James Wiley Smith Thomas Reiher Snuka (born September 1, 1971) is an American professional wrestler. He is best known for his time in World Wrestling Entertainment (WWE) under the ring name Deuce between 2007 and 2009; he also wrestled as Sim Snuka.
The son of professional wrestler Jimmy Snuka, Reiher began wrestling in the late 1990s, and worked for the UWA and the Xcitement Wrestling Federation. Ater signing a contract with World Wrestling Entertainment (WWE), Reiher was assigned to WWE's developmental territory Ohio Valley Wrestling (OVW) in Louisville, Kentucky in 2005, where he wrestled under the name Deuce Shade. He was placed in tag team competition, alongside Dice Domino. Along with their manager Cherry, the group were known as The Throw-Backs and later The Untouchable, and captured the OVW Southern Tag Team Championship on three occasions. Deuce also won the OVW Television Championship on one occasion in singles competition.
The group was called up to the SmackDown! roster in January 2007, and underwent a name change to Deuce 'n Domino. Three months later, Deuce 'n Domino won the WWE Tag Team Championship. After dropping the title in August 2007, the group disbanded in June 2008. Deuce moved to the Raw brand and became known as Sim Snuka, and the following year, on June 19, 2009, he was released from his WWE contract.
A deuce is a playing card with a rank of two. It is also a slang word for the number two.
Deuce, Deuces or The Deuce may also refer to:
Deuce is the second DVD by the American Nu Metal band, Korn. It was released on June 11, 2002 - the same day as the band's fifth studio release, Untouchables. The DVD was certified platinum by the RIAA. The DVD includes the band's first home video Who Then Now? and features the music video collection from Korn to Issues. Other extras include biographies of each band member, gags, behind-the-scenes of the music videos or live concerts, and various other things.
Deuce is the second solo album by Rory Gallagher, released in 1971. In contrast with his previous album, Rory Gallagher, where Gallagher tried for a precise, organised sound, Deuce was his first of many attempts to capture the energy of a live performance in the studio.
Wrestling is a combat sport involving grappling type techniques such as clinch fighting, throws and takedowns, joint locks, pins and other grappling holds. A wrestling bout is a physical competition, between two (occasionally more) competitors or sparring partners, who attempt to gain and maintain a superior position. There are a wide range of styles with varying rules with both traditional historic and modern styles. Wrestling techniques have been incorporated into other martial arts as well as military hand-to-hand combat systems.
The term wrestling is attested in late Old English, as wræstlunge (glossing palestram).
Wrestling represents one of the oldest forms of combat. Literary references to it occur as early as in the Iliad, in which Homer recounts the Trojan War of the 13th or 12th century BC. The origins of wrestling go back 15,000 years through cave drawings in France. Babylonian and Egyptian reliefs show wrestlers using most of the holds known in the present-day sport.
The Wrestler is a 2008 American sports drama film directed by Darren Aronofsky, written by Robert D. Siegel, and starring Mickey Rourke, Marisa Tomei, and Evan Rachel Wood. Production began in January 2008 and Fox Searchlight Pictures acquired rights to distribute the film in the U.S.; it was released in a limited capacity on December 17, 2008 and was released nationwide on January 23, 2009. It was released on DVD and Blu-ray Disc on April 21, 2009 in the United States. It was released in the United Kingdom on June 1, 2009.
Rourke plays an aging professional wrestler who, despite his failing health and waning fame, continues to wrestle in an attempt to cling to the success of his 1980s heyday. He also tries to mend his relationship with his estranged daughter and to find romance with a woman who works as a stripper. Writer Jadranka Skorin-Kapov describes the film as "a social critique of the contemporary fascination with public appearance, the role of the body as a predominant marker of our identity, and the consequences of bodily decay affecting the psyche."