Philosophy of desire

In philosophy, desire has been identified as a philosophical problem since Antiquity. In Plato's The Republic, Socrates argues that individual desires must be postponed in the name of the higher ideal.

Within the teachings of Buddhism, craving is thought to be the cause of all suffering. By eliminating craving, a person can attain ultimate happiness, or Nirvana. While on the path to liberation, a practitioner is advised to "generate desire" for skillful ends.

History

Ancient Greece

In Aristotle's De Anima the soul is seen to be involved in motion, because animals desire things and in their desire, they acquire locomotion. Aristotle argued that desire is implicated in animal interactions and the propensity of animals to motion. But Aristotle acknowledges that desire cannot account for all purposive movement towards a goal. He brackets the problem by positing that perhaps reason, in conjunction with desire and by way of the imagination, makes it possible for one to apprehend an object of desire, to see it as desirable. In this way reason and desire work together to determine what is a good object of desire. This resonates with desire in the chariots of Plato's Phaedrus, for in the Phaedrus the soul is guided by two horses, a dark horse of passion and a white horse of reason. Here passion and reason, as in Aristotle, are also together. Socrates does not suggest the dark horse be done away with, since its passions make possible a movement towards the objects of desire, but he qualifies desire and places it in a relation to reason so that the object of desire can be discerned correctly, so that we may have the right desire. Aristotle distinguishes desire into appetition and volition.

Désiré (baritone)

Désiré (29 December 1823 – September 1873) was a French baritone, who is particularly remembered for creating many comic roles in the works of the French operetta composer Jacques Offenbach. Désiré was a stage name; the artist's real name was Amable Courtecuisse, but for most of his life he was generally known as Désiré.

Life and career

He was born in Lille, or a nearby village, and studied bassoon, singing, and declamation at the Lille Conservatory. His first appearances were at small theatres in Belgium and northern France beginning in 1845.

In 1847, he arrived at the Théâtre Montmartre in Paris where he met Hervé. He asked Hervé to provide him with a musical sketch (drawn from Cervantes' novel Don Quixote), in which the tall and thin Hervé as the Don was pitted against the short and plump Désiré as Sancho Pança. The sketch inspired what was later dubbed the first French operetta, Hervé's Don Quichotte et Sancho Pança, which premiered in 1848 at Adolphe Adam's Théâtre National at the Cirque Olympique, but with Joseph Kelm, instead of Désiré, as Sancho Pança.

Desire (disambiguation)

Desire is a sense of longing or hoping. It may also refer to:

Concepts

Music

Albums

Songs

Maya

Maya may refer to:

Civilizations

Maya (2001 film)

Maya is a 2001 Hindi film directed by Digvijay Singh with Nitya Shetty, Mita Vashisht, Anant Nag and Nikhil Yadav in lead roles.

Plot

12-year-old Maya lives with her aunt Lakshmi, uncle Arun and cousin Sanjay, a typical middle-class family in rural India. The cousins enjoy a playful summer indulging in mischiefs and youthful pranks. But then the young girl has her first period that proves to be a turning point in her life. Maya's family begins making plans for a celebratory feast that involves a ritual rape.

Cast

Reception

The Film won international acclaim at the major film festivals it participated in. The music score by the America based duo of Manesh Judge and Noor Lodhi won Critics Mention at the Flanders Film Festival in Belgium. The music also received an award in England and came in third behind John Williams' score for Star Wars Episode III: Revenge of the Sith, and Leonardo DiCaprio's Catch me if you Can. The movie was first runners-up in People's Choice Award at the Toronto Film Festival, one spot ahead of Mira Nair's well known hit, Monsoon Wedding.

Maya (Buddhist mental factor)

Māyā (Sanskrit; Tibetan wyl.: sgyu) is a Buddhist term translated as "pretense" or "deceit" that is identified as one of the twenty subsidiary unwholesome mental factors within the Mahayana Abhidharma teachings. In this context, it is defined as pretending to exhibit or claiming to have a good quality that one lacks.

Definitions

The Abhidharma-samuccaya states:

Alexander Berzin explains:

See also

References

Sources

External links