Darkman is a 1990 American superhero action film directed and co-written by Sam Raimi. It is based on a short story Raimi wrote that paid homage to Universal's horror films of the 1930s. The film stars Liam Neeson as Peyton Westlake, a scientist who is attacked and left for dead by a ruthless mobster, Robert Durant (played by Larry Drake), after his girlfriend, an attorney (Frances McDormand), runs afoul of a corrupt developer (Colin Friels).
Unable to secure the rights to either The Shadow or Batman, Raimi decided to create his own superhero and struck a deal with Universal Studios to make his first Hollywood studio film. He was subjected to a grueling screenwriting process and equally difficult post-production battle with the studio.
The design and creation of the makeup effects required to turn Liam Neeson into Darkman were the handiwork of makeup effects artist Tony Gardner, who also cameos in the film as the Lizard Man in the carnival Freak Show sequence.
Darkman was generally well received by critics and performed well at the box office, grossing almost $49 million worldwide, well above its $16 million budget. This financial success spawned two direct-to-video sequels, The Return of Durant (1994) and Die Darkman Die (1996), as well as comic books, video games, and action figures. Over the years, Darkman has become regarded as a cult film.
Darkman was developed by Ocean Software (Painting By Numbers on the NES version) and published by Ocean Software in 1991. It was released for the ZX Spectrum, NES, Amstrad CPC and Commodore 64. It was also ported to the Game Boy and Atari ST. The game's plot is loosely based on the film of the same name.
In this side-scrolling platformer, the player controls Darkman, a superhero who can jump, kick and punch, as well as swing from a rope during action sequences between levels. In each level, Darkman disguises himself as the boss of the level, whom he must defeat before the time limit elapses. Tying into the plot of the film, Darkman wears masks of various gangsters who are responsible for his disfigurement, but his disguise dissolves after being exposed to sunlight for too long. The character changes into a different member of the evil gang in each level, taking on their attack moves as well as their face.
In-between levels, Darkman must photograph his quarry before he can make a mask of them. These scenes involve moving the cursor to take a picture of the gangster. The better the photo accuracy, the more time Darkman is granted to complete the subsequent level. The final level is the most faithful to the film, and takes place on a skyscraper under construction.
Soul is the sixth studio album released by American country rock & southern rock band The Kentucky Headhunters. It was released in 2003 on Audium Entertainment. No singles were released from the album, although one of the tracks, "Have You Ever Loved a Woman?", was first a single for Freddie King in 1960.
All songs written and composed by The Kentucky Headhunters except where noted.
The Jīva or Atman (/ˈɑːtmən/; Sanskrit: आत्मन्) is a philosophical term used within Jainism to identify the soul. It is one's true self (hence generally translated into English as 'Self') beyond identification with the phenomenal reality of worldly existence. As per the Jain cosmology, jīva or soul is also the principle of sentience and is one of the tattvas or one of the fundamental substances forming part of the universe. According to The Theosophist, "some religionists hold that Atman (Spirit) and Paramatman (God) are one, while others assert that they are distinct ; but a Jain will say that Atman and Paramatman are one as well as distinct." In Jainism, spiritual disciplines, such as abstinence, aid in freeing the jīva "from the body by diminishing and finally extinguishing the functions of the body." Jain philosophy is essentially dualistic. It differentiates two substances, the self and the non-self.
According to the Jain text, Samayasāra (The Nature of the Self):-
On the Soul (Greek Περὶ Ψυχῆς, Perì Psūchês; Latin De Anima) is a major treatise by Aristotle on the nature of living things. His discussion centres on the kinds of souls possessed by different kinds of living things, distinguished by their different operations. Thus plants have the capacity for nourishment and reproduction, the minimum that must be possessed by any kind of living organism. Lower animals have, in addition, the powers of sense-perception and self-motion (action). Humans have all these as well as intellect.
Aristotle holds that the soul (psyche, ψυχή) is the form, or essence of any living thing; that it is not a distinct substance from the body that it is in. That it is the possession of soul (of a specific kind) that makes an organism an organism at all, and thus that the notion of a body without a soul, or of a soul in the wrong kind of body, is simply unintelligible. (He argues that some parts of the soul—the intellect—can exist without the body, but most cannot.) It is difficult to reconcile these points with the popular picture of a soul as a sort of spiritual substance "inhabiting" a body. Some commentators have suggested that Aristotle's term soul is better translated as lifeforce.
Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.
The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.
Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.
Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.