Deborah Walley (August 12, 1941 – May 10, 2001) was an American actress noted for playing the title role in Gidget Goes Hawaiian (1961) and in several Beach Party films.
She was born in Bridgeport, Connecticut to Ice Capades skating stars and choreographers, Nathan and Edith Walley. She attended Central High School in Bridgeport. At fourteen, she was playing summer-stock theatre. During her sophomore year, she attended Rosarian Academy in West Palm Beach, Florida, where she was cast as Cinderella in the Academy's annual musical production at the Royal Poinciana Playhouse in Palm Beach, Florida. She studied acting at New York City's American Academy of Dramatic Arts. She began working on stage in the city.
She was discovered by agent Joyce Selznick in a performance in a production of Anton Chekov's Three Sisters. This led her to make her Hollywood film debut as Gidget in 1961's Gidget Goes Hawaiian. From then until 1974 she appeared in fifteen feature-length films, including several of the "Beach Party" films produced by American International Pictures. She also co-starred in the Elvis Presley film Spinout where she and Elvis bonded over a shared interest in spiritual matters.
Deborah (Hebrew: דְּבוֹרָה, Modern Dvora, Tiberian Dəḇôrā ; "Bee") was a prophet of the God of the Israelites, the fourth Judge of pre-monarchic Israel, counselor, warrior, and the wife of Lapidoth according to the Book of Judges chapters 4 and 5. The only female judge mentioned in the Bible, Deborah led a successful counterattack against the forces of Jabin king of Canaan and his military commander Sisera; the narrative is recounted in chapter 4.
Judges chapter 5 gives the same story in poetic form. This passage, often called The Song of Deborah, may date to as early as the 12th century BC and is perhaps the earliest sample of Hebrew poetry. It is also significant because it is one of the oldest passages that portrays fighting women, the account being that of Jael, the wife of Heber, a Kenite tent maker. Jael killed Sisera by driving a tent peg through his temple as he slept. Both Deborah and Jael are portrayed as strong independent women. The poem may have been included in the Book of the Wars of the Lord mentioned in Numbers 21:14.
Deborah (Hebrew: דְּבוֹרָה Dəḇōrāh) is the name of the nurse of Rebecca (Genesis 35:8). She is first mentioned by name in the Torah when she dies in a place called Alon Bachot, and is buried by Jacob, who is returning with his large family to Canaan.
According to Rashi, Deborah was sent by Laban to care for his sister Rebecca when the latter went to marry Isaac (Genesis 24:59). After Jacob had been away from home for 22 years, Rebecca dispatched her loyal nurse to tell Jacob that it was safe for him to return home. The elderly nurse delivered her message and died on the return journey.
Un fiocco nero per Deborah (internationally released as A Black Ribbon for Deborah, Deborah, Deborah Black Sun and The Torment) is a 1974 Italian horror film directed by Marcello Andrei. AllMovie defines the film a "low-wattage horror piece". It was filmed in Verona.
Sigo besando la espalda que me dio el estado.
Otro día más para ir a ningún lado.
Muchos de los que me amaron me dejaron a un costado
el resentimiento me enfermó y ya no pude salir.
Estoy en guerra desde que acabó la guerra
vendiendo recuerdos que nadie quiere recordar.
Yo no quiero mendigar, yo me lo quiero ganar
todos pasan y me miran con lástima,
no me mires más, no me mires más...
Nada me dejo la patria, me fui quedando a un lado
estoy harto de vivir para sobrevivir.
Usted ahora me pregunta de que me estoy quejando
y yo que puedo decir, soy del 2 de abril, soy del 2 de abril.
A un loco de la guerra nadie le quiere dar trabajo
será que hay demasiados trabajando en el país
conduciendo patrulleros, pueblos, taxis, colectivos...
Todo el mundo tiene su factor de poder,
yo quiero también,
yo quiero también.
Nada me dejo la patria, me fui quedando a un lado
estoy harto de vivir para sobrevivir.
Usted ahora me pregunta de que me estoy quejando
y yo que puedo decir, soy del 2 de abril, soy del 2 de abril.
Ahora sé como es el juego, me entrenaron como a un perro.
Todo el mundo tiene su factor de poder,
yo quiero también,
yo quiero también.
Nada me dejo la patria, me fui quedando a un lado
estoy harto de vivir para sobrevivir.
Usted ahora me pregunta de que me estoy quejando
y yo que puedo decir, soy del 2 de abril, soy del 2 de abril.