Digging is the process of using some implement such as claws, hands, or tools, to remove material from a solid surface, usually soil or sand on the surface of the Earth. Digging is actually the combination of two processes, the first being the breaking or cutting of the surface, and the second being the removal and relocation of the material found there. In a simple digging situation, this may be accomplished in a single motion, with the digging implement being used to break the surface and immediately fling the material away from the hole or other structure being dug.
Many kinds of animals engage in digging, either as part of burrowing behavior or to search for food or water under the surface of the ground. Historically, humans have engaged in digging for both of these reasons, and for a variety of additional reasons, such as engaging in agriculture and gardening, searching for minerals, metals, and other raw materials such as during mining and quarrying, preparing for construction, creating fortifications and irrigation, and also excavations in archaeology, searching for fossils and rocks in palaeontology and geology and burial of the dead.
Dig is the debut album by the Canadian alternative rock band I Mother Earth, released by Capitol and EMI on August 10, 1993. The album was certified Gold in Canada in its initial run, and stands at platinum today. It also won a Juno Award in 1994 for Best Hard Rock Album.
The album was noted for its metallic sound, balanced with psychedelic-style lyrics and instrumentals, and further backed by Latin percussion. The latter two were often brought into play during lengthy jam sessions.
(All songs written by "I Mother Earth", later revealed to be Jagori and Christian Tanna)
Collective Soul, also known as Rabbit to differentiate it from the band's 1995 album of the same name, is the eighth studio album by American rock band Collective Soul. It was released on August 25, 2009.
Rabbit is Collective Soul's first release with a parent label since the group started its own independent El Music Group label in 2004. It also effectively marks their return to Atlantic Records, as that label purchased Roadrunner in 2006.
Rabbit includes two songs ("You" and "Understanding") that were written by all members in the band, a first for Collective Soul. According to the singer, guitarist and keyboard player Ed Roland: "I think it's the confidence that the other guys have gotten in their music skills and the songwriting and also, for lack of a better term, me letting go of my ego a little bit..."
All songs written by Ed Roland except where noted.
A18 or A-18 is a three-character acronym that may refer to:
The Autostrada A18 is a 77 km (48 mi) motorway on the Ionian coast of Sicily that links Messina to Catania. The motorway is linked to the A20 Messina-Palermo at its northern-end and to the A19 Palermo-Catania through the RA15 Catania's Ring Road at its southern-end. There is also a second stretch of A18, on the south part of the island, running from Syracuse to Rosolini.
A first part of only 9,5 km from Syracuse to Cassibile opened 15 June 1983 but works stopped for over 20 years until in March 2008 a second stretch from Cassibile to Noto was open. The latest part, from Noto to Rosolini, was open to the traffic in October 2008.
This part of the A18 was designed in the early '70s and required re-planning because the original project would have run through archeological areas and natural reserves (created in the '80s and '90s). The new project was completed in 2001 and is partially financed. Works should start in 2013 taking the motorway from Rosolini to Ispica/Pozzallo first and to Modica. Authorities are awaiting for further founding for the completion of this second part of the A18 that should run to Scicli and Ragusa.
The English Opening is a chess opening that begins with the move:
A flank opening, it is the fourth most popular and, according to various databases, anywhere from one of the two most successful to the fourth most successful of White's twenty possible first moves. White begins the fight for the centre by staking a claim to the d5 square from the wing, in hypermodern style. Although many lines of the English have a distinct character, the opening is often used as a transpositional device in much the same way as 1.Nf3 – to avoid such highly regarded responses to 1.d4 as the Nimzo–Indian and Grünfeld defences, and is considered reliable and flexible.
The English derives its name from the English (unofficial) world champion, Howard Staunton, who played it during his 1843 match with Saint-Amant and at London 1851, the first international tournament. It did not inspire Staunton's contemporaries, and only caught on in the twentieth century. It is now recognised as a solid opening that may be used to reach both classical and hypermodern positions. Mikhail Botvinnik, Tigran Petrosian, Anatoly Karpov, Garry Kasparov and Magnus Carlsen employed it during their world championship matches. Bobby Fischer created a stir when he switched to it from his customary 1.e4 late in his career, employing it against Lev Polugaevsky and Oscar Panno at the Palma de Mallorca Interzonal in 1970 and in his 1972 world championship match against Boris Spassky.
I know you want it
You wanna hit it
But you can't have it
Oops, can't touch it
Maybe a kiss on these lips
Holding hands it aint nothing
Nasty is what you call me
We get close but you can't handle it
Cuz I'm not maybe what your looking
Cuz I'm not the average kind of girl
I might let you touch me
I might let you hold me
I might even let you kiss me
But you can not take my virginity
I might let you tease me
I might let you squeeze me
I might even let you kiss me
But you can not take my virginity
Can't imagine what it feels like
My friends say it's alright
But then they go and do it all night
But I prefer the merry life
Patience is what you gotta have
That's what it takes to be my man
I'm not like that bad if you like me
Keep it with you then maybe
I might let you touch me
I might let you hold me
I might even let you kiss me
But you can not take my virginity
I might let you tease me
I might let you squeeze me
I might even let you kiss me
But you can not take my virginity
Baby its not like I dont really like you
You just gotta know
That if your not willing to get with my loving
Than you've gotta go
Baby its not like I dont really like you
You just gotta know
That if your not willing to get with my loving
Than you've gotta go
God D@^^* what part don't you understand
The N or the O
You get nothing from TG4
Let it go
Here we go
With the everyday scenario
Jeans painted on cleavage showin
Dont mean she easy
Girl you gotta keep your integrity
I wouldn't let him get over on me
Dont fall for the same game
Him callin you boo
Telling you he love you
And everything he gone do
Treat your body like a temple
The best thing ever made
Cuz once you let him hit
Watch how those feelings fade away
You gotta be the best at this game being played
Dont give it up know
Some things are better off saved
I might let you touch me
I might let you hold me
I might even let you kiss me
But you can not take my virginity
I might let you tease me
I might let you squeeze me
I might even let you kiss me
But you can not take my virginity
I might let you touch me
I might let you hold me
I might even let you kiss me
But you can not take my virginity
I might let you tease me
I might let you squeeze me
I might even let you kiss me
But you can not take my virginity
I might let you touch me
I might let you hold me
I might even let you kiss me
But you can not take my virginity
I might let you tease me
I might let you squeeze me
I might even let you kiss me