A dimple (also known as a gelasin) is a small natural indentation in the flesh on a part of the human body, most notably in the cheek or on the chin.
Cheek dimples when present, show up when a person makes a facial expression. A chin dimple is a small line on your chin that stays on your chin without making any facial expressions. Dimples may appear and disappear over an extended period. Professor McDonald, citing limited research, concludes dimples have been mislabeled as genetically inherited and as a dominant trait. However, the University of Utah considers dimples an "irregular" dominant trait that is probably controlled mostly by one gene but is influenced by other genes.
Dimples are a facial muscle deformity. Dimples may be caused by variations in the structure of the facial muscle known as zygomaticus major. Specifically, the presence of a double or bifid zygomaticus major muscle may explain the formation of cheek dimples. This bifid variation of the muscle originates as a single structure from the zygomatic bone. As it travels anteriorly, it then divides with a superior bundle that inserts in the typical position above the corner of the mouth. An inferior bundle inserts below the corner of the mouth.
Dimples is a 1916 silent drama film directed by Edgar Jones. The film stars Mary Miles Minter in the lead role.
The film is held by Cinematheque Francais, Paris.
Dimples is a young girl, whose father dies. She goes to the South to live with her aunt, but doesn't know her father has hidden his legacy in her doll. She falls in love with Robert, who is threatened with financial ruin.
"Dimples" is a song written and recorded by blues singer-songwriter John Lee Hooker in 1956. It is an ensemble piece, with Hooker accompanied by Jimmy Reed's backup band. Eight years after its first release, it became Hooker's first record to appear in the British record charts. Called a "genuine Hooker classic" by music critic Bill Dahl, it is one of his best-known songs, with interpretations by several artists.
"Dimples" was one of the first songs recorded by John Lee Hooker for Vee-Jay Records. Unlike his previous record labels, Vee-Jay producers saw Hooker as a Jimmy Reed-style performer and in fact provided him with Reed's backup band for two recording sessions in 1955 and 1956. However, when the recording commenced, it became apparent that Hooker's sense of rhythm and timing was uniquely his. The backing musicians – guitarist Eddie Taylor, bassist George Washington, and drummer Tom Whitehead – adapted to his style and by the time "Dimples" was recorded they became "adept at anticipating his capricious moves".
I love the way you walk
Said I'm crazy 'bout your walk
I love the way you talk
When you're talkin' that talk
I love the way you walk
You're my baby
Got my eyes on you
I see you everyday
In your neighborhood
I see you everyday
And you sure look good
I see you everyday
You're my baby
Got my eyes on you
I see you everyday
In your neighborhood
I see you everyday
Woman, you sure look good
I see you everyday
Walkin' up and down the street
You got on your high-heeled sneakers baby
You sure look neat
I said I see you everyday, little baby
I got my eyes on you
You got the dimples in your jaw
You're my baby