Destroy the Runner was an American Christian metal band from San Diego, California, United States. Tim Lambesis of As I Lay Dying managed them for their album Saints, and did so again with Jason Rudolph for their second album I, Lucifer.
The band was called Die Like Me until they signed to Solid State Records, on which their debut album Saints was released on September 12, 2006 to mixed reviews. Their new name is in reference to the 1976 film Logan's Run. The band followed the release of the album with a tour supporting Haste the Day and Scary Kids Scaring Kids. In October 2007, the band began recording their second LP with Brian McTernan at Salad Days Studios in Baltimore, MD.
On April 15, 2008, Destroy the Runner released I, Lucifer. The album has a more progressive sound, with less screaming than their previous album. It charted in the U.S. on the Billboard Top Christian Albums chart at No. 27 and on the Top Heatseekers chart at No. 25.
The Runner may refer to:
The Runner is a 2015 American political drama film written and directed by Austin Stark. The film stars Nicolas Cage, Connie Nielsen, Peter Fonda and Sarah Paulson.
The film was released on August 7, 2015, in a limited release and through video on demand by Alchemy.
In the aftermath of the 2010 BP oil spill, an idealistic politician (Nicolas Cage) is forced to confront his dysfunctional life after his career is destroyed in a sex scandal.
Madeleine Stowe was originally cast to play the female lead but was replaced by Connie Nielsen. On June 18, 2014, Bryan Batt, Peter Fonda, Connie Nielsen, and Wendell Pierce joined the film's cast.
Principal photography began on June 23, 2014, in New Orleans, Louisiana. and ended on July 27, 2014. On July 28, Cage was spotted filming at the National Mall in downtown Washington, D.C. The film also shot some scenes in Georgetown.
The Runner (Persian: Davandeh دونده ) is a 1985 film by Amir Naderi, one of the major directors of Iranian cinema before and after the Iranian Revolution.
The Runner was perhaps the first of the post-revolution Iranian films to attract worldwide attention. It set the tone for many of the films which followed: realism, child's eye perspective of the world, innocence, gentleness, set in poor neighbourhoods, exposing great disparities in wealth, resting much of the film on the shoulders of one young actor, using children's lives as analogies for, or explicit expositions of, the problems of the adult world.
I see those hands
You see those hearts
Some are slow to believe
Give me rest from this world
It's going to kill me
Inside I'm falling apart, what will save me?
I never knew I was so dead until I met you
It's almost over
Dry these tears from my eyes
Breathe in me a new beginning
Never let this love fade away
It's almost over
This is the only thing were fighting for
We're gonna make it through the night
When all the hope we had is dead and gone
The only way to remain strong
I will never look back
Give me rest from this world
I never knew I was so dead until I met you
Give me rest from this world