Square (album)

Square is a studio album by Canadian hip hop musician Buck 65. It was released on WEA in 2002. Though it consists of four tracks, each track consists of multiple songs.

It was nominated for the 2003 Juno Awards for Alternative Album of the Year and Album Design of the Year.

Reception

Rollie Pemberton of Pitchfork Media gave Square a 7.0 out of 10 and called it "a melodic mix of folk rock sensibility, smooth early 90s style production, clever lyrical observations and a relatively enjoyable train ride into the mental station of Halifax's best-known emcee." Meanwhile, Clay Jarvis of Stylus Magazine gave the album a grade of B+, saying, "Square is built solely out of his strengths: hazy introspection, sparse snare-and-kick beats and simple, dismal instrumental refrains."

Track listing

References

External links

Square (company)

Square Co., Ltd. (株式会社スクウェア, Kabushiki-gaisha Sukuwea) was a Japanese video game company founded in September 1983 by Masashi Miyamoto. It merged with Enix in 2003 and became Square Enix. The company also used SquareSoft as a brand name to refer to their games, and the term is occasionally used to refer to the company itself. In addition, "Squaresoft, Inc" was the name of the company's American arm before the merger, after which it was renamed to "Square Enix, Inc".

History

Square was founded in Yokohama in September 1983 by Masashi Miyamoto after he graduated from Waseda, one of Japan's top universities. Back then, Square was a computer game software division of Den-Yu-Sha, a power line construction company owned by Miyamoto's father. While at the time game development was usually conducted by only one programmer, Miyamoto believed that it would be more efficient to have graphic designers, programmers and professional story writers working together on common projects. Square's first two titles were The Death Trap and its sequel Will: The Death Trap II, both designed by part-time employee Hironobu Sakaguchi and released on the NEC PC-8801.

Square (sailing)

The term to square a yard is used when sailing a square-rigged ship.

To "square a yard" is to lay the yards at right angles to the line of the keel by trimming with the braces.

Explanation

"Squaring a yard" adjusts the position of the square sails so that they are perpendicular to the keel of the ship. This is done in order to "run before the wind', i.e., sail with the wind directly behind the vessel rather than tacking.

When a square-rigger is running downwind, and the yards are positioned perpendicular to the line of the keel, both sheets that control the yard (braces) are tied off aft (i.e., straight back), leading to the figurative phrase "Both sheets aft."

"Both sheets aft, The situation of a square-rigged ship that sails before the wind, or with the wind right astern. It is said also of a half-drunken sailor rolling along with his hands in his pockets and elbows square."

Further definition

"Square ... A term peculiarly appropriated to the yards and their sails. Thus, when the yards hang at right angles with the mast they are said to be 'square by the lifts;' when perpendicular to the ship's length, they are 'square by the braces;' but when they lie in a direction perpendicular to the plane of the keel, they arc 'square by the lifts and braces.' The yards are said to be very square when they are of extraordinary length, and the same epithet is applied to their sails with respect to their breadth."

Deep (Silent Running album)

Deep is the third and final studio album from Belfast New Wave/rock band Silent Running, released in 1989.

Background

Despite the commercial failure of the band's 1987 album Walk on Fire and its two singles, the band began to record their second album for Atlantic Records.

Following the release of the Deep album, the band toured extensively after the album's release but split up shortly thereafter, citing a lack of record company support. The band would later reunite for one final performance at Belfast's Empire Music Hall to a capacity crowd in 1998. Reportedly, demos for the unreleased fourth album are widely available although unofficially only.

Like the previous two albums, Deep was a commercial failure.

The album's title is taken from the opening track "Deep in the Heart of Nowhere".

Both "Deep in the Heart of Nowhere" and "Local Hero" were released as promotional singles on CD in America only.

Recording

The first four tracks of the album were produced by the band themselves with Frankie LaRocka and Peter Denenberg, who both engineered the album. The rest of the tracks were produced by John Eden, whilst LaRocka and Deneberg remixed the tracks produced by Eden. The album was LaRocka's first attempt at production work, where he also played drums on part of the album. Originally, LaRocka had signed the band while working in the A&R department at Atlantic Records.

Deep (Niacin album)

Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.

The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.

Track listing

Personnel

Musicians

Guest musicians

External links

References

Ten (Pearl Jam album)

Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.

Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.

Background