Wall of Voodoo was an American new wave group from Los Angeles best known for the 1983 hit "Mexican Radio". The band had a sound that was a fusion of synthesizer-based new wave music with the spaghetti western soundtrack style of Ennio Morricone.
Wall of Voodoo had its roots in Acme Soundtracks, a film score business started by Stan Ridgway, later the vocalist and harmonica player for Wall of Voodoo. Acme Soundtracks' office was across the street from the Hollywood punk club The Masque and Ridgway was soon drawn into the emerging punk/new wave scene. Marc Moreland, guitarist for The Skulls, began jamming with Ridgway at the Acme Soundtracks office and the soundtrack company morphed into a new wave band. In 1977, with the addition of Skulls members Bruce Moreland (Marc Moreland's brother) as bassist and Chas T. Gray as keyboardist, along with Joe Nanini, who had been the drummer for Black Randy and the Metrosquad, the first lineup of Wall of Voodoo was born.
The band was named Wall of Voodoo before their first gig in reference to a comment made by Joe Berardi, a friend of Ridgway's and member of The Fibonaccis. Berardi was listening to some of the Acme Soundtracks music Ridgway and Moreland had created in their studio. When Ridgway jokingly compared the multiple-drum-machine- and Farfisa-organ-laden recordings to Phil Spector's Wall of Sound, Berardi commented it sounded more like a "wall of voodoo" and the name stuck.
Wall of Voodoo (EP) is an EP released by Wall of Voodoo in 1980. In 1991, it was re-released on CD under the title, The Index Masters, with live bonus tracks. It contains one of Wall of Voodoo's best-known songs, "Ring of Fire", which is a cover of the Johnny Cash song featuring moody guitars and synthesizers. The second half of "Ring of Fire" features a dissonant guitar solo covering the theme to the 1966 film Our Man Flint.
You don't have to launch your missile to break down my defense
You don't need to find a jet to end our arguments
We don't have to be like everyone to use our common sense
So I guess it's time we burned the documents
'Cause you're crazy I'm crazy and there ain't a thing to lose
Except our pride at suicide of all we've ever knew
And somewhere is where east and west and the wall is coming down
Some times we celebrate other times we say what have we done
And I feel you're holding on and I'm holding on too
But no matter what we say or do the wall is coming down
The wall is coming down
Down
I see you come around
'Cause the wall is coming down
I don't have to build a fortress to hide what you can't see
I don't have to be the master and hold on to the key
Sometimes I feel so certain that we were meant to be
But I guess it's fine if you disagree
'Cause I'm crazy and you're crazy and there ain't a thing to lose
Except our pride at suicide of all we've ever knew
And somewhere is where east and west and the wall is coming down
Some times we celebrate other times we say what have we done
And I feel you're holding on and I'm holding on too
But no matter what we say or do the wall is coming down
The wall is coming down
Down
I see you come around
'Cause the wall is coming down
So whenever we turn the wheel peace talking make a deal
You remind me of palace time and I feel so Israel
Look at all the walls I've built and look at all the guards you've killed
And if the gates would open would it be more loving
Or would all my fears turn real
So for now I suppress your demonstration and I undress you here's the question
This love making a masturbation if every touch feels like instigation
I'm so sure if we all trusted the force of love
Even if our past is awful also break our pride in the torso
Whatever it takes for down these walls go
And somewhere is where east and west and the wall is coming down
Some times we celebrate other times we say what have we done
And I feel you're holding on and I'm holding on too
But no matter what we say or do the wall is coming down
The wall is coming down
Down
I see you come around