Deewaar (1975 film)

Deewaar (The Wall) is a 1975 Indian crime-drama film directed by Yash Chopra, written by Salim-Javed, and starring Amitabh Bachchan and Shashi Kapoor. Reflecting "the tumultuous politics of the early 70s" in India, Deewaar tells the story of a pair of impoverished brothers who, after their family is betrayed by the misplaced idealism of their father, struggle to survive on the streets of Mumbai.

Deewaar was a ground-breaking work. It was one of a slew of films establishing Bachchan as the "angry young man" of Bollywood cinema and Parveen Babi as the "new Bollywood woman" whose character Anita is "a liberated working girl, smoking, drinking and sleeping with her lover, defying every Hindi film heroine rule." The movie cemented the success of the writing duo Salim-Javed, who went on to write many more blockbuster films. It is said that after the success of this film, the value of film writers skyrocketed thanks to Salim-Javed, and they soon were being paid as highly as some actors at the time.

Deewaar (2004 film)

Deewaar - Let's Bring Our Heroes Home is a 2004 Bollywood, war film directed by Milan Luthria, produced by Gaurang Doshi and written by S. Gopala Reddy. The film is an adaptation of escape of Indian Army's prisoners of war during the Indo-Pakistani War of 1971, and also describes the father-son relationship.The film under performed at the box office and was given a average verdict at the box office.

Plot

Major Ranvir Kaul (Amitabh Bachchan) is a prisoner of war who was captured along with over 50 soldiers by Pakistani soldiers in 1971 during the war between India and Pakistan.

33 years later (in 2004) Major Kaul's son Gaurav (Akshaye Khanna) decides to go on a rescue mission to Pakistan and bring back his father who he has not seen since he was a child. Helping him on his mission is Khan (Sanjay Dutt) who had successfully escaped from the same prison. They steal, kill, and plan to get the prisoners out. They finally succeed and get the prisoners into India, killing all the Pakistani officers. Radhika then starts to love Gaurav.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: