Dhol (Hindi: ढोल, Punjabi: ਢੋਲ, Urdu: ڈھول, Assamese: ঢোল, Gujarati: ઢોલ, Marathi: ढोल, Bengali: ঢোল) can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in India, Bangladesh and Pakistan primarily includes northern areas such as the Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Gujarat, Maharashtra, Konkan and Goa, Karnataka, Rajasthan and Uttar Pradesh. The range stretches westward as far as eastern Afghanistan. The Punjabi dhol is perhaps best known abroad due to its prominent place in the rhythm of popular Punjabi bhangra music.
Someone who plays the dhol is known as dholi (Punjabi: ਢੋਲੀ) or dhuliya (Assamese: ঢুলীয়া).
The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In qawwali music, the term dhol is used to describe a similar, but smaller drum used with the smaller tabla, as a replacement for the left hand tabla drum. The typical sizes of the drum vary slightly from region to region. In Punjab, the dhol remains large and bulky to produce the preferred loud bass. In other regions, dhols can be found in varying shapes and sizes and made with different woods and materials (fiberglass, steel, plastic). The drum consists of a wooden barrel with animal hide or synthetic skin stretched over its open ends, covering them completely. These skins can be stretched or loosened with a tightening mechanism made up of either interwoven ropes, or nuts and bolts. Tightening or loosening the skins subtly alters the pitch of the drum sound. The stretched skin on one of the ends is thicker and produces a deep, low frequency (higher bass) sound and the other thinner one produces a higher frequency sound. Dhols with synthetic, or plastic, treble skins are common.
Dhol is the drum looking like traditional musical instrument mostly used by Kirat community in eastern Nepal. Its purpose is similar while comparing with other cultures around the world but significantly differs the looks and the process involved in making of it.
Dhool (English: Super) is a 2003 Tamil action film directed by Dharani. The film featured Vikram, Jyothika and Reemma Sen in the lead roles, while Vivek, Sayaji Shinde, Telangana Sakunthala and Pasupathy among others play supporting roles. The film, produced by A. M. Rathnam at a cost of ₹7 crore, had music composed by Vidyasagar and released in January 2003 to positive reviews and was a huge commercial success. This film had 175 days theatrical run. It was dubbed into Malayalam with same title. The film is still considered as a cult masala entertainer. It was remade in Telugu as Veede (2003) and in Sinhala as Ranja (2014).
Arumugham (Vikram) is an uneducated, good hearted, helpful village hick. Easwari (Jyothika) is his childhood enemy who argues with him about almost everything. A chemical factory in the village pollutes the local river and when all attempts to stop the factory waste from going to the drinking water falls flat, the villagers decide to send Arumugham to Chennai and meet the concerned minister who has won from their constituency. He sets out for the city with Easwari and her grandmother and they stay with Arumugham's friend (Vivek) and gang. Swapna (Reema Sen) is a model who stays in the same area and she lusts after Arumugham. They meet the Minister (Sayaji Shinde) who is extremely nice to them and promises to help them. Soon Arumugham is forced by circumstances to fight against an anti-social gang with a lady boss. An honest police officer (Manoj K Jayan) tries to collect evidence against the criminal gang. When Arumugham realizes that the bad guys are the henchmen of the same Minister who is behind all the crimes! He starts beating the Minister with his intelligence and plans. Ultimately he solves his village's problem and at the same time kills the Minister.
Andrzej Wajda (Polish: [ˈandʐɛj ˈvajda]; born 6 March 1926) is a Polish film and theatre director. Recipient of an honorary Oscar, he is possibly the most prominent member of the unofficial "Polish Film School" (active c. 1955 to 1963). He is known especially for a trilogy of war films: A Generation (1954), Kanał (1956) and Ashes and Diamonds (1958).
Four of his films have been nominated for the Academy Award for Best Foreign Language Film: The Promised Land (1975),The Maids of Wilko (1979),Man of Iron (1981), and Katyń (2007).
Wajda was born in Suwałki, Poland, the son of Aniela (née Białowąs), a school teacher, and Jakub Wajda, an army officer. Wajda's father was murdered by the Soviets in 1940 in what came to be known as the Katyn massacre. In 1942 he joined the Polish resistance and served in the Armia Krajowa. After the war, he studied to be a painter at Kraków's Academy of Fine Arts before entering the Łódź Film School.
After Wajda's apprenticeship to director Aleksander Ford, Wajda was given the opportunity to direct his own film. A Generation (1955) was one of Wajda's first major films. At the same time Andrzej Wajda began his work as a director in theatre, including such as Michael V. Gazzo's A Hatful of Rain (1959), Hamlet (1960), and Two for the Seesaw (1963) by William Gibson. Wajda made two more increasingly accomplished films, which developed further the anti-war theme of A Generation: Kanał (1956) (Special Jury Prize at Cannes Film Festival in 1957, shared with Bergman's The Seventh Seal) and Ashes and Diamonds (1958) with Zbigniew Cybulski.
Wajda may refer to:
The Nintendo DSi (Japanese: ニンテンドーDSi Hepburn: Nintendō Dī Esu Ai) is a dual-screen handheld game console released by Nintendo. The console launched in Japan on November 1, 2008, and worldwide beginning in April 2009. It is the third iteration of the Nintendo DS, and its primary market rival is Sony's PlayStation Portable (PSP). The fourth iteration, entitled Nintendo DSi XL, is a larger model that launched in Japan on November 21, 2009, and worldwide beginning in March 2010. Development of the DSi began in late 2006, and the handheld was unveiled during an October 2008 Nintendo conference in Tokyo. Consumer demand convinced Nintendo to produce a slimmer handheld with larger screens than the DS Lite. Consequently, Nintendo removed the Game Boy Advance (GBA) cartridge slot to improve portability without sacrificing durability.
While the DSi's design is similar to that of the DS Lite, it features two digital cameras, supports internal and external content storage, and connects to an online store called the Nintendo DSi Shop. Nintendo stated that families often share DS and DS Lite consoles. Its new functionality was intended to facilitate personalization, so as to encourage each member of a household to purchase a DSi. The handheld supports exclusive physical media in addition to DS games with DSi-specific features and standard DS titles. The only exception to its backward compatibility are earlier DS games that required the GBA slot. Nintendo had sold over 41 million DSi and DSi XL units combined.
DSI may refer to: