Push (professional wrestling)

In professional wrestling, a push is an attempt by the booker to make the wrestler win more matches and become more popular or more reviled with the fans depending on whether they are a heel or a face. A push can also be based on a single major win against a major star (for example, Shelton Benjamin's 2004 winning streak over Triple H), and it is not uncommon for a push to be accompanied by a turn or a change in the wrestler's gimmick. Pushing is usually done for new wrestlers. This is essentially the opposite of a bury (or depush), which in contrast to the high profile of a push is typically done with little or no fanfare. Sometimes the fans generate the push for a wrestler themselves when their approval for the wrestler's work generates a positive reaction from them that is not anticipated.

A push can also be attributed to a political shift in the promotion's offices. Cowboy Bill Watts, whose promotions always consisted of an African-American main event babyface, began pushing Ron Simmons, a midcarder, to main event status and eventually to the WCW World Heavyweight Championship upon being put in charge of World Championship Wrestling. In WWE, following the fallout from the Signature Pharmacy Scandal, smaller and less muscular wrestlers such as CM Punk and Jeff Hardy began to get pushed and Vince McMahon confirmed the paradigm shift by mentioning that today's fans are drawn by charisma and not size.

Push (Avril Lavigne song)

"Push" is a song by Canadian singer-songwriter Avril Lavigne, recorded for her fourth studio album, Goodbye Lullaby. It was written by Lavigne and Evan Taubenfeld, and its producer was Deryck Whibley. It was released as the promotional single in Japan on February 13, 2012, peaking at number 35 on the Billboard Japan Hot 100 chart. The song has received positive reviews.

Background

In March 24, 2011, Avril asked her followers from Twitter which song should be the second single of Goodbye Lullaby, "Push" or "Smile". Then later, in the Polish version of the official site of the singer, it was announced that the chosen would be "Smile", which was released worldwide on May 6 of the same year. It reached the top five positions in countries like China, Turkey, Belgium and Japan. After the distribution of "Smile", the chosen as a focus of promotion of the album was "Wish You Were Here", managed a moderate commercial performance. It served as the last song of the album. "Push" until then had not received release, until that Epic Records, Lavigne's new label after leaving RCA, decided to release the same as promotional single digitally on Japanese territory, what happened in February 13, 2012. The CD edition was released on June 3, 2011.

Push (Pharoahe Monch song)

"Push" is the first single from Pharoahe Monch's 2007 album Desire. The single was released September 11, 2006 as a 12" vinyl, but was later released as a CD single and a digital download. Produced by Pharoahe Monch, the song features an upbeat sound and a prominent use of horns played by Tower of Power. It features encouraging raps provided by Pharoahe Monch as well as background vocals sung by MeLa Machinko and Showtyme. The song contains an interpolation from Joe Zawinul's "Country Preacher." Its music video, directed by Paul Minor, features Monch rapping during the New York City blackout of 1977. The song is also featured in the NBA series 2007 video game NBA Street Homecourt.

The song failed to chart, yet it received generally positive critical attention. According to Dave Maher of Pitchfork Media, "the song is an effective throwback to 70s funk" despite the fact that it "could be two or three times longer." John Murphy of musicOMH.com labels "Push" a "typically articulate and intense number," while hailing its overlooked "dark, dramatic" lyrics.Spin also hails "Push" citing Monch's powerful vocals and lyrics.

Deep (Niacin album)

Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.

The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.

Track listing

Personnel

Musicians

Guest musicians

External links

References

Ten (Pearl Jam album)

Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.

Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.

Background

Deep (Peter Murphy album)

Deep is the third solo studio album by English musician Peter Murphy. Produced by Simon Rogers, the album was released on 16 January 1990 through RCA and Beggars Banquet Records and features contributions from Murphy's backing band, The Hundred Men.

The album spawned three singles: "The Line Between the Devil's Teeth (And That Which Cannot Be Repeat)", "Cuts You Up" and "A Strange Kind of Love". The track "Cuts You Up" became a modern rock hit in 1990, spending seven weeks at the top of the U.S. charts and crossing over to Billboard Hot 100, where it peaked at number 55. The other singles also charted on Modern Rock Tracks chart, peaking at number 18 and 21, respectively.

Critical reception

Ned Raggett of Allmusic praised the album, stating that "Deep showed Murphy balancing mass appeal and his own distinct art with perfection." He also wrote: " Murphy simply sounds like he's having the time of his life, singing both for the sheer joy of it and for the dramatic power of his commanding voice."