Deep End

Deep End may refer to:

Music

Other

Deep End (band)

Deep End was a short-lived supergroup founded by guitarist Pete Townshend of The Who and featuring David Gilmour of Pink Floyd. The group also included drummer Simon Phillips, bassist Chucho Merchan, percussionist Jody Linscott, keyboardist John 'Rabbit' Bundrick, harmonica player Peter Hope Evans, vocalists Billy Nicholls, Cleveland Watkiss, and Chyna, and a brass ensemble called The Kick Horns.

Performance history

In 1985 the group performed two concerts for the Double O charity at London's Brixton Academy (a third was cancelled due to poor ticket sales). The concerts were later released as the albums Deep End Live! and Live: Brixton Academy '85. The band also performed a concert at the MIDEM trade fair in France and appeared on The Tube. Townshend's daughter Emma performed as a guest vocalist at the London concerts.

Many of the same musicians and vocalists also appeared with Townshend for later tours and performances and also with The Who for selected engagements.

References

Deep End (film)

Deep End is a 1970 British-West German drama film directed by Jerzy Skolimowski and starring Jane Asher and John Moulder Brown. Set in London, the film focuses on the relationship between two young co-workers at a suburban bath house and swimming pool.

In 2009, Bavaria Media, a subsidiary of Bavaria Film, which co-produced the film in 1970 through its subsidiary Maran Film, began a digital restoration as part of the film's 40th anniversary, in cooperation with the British Film Institute. The restored film was re-released in UK cinemas on 6 May 2011 and was released on Blu-ray Disc and DVD on 18 July 2011 in BFI's BFI Flipside series. In March 2012 it was first shown on TV by Film4.

Plot

Mike (John Moulder Brown), a 15-year-old school leaver, finds a job in a public bath. There he is trained by his co-worker Susan (Jane Asher), a girl ten years his senior. Susan is a tease who plays with Mike's and other men's feelings, acting sometimes warm and affectionate and other times cold and distant. Working in the bathhouse turns out to involve providing services to clients of a more or less sexual nature, in exchange for a tip. For example, an older woman (Diana Dors) is sexually stimulated by pushing Mike's head into her bosom and talking suggestively about football. Mike is confused by this and at first does not want to accept the tip he gets, but Susan tells him that these services are a normal practice, including exchange of her female clients for his male clients whenever a client prefers the opposite sex.