B12 most often refers to:
B12 or B-12 may also refer to:
The Metropolitan Transportation Authority (MTA) operates a number of bus routes in Brooklyn, New York, United States; one minor route is privately operated under a city franchise. Many of them are the direct descendants of streetcar lines (see list of streetcar lines in Brooklyn); the ones that started out as bus routes were almost all operated by the Brooklyn Bus Corporation, a subsidiary of the Brooklyn–Manhattan Transit Corporation, until the New York City Board of Transportation took over on June 5, 1940. Of the 55 local Brooklyn routes operated by the New York City Transit Authority, roughly 35 are the direct descendants of one or more streetcar lines, and most of the others were introduced in full or in part as new bus routes by the 1930s. Only the eastern section of the B82 (then the B50), the B83, and the B84 were created by New York City Transit from scratch, in 1978, 1966, and 2013, respectively.
This table gives details for the routes prefixed with "B" - in other words, those considered to run primarily in Brooklyn by the MTA. For details on routes with other prefixes, see the following articles:
The Caro–Kann Defence is a chess opening characterised by the moves:
The Caro–Kann is a common defense against the King's Pawn Opening and is classified as a "Semi-Open Game" like the Sicilian Defence and French Defence, although it is thought to be more solid and less dynamic than either of those openings. It often leads to good endgames for Black, who has the better pawn structure.
The opening is named after the English player Horatio Caro and the Austrian player Marcus Kann who analysed it in 1886. Kann scored an impressive 17-move victory with the Caro–Kann Defence against German-British chess champion Jacques Mieses at the 4th German Chess Congress in Hamburg in May 1885:
The usual continuation is
followed by 3.Nc3 (Classical and Modern variations), 3.exd5 (Exchange Variation), 3.e5 (Advance Variation), or 3.Nd2 (almost always same as 3.Nc3). The classical variation (3.Nc3) has gained much popularity.
Debris or débris (UK: /ˈdɛbriː/ or /ˈdeɪbriː/; US: /dᵻˈbriː/) is rubble, wreckage, ruins, litter and discarded garbage/refuse/trash, scattered remains of something destroyed, discarded, or as in geology, large rock fragments left by a melting glacier etc. Depending on context, debris can refer to a number of different things. The first apparent use of the French word in English is in a 1701 description of the army of Prince Rupert upon its retreat from a battle with the army of Oliver Cromwell, in England.
In disaster scenarios, Tornado leave behind large pieces of houses and mass destruction overall. This debris also flies around the tornado itself when it's in progress. The tornado's winds capture debris it kicks up in it's wind orbit, and spins it inside it's vortex. The tornado's wind radius is larger than the funnel itself. In fact some studies suggest that in EF-5 tornadoes, the radius of the tornado could be classified as a new EF-6 tornado. Tsunamis and hurricanes also bring large amounts of debris. Such as Hurricane Katrina in 2005 and Hurricane Sandy in 2012. Earthquakes rock cities to rubble debris. Overall natural disasters can be very difficult to recover from. But in the end, we can always pull through what Mother Nature throws at us.
Debris is the debut album by electro-industrial project Ayria. It was released in 2003, along with a deluxe edition featuring a bonus disc and alternate packaging.
Debris is an in-yer-face play by Dennis Kelly. It was first produced at the Latchmere Theatre (now Theatre 503) in London in 2003, before being transferred to Battersea Arts Centre the next year.
A one-act play where a brother and sister try to make sense of their dysfunctional childhood. The pair lie about their past creating new elaborate past stories, the central narrative is of the brother, Michael, who finds a baby who he names Debris trying to keep him a secret and alive from his alcoholic father confiding only in Michelle his sister who is fascinated with their mother's death and gives several contradicting stories of how she died.
In the first scene the brother describes coming home to see his father who has committed suicide by crucifixion. Kelly has said "I was brought up a Catholic, so, like every decent Catholic, as a child I fantasised about being crucified - it must have come from there"
Kelly original had problems getting Debris produced until approaching Theatre 503 "The play had been rejected by pretty much every other theatre around but 503 saw something in the play and decided to abandon common sense and produce it. For me it was one of the most important moments in my life"