Deep funk

Deep funk is a genre of funk music which, unlike traditional mainstream funk, has a more soulful, rawer, grittier, and "heavier" sound. The term "deep funk" is also the name of the scene of collectors, DJs, and musicians who are into deep funk as a genre.

It got its name after Keb Darge's "Legendary Deep Funk" DJ night, held at Madame Jojo's nightclub in London's Soho district.

The focus of the scene is collecting and DJing rare funk 45s of the deep funk genre, most usually released originally by local funk groups and artists in the USA throughout the 1960s and 70s that usually stayed in their local home bases, only playing nearby clubs and other venues, and releasing their music on small local and regional record labels at the time in the form of 7" 45 rpm singles in quite small quantities (usually about 1000–5000 copies or fewer), hence their extreme rarity and high collectible value. Most of these records have quite high re-sale values due to their scarcity, with some selling for upwards of four to five figures.

Funk

Funk is a music genre that originated in the mid- to late 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp on a single chord, distinguishing them from R&B and soul songs, which are built on complex chord progressions. Funk uses the same extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.

Like much African-inspired music, funk typically consists of a complex groove with rhythm instruments such as electric guitar, electric bass, Hammond organ, and drums playing interlocking rhythms. Funk bands sometimes have a horn section of several saxophones, trumpets, and in some cases, a trombone, which plays rhythmic "hits". Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with heavy emphasis on the first beat of every measure, funky bass lines, drum patterns, and syncopated guitar riffs. Other musical groups, including Sly & the Family Stone and Parliament-Funkadelic, soon began to adopt and develop Brown's innovations. While much of the written history of funk focuses on men, there have been notable funk women, including Chaka Khan, Labelle, Brides of Funkenstein, Klymaxx, Mother's Finest, and Betty Davis.

As If (album)

As If is the sixth studio album by American dance-punk group !!!, released on October 16, 2015 on Warp Records.

Singles

Three official singles have been released from As If: "All U Writers", a 5 1/2 minute (5 minutes on the album) long song featuring vocals from Teresa Eggers, released 28 April 2015. "Freedom '15", a groovy leviathan of a disco track, released 30 July 2015, and features vocals from Yolanda Harris Dancy and Taletha Manor. A lyric video for "Freedom '15" was uploaded 20 August 2015. The third single from the album, "Bam City", was released 30 September 2015, with an accompanying music video. "Ooo", a grooving love song, was released with an accompanying music video on November 16, 2015.

Promotional singles

One promotional single has been released from the As If: "Sick Ass Moon", an "R&B-tinted house track", released with "Freedom '15" on 30 July 2015.

Critical Reception

In a positive review for Exclaim!, Daniel Sylvester called the album "one of the most enjoyable, if schizophrenic, dance albums of the year."

Funk (surname)

Funk is a surname. Notable people with the surname include:

Deep (Silent Running album)

Deep is the third and final studio album from Belfast New Wave/rock band Silent Running, released in 1989.

Background

Despite the commercial failure of the band's 1987 album Walk on Fire and its two singles, the band began to record their second album for Atlantic Records.

Following the release of the Deep album, the band toured extensively after the album's release but split up shortly thereafter, citing a lack of record company support. The band would later reunite for one final performance at Belfast's Empire Music Hall to a capacity crowd in 1998. Reportedly, demos for the unreleased fourth album are widely available although unofficially only.

Like the previous two albums, Deep was a commercial failure.

The album's title is taken from the opening track "Deep in the Heart of Nowhere".

Both "Deep in the Heart of Nowhere" and "Local Hero" were released as promotional singles on CD in America only.

Recording

The first four tracks of the album were produced by the band themselves with Frankie LaRocka and Peter Denenberg, who both engineered the album. The rest of the tracks were produced by John Eden, whilst LaRocka and Deneberg remixed the tracks produced by Eden. The album was LaRocka's first attempt at production work, where he also played drums on part of the album. Originally, LaRocka had signed the band while working in the A&R department at Atlantic Records.

Deep (Niacin album)

Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.

The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.

Track listing

Personnel

Musicians

Guest musicians

External links

References

Ten (Pearl Jam album)

Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.

Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.

Background