"At Night" is a song by Swiss house music project Shakedown. It reached number six on the UK Singles Chart in 2002.
Deep is the third studio album from the jazz rock fusion trio Niacin, released in March 2000.
The album is heavily loaded with Billy Sheehan's powerful bass solos and features contributions from guest musicians Glenn Hughes on vocals and Steve Lukather on guitar.
Ten is the debut studio album by the American rock band Pearl Jam, released on August 27, 1991 through Epic Records. Following the disbanding of bassist Jeff Ament and guitarist Stone Gossard's previous group Mother Love Bone, the two recruited vocalist Eddie Vedder, guitarist Mike McCready, and drummer Dave Krusen to form Pearl Jam in 1990. Most of the songs began as instrumental jams, to which Vedder added lyrics about topics such as depression, homelessness, and abuse.
Ten was not an immediate success, but by late 1992 it had reached number two on the Billboard 200 chart. The album produced three hit singles: "Alive", "Even Flow", and "Jeremy". While Pearl Jam was accused of jumping on the grunge bandwagon at the time, Ten was instrumental in popularizing alternative rock in the mainstream. In February 2013, the album crossed the 10 million mark in sales and has been certified 13x platinum by the RIAA. It remains Pearl Jam's most commercially successful album.
Deep is the third solo studio album by English musician Peter Murphy. Produced by Simon Rogers, the album was released on 16 January 1990 through RCA and Beggars Banquet Records and features contributions from Murphy's backing band, The Hundred Men.
The album spawned three singles: "The Line Between the Devil's Teeth (And That Which Cannot Be Repeat)", "Cuts You Up" and "A Strange Kind of Love". The track "Cuts You Up" became a modern rock hit in 1990, spending seven weeks at the top of the U.S. charts and crossing over to Billboard Hot 100, where it peaked at number 55. The other singles also charted on Modern Rock Tracks chart, peaking at number 18 and 21, respectively.
Ned Raggett of Allmusic praised the album, stating that "Deep showed Murphy balancing mass appeal and his own distinct art with perfection." He also wrote: " Murphy simply sounds like he's having the time of his life, singing both for the sheer joy of it and for the dramatic power of his commanding voice."
Nyx (English /ˈnɪks/;Ancient Greek: Νύξ, "Night";Latin: Nox) is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty, that she is feared by Zeus himself.
In Hesiod's Theogony, Nyx is born of Chaos. With Erebus (Darkness), Nyx gives birth to Aether (Brightness) and Hemera (Day). Later, on her own, Nyx gives birth to Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres, Nemesis (Indignation, Retribution), Apate (Deceit), Philotes (Friendship), Geras (Old Age), and Eris (Strife).
In his description of Tartarus, Hesiod locates there the home of Nyx, and the homes of her children Hypnos and Thanatos. Hesiod says further that Nyx's daughter Hemera (Day) left Tartarus just as Nyx (Night) entered it; continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn).
Night (1960) is a work by Elie Wiesel about his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–45, at the height of the Holocaust toward the end of the Second World War. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about the death of God and his own increasing disgust with humanity, reflected in the inversion of the parent–child relationship as his father declines to a helpless state and Wiesel becomes his resentful teenage caregiver. "If only I could get rid of this dead weight ... Immediately I felt ashamed of myself, ashamed forever." In Night everything is inverted, every value destroyed. "Here there are no fathers, no brothers, no friends," a Kapo tells him. "Everyone lives and dies for himself alone."
Wiesel was 16 when Buchenwald was liberated by the United States Army in April 1945, too late for his father, who died after a beating while Wiesel lay silently on the bunk above for fear of being beaten too. He moved to Paris after the war, and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night.
Gazpacho are an art rock band from Oslo, Norway. The original core band of Jan-Henrik Ohme (vocals), Jon-Arne Vilbo (guitars) and Thomas Andersen (keyboards, programming, producer) started making music together in 1996 and the band has since expanded with Mikael Krømer (violin, co-producer), Lars Erik Asp (drums) and Kristian Torp (bass).
Gazpacho's music has been described by one critic as being "classical post ambient nocturnal atmospheric neo-progressive folk world rock". The music has been compared to A-ha, Radiohead, Marillion and Porcupine Tree.
Without the backing of a major label, Gazpacho is one of many bands now using the Internet to promote their music, specifically their own website and its forum, online shopping and MySpace. This allows the band to hold down full-time jobs, yet still manage to release an album a year with total artistic control over their compositions and distribution.
Childhood friends Jon-Arne Vilbo and Thomas Andersen had played together in a band called Delerium before, which in their own words "whittled away." After several years of separation, the two friends met again and started making music together again. Andersen had met Jan-Henrik Ohme through his work as radio commercial producer and brought him into the jam sessions, which laid the foundation for Gazpacho as it exists today.