game is to serve all customers in a diner. The table was marketed with the slogan "Its fresh! Its fast! Its hot!".
One to four players can play. Each player gets 3 balls per game. Serving all 5 customers (Haji, Babs, Boris, Pepe, and Buck) lights "Dine Time", which is a Jackpot. It starts at 1 Million points, and it can be advanced up to 12 Million Points.
The playfield includes 2 yellow flippers, a plunger, and 2 signature cross ramps, which is common in early 1990s pinball machines designed by Mark Ritchie. Both Ramps can be used to obtain many points, as well as unlock extra balls.
A player can easily obtain a multi-ball. By doing this, they must unlock the Lock Mode on the cash register ramp, and shoot a target to unlock a second ball.
Diner pinball is available as a licensed table of The Pinball Arcade.
? (also written Tanda Tanya, meaning Question Mark) is a 2011 Indonesian drama film directed by Hanung Bramantyo. It stars Revalina Sayuthi Temat, Reza Rahadian, Agus Kuncoro, Endhita, Rio Dewanto, and Hengky Sulaeman. The theme is Indonesia's religious pluralism, which often results in conflict between religious beliefs, represented in a plot that revolves around the interactions of three families, one Buddhist, one Muslim, and one Catholic. After undergoing numerous hardships and the deaths of several family members in religious violence, they are reconciled.
Based on Bramantyo's experiences as a mixed-race child, ? was meant to counter the portrayal of Islam as a "radical religion". Owing to the film's theme of religious pluralism and controversial subject matter, Bramantyo had difficulty finding backing. Eventually, Mahaka Pictures put forth Rp 5 billion to fund the production. Filming began on 5 January 2011 in Semarang.
Released on 7 April 2011, ? was a critical and commercial success: it received favourable reviews and was viewed by more than 550,000 people. Also screened internationally, it was nominated for nine Citra Awards at the 2011 Indonesian Film Festival, winning one. However, several Indonesian Muslim groups, including the Indonesian Ulema Council and Islamic Defenders Front, protested against the film because of its pluralist message.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: