Capital punishment

Capital punishment, death penalty or execution is government sanctioned punishment by death. The sentence is referred to as a death sentence. Crimes that can result in a death penalty are known as capital crimes or capital offences, such as first degree murder, terrorism, and espionage. The term capital originates from the Latin capitalis, literally "regarding the head" (referring to execution by beheading). There are many execution methods; one widely practiced form historically that is the most common modern method used in jurisdictions with capital punishment is hanging.

Capital punishment has, in the past, been practiced by most societies, as a punishment for criminals, and political or religious dissidents. Historically, the carrying out of the death sentence was often accompanied by torture, and executions were most often public.

Thirty-six countries actively practice capital punishment, 103 countries have completely abolished it de jure for all crimes, 6 have abolished it for ordinary crimes only (while maintaining it for special circumstances such as war crimes), and 50 have abolished it de facto (have not used it for at least ten years and/or are under moratorium). No Western country still uses the death penalty except the United States.

Death sentence (disambiguation)

Death sentence usually refers generally to capital punishment.

It may also refer to:

  • "Death Sentence" (short story), a 1943 short story by Isaac Asimov
  • Death Sentence (novel), a 1975 novel by Brian Garfield
  • Death Sentence (2007 film), a 2007 film adaptation of the Brian Garfield novel
  • Death Sentence (1968 film), a 1968 Italian film
  • Death Sentence, a 1948 French novella (L'Arrêt du mort) by Maurice Blanchot (translated by Lydia Davis, 1998)
  • Death Sentence: The Decay of Public Language, a 2003 book by Don Watson
  • Mrityudand or The Death Sentence, a 1997 Indian film
  • See also

  • Sentenced to Death (film), a 1989 Hungarian film
  • Death Sentence (novel)

    Death Sentence is the 1975 sequel novel to Death Wish by Brian Garfield.

    Plot introduction

    Continuing six months after Death Wish left off, Paul Benjamin has moved from New York to Chicago after his catatonic daughter died in an institution, a result of the brutal attack that changed Paul Benjamin into a vigilante. Paul resumes his private violent war as he stalks criminals in the streets of Chicago. The only thing that may distract him from his crusade is a beautiful woman he starts cordially dating in his new life. And as Paul ends up having a double life, an imitating vigilante is out in the streets violently killing off criminals just like Paul. What's worse is that vigilantism soon begins to become a cry of publicity as the police have to look for their man before innocent people start dying out of injustice. Paul is not only after criminals or justice anymore, but he's also looking for a man who is as equally as dangerous as the vigilante he has become.

    Film adaptation

    Podcasts:

    PLAYLIST TIME:

    Death Sentence

    by: Big Daddy Kane

    I break out in a cold sweat, rip up the whole set
    I'm about as bad as you can get
    Comin' from Bed-Stuy, that's where they do or die
    Forget about the lions and tigers and bears, oh my
    It's not a fairy tale, a myth, it's a musical uplift
    and I'm the wrong one to mess with
    I roll on rappers like a Cherokee, bake 'em up merrily
    just like the cooks at Sara Lee
    Erase, replace, disgrace, and chase, unlace your face
    and place a neck brace, about-face
    And get to steppin', because my lethal weapon
    is blowin' too fast, while you're slow as Catherine Hepburn
    What you need is a little more speed, style and flavor
    but it still wouldn't save ya
    So to the rear, step off and let the man flex
    cuz I can hang tighter to the groove than spandex
    I snatch the mic whith grace, always with a plan
    and Cee'll cut the recored up like Edward Scissorhands
    Rock the soul shack, I can't hold back
    Four years standin' and I still got the knack
    Cuz I remember when I first did it
    the comments that were goin' around from the next critic
    Like "Yeah, he sound alright, but still will he hold?"
    And now my black ass is still here like Billy Joel
    One hip-hopper that don't have to sound proper
    My broken English you can still distinguish
    And I don't have no image or no gimmicks
    and I don't have no bounds or no limits
    The Kane'll keep goin', and growin', and flowin'
    and showin' any MC, I got the best finesse to manifest
    Cuz I pull cards like some type of retard
    Hittin' MCs hard, and any other Rass Claaad
    I'm the predator to any competitor
    Scorchin' and damagin' and stompin' et cetera
    And any MC that tries to test me
    I'm swellin' up his jaws mor than Dizzy Gillespie
    Crushin' all dreams you thought were possible
    I turn into nightmares you have in the hospital
    I couldn't count the rappes I be servin'
    If defeat was sex, huh, I'd be a virgin
    My match ain't been found, movin' around, breakin' 'em down
    where the ground, never the clown, how that sound?
    Don't get gassed, cuz boy you won't last
    so take your crippled rhymes and put 'em in a cast
    You're too pathetic, bring in a paramedic
    to heal your sick rhymes, cuz man, you ain't poetic
    You're just a cheap little hooker and I gotta overlook a
    MC that's wack, ya little bogger
    And stand clear of the mic that I'm rippin'
    as I'm......???
    And get your jury and a good defendant




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