Deceit is the second and final studio album by English experimental rock band This Heat. It was recorded in 1981 and released in September of the same year by Rough Trade Records.
Deceit is regarded as a classic of the post-punk era, and was ranked at number 20 on Pitchfork's list of the greatest albums of the 1980s.
In a 1991 interview, Charles Hayward explained that the threat of nuclear warfare motivated the band and provided the album with an underlying theme: "The whole speak, 'Little Boy', 'Big Boy' [sic], calling missiles cute little names. The whole period was mad! We had a firm belief that we were going to die and the record was made on those terms.… The whole thing was designed to express this sort of fear, angst, which the group was all about, really." The album's subject matter also deals with war and imperialism. The cover art reflects these concerns, and includes a photomontage of images such as mushroom clouds, thematic maps depicting nuclear arsenals and photographs of Ronald Reagan, Leonid Brezhnev and Nikita Khrushchev.
Deception, beguilement, deceit, bluff, mystification and subterfuge is the act of propagating beliefs in things that are not true, or not the whole truth (as in half-truths or omission). Deception can involve dissimulation, propaganda, and sleight of hand, as well as distraction, camouflage, or concealment. There is also self-deception, as in bad faith.
Deception is a major relational transgression that often leads to feelings of betrayal and distrust between relational partners. Deception violates relational rules and is considered to be a negative violation of expectations. Most people expect friends, relational partners, and even strangers to be truthful most of the time. If people expected most conversations to be untruthful, talking and communicating with others would require distraction and misdirection to acquire reliable information. A significant amount of deception occurs between romantic and relational partners.
Deceit and dishonesty can also form grounds for civil litigation in tort, or contract law (where it is known as misrepresentation or fraudulent misrepresentation if deliberate), or give rise to criminal prosecution for fraud.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
?! is the third studio album by Italian rapper Caparezza, and his first release not to use the former stage name MikiMix.
Reviewing the album for Allmusic, Jason Birchmeier wrote, "The Italian rapper drops his rhymes with just as much fluency and dexterity as his American peers throughout the album. [...] Caparezza's mastery of the Italian dialect [makes] this album so stunning."
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.