Kami

Kami (Japanese: 神) [káꜜmì]) are the spirits or phenomena that are worshipped in the religion of Shinto. They are elements in nature, animals, creationary forces in the universe, as well as spirits of the revered deceased. Many Kami are considered the ancient ancestors of entire clans, and some ancestors became Kami upon their death if they were able to embody the values and virtues of Kami in life. Traditionally, great or charismatic leaders like the Emperor could be kami.

In Shinto, Kami are not separate from nature, but are of nature, possessing positive and negative, good and evil characteristics. They are manifestations of musubi (結び), the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. Kami are believed to be “hidden” from this world, and inhabit a complementary existence that mirrors our own, shinkai [the world of the Kami] (神界). To be in harmony with the awe inspiring aspects of nature is to be conscious of kannagara no michi [the way of the Kami] (随神の道 or 惟神の道).

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Kami (1982 film)

Kami is a 1982 Malaysian drama film. It is notable as being the only feature film featuring Sudirman Haji Arshad, a successful Malay singer dubbed the "Singing Lawyer" as he was a law graduate from the University of Malaya in Kuala Lumpur (an academic background almost unheard of among Malay entertainers). The film is written and directed Patrick Yeoh, who was notable as being the first non-Malay in several decades to direct a Malay film.

The film is unusual for its time, not following the conventional Hindustani-influenced formula that typified Malay films of the era.

Synopsis

The film is about two young runaway teenagers who meet in the city after leaving their respective homes in different states. Tookoo (Sudirman) the elder of the two, who was first in the city, "adopts" Din (Zulzamri) and as their relationship develops, is both big brother and father to Din. And as the film progresses we see how Tookoo dreams of being a successful pop singer, and how he and Din survive in the city, collecting recyclable items for sale. We are touched by what these two teenagers go through in the concrete jungle of the city as they are bullied by gangs who rob them of their hard-earned money, cheated by dishonest employers who do not pay them and traumatised by over-zealous police who arrest Tookoo by mistake.

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Kami (caste)

Kami (Nepali: कामी) is a community in Nepal, Darjeeling, Sikkim that belongs to the Indo-Aryan ethnic group. Kamis are essentially blacksmiths and goldsmiths and are scattered across almost all hilly districts of Nepal, districts of Sikkim, Darjeeling (a District of W.B), and Assam; some have settled in other parts of India as well. They are also known as Vishwakarma or Bishwakarma.

The Kami are traditionally held to be the descendants of God or Lord Vishwakarma. The word kami may derive from the Sanskrit word karma or kam, meaning "work". The Kami make the famous Khukuri knives used by the Gurkha Army, and a traditional Nepali drum called a Madal. They are also expert performers of the traditional folk dance Maruni Nritya.

According to the 2001 Nepal census, there were a total of 895,954 Kami in the country, of whom 96.69% were Hindus and 2.21% were Buddhists.

References

A Settlement and Smithy of Blacksmiths (Kami) in Nepal

Welcome to the world of the Nepalese Kami

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Devil

The devil (from Greek: διάβολος or diábolos = slanderer or accuser) is believed in many religions, myths and cultures to be a supernatural entity that is the personification of evil and the archenemy of God and humankind. The nature of the role varies greatly, ranging from being an effective opposite force to the creator god, locked in an eons long struggle for human souls on what may seem even terms (to the point of dualistic ditheism/bitheism), to being a comical figure of fun or an abstract aspect of the individual human condition.

While mainstream Judaism contains no overt concept of a devil, Christianity and Islam have variously regarded the devil as a rebellious fallen angel or jinn that tempts humans to sin, if not committing evil deeds himself. In these religions – particularly during periods of division or external threat – the devil has assumed more of a dualistic status commonly associated with heretics, infidels, and other unbelievers. As such, the devil is seen as an allegory that represents a crisis of faith, individualism, free will, wisdom and enlightenment.