Pram

Pram or PRAM may refer to:

Pram (band)

Pram are a British experimental pop band, formed in the Balsall Heath/Moseley area of Birmingham, England in 1990.

History

Early years

Originally from Harrogate, North Yorkshire, Rosie Cuckston, Matt Eaton and Andy Weir went to school together. In the late 1980s Cuckston and Eaton moved to Birmingham, where Cuckston met Shropshire-born Samantha "Sam" Owen by chance (at a local supermarket's Singles Night). Weir had moved to London to study art, but kept in touch. The four musicians began working together in Birmingham under the temporary name Hole in 1988 (performing solely with vocals and a homemade theremin), changing their name to Pram some time later. Cuckston sang and played keyboards, Eaton played mostly guitar, Weir played drums, and Owen played bass guitar. A little later the group added a fifth member, Max Simpson, on keyboard and sampler. Over time, the various band members introduced their multi-instrumental skills to the project - in particular, Sam Owen and Matt Eaton shared bass guitar and six-string guitar roles (as well as adding to the keyboards) and Owen also performed on various woodwind instruments as well as singing backing vocals.

Piano

The piano (Italian pronunciation: [ˈpjaːno]; an abbreviation of pianoforte [pjanoˈfɔrte]) is a musical instrument played using a keyboard. It is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, and for composing and rehearsal. Although the piano is not portable and often expensive, its versatility and ubiquity have made it one of the world's most familiar musical instruments.

An acoustic piano usually has a protective wooden case surrounding the soundboard and metal strings, and a row of 88 black and white keys (52 white, 36 black). The strings are sounded when the keys are pressed, and silenced when the keys are released. The note can be sustained, even when the keys are released, by the use of pedals.

Pressing a key on the piano's keyboard causes a padded (often with felt) hammer to strike strings. The hammer rebounds, and the strings continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air. When the key is released, a damper stops the strings' vibration, ending the sound. Although an acoustic piano has strings, it is usually classified as a percussion instrument because the strings are struck rather than plucked (as with a harpsichord or spinet); in the Hornbostel-Sachs system of instrument classification, pianos are considered chordophones. With technological advances, electric, electronic, and digital pianos have also been developed.

Dynamics (music)

In music, dynamics are instructions in musical notation to the performer about hearing the loudness of a note or phrase. More generally, dynamics may also include other aspects of the execution of a given piece.

Relative loudness

The two basic dynamic indications in music are:

More subtle degrees of loudness or softness are indicated by:

Beyond f and p, there are also

And so on.

Some pieces contain dynamic designations with more than three f's or p's. In Holst's The Planets, ffff occurs twice in Mars and once in Uranus often punctuated by organ and fff occurs several times throughout the work. It also appears in Heitor Villa-Lobos' Bachianas Brasileiras No. 4 (Prelude), and in Liszt's Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam". The Norman Dello Joio Suite for Piano ends with a crescendo to a ffff, and Tchaikovsky indicated a bassoon solo pppppp in his Pathétique Symphony and ffff in passages of his 1812 Overture and the 2nd movement of his Fifth Symphony.

Piano (Wynton Kelly album)

Piano, also released as Whisper Not, is an album by jazz pianist Wynton Kelly released on the Riverside label featuring performances by Kelly with Kenny Burrell, Paul Chambers, and Philly Joe Jones recorded in 1958.

Reception

The Allmusic review by Scott Yanow states "Kelly became a major influence on pianists of the 1960s and 1970s and one can hear the genesis of many other players in these swinging performances".

Track listing

Personnel

References

Dead (disambiguation)

Dead refers to that which has experienced death.

Dead may also refer to:

Arts, entertainment, and media

Music

Artists

Albums

Songs

Television

Chemistry

See also

Flood (They Might Be Giants album)

Flood is the third studio album by Brooklyn-based alternative rock duo They Might Be Giants, released in January 1990. Flood was the duo's first album on the major label Elektra Records. It generated three singles: "Birdhouse in Your Soul", "Istanbul (Not Constantinople)", and the domestic promotional track "Twisting". The album is generally considered to be the band's definitive release, as it is their best-selling and most recognizable album. Despite minimal stylistic and instrumental differences from previous releases, Flood is distinguished by contributions from seasoned producers Clive Langer and Alan Winstanley. John Linnell and John Flansburgh also took advantage of new equipment and recording techniques, including unconventional, home-recorded samples, which were programmed through Casio FZ-1 synthesizers. The album was recorded in New York City at Skyline Studios, which was better equipped than studios the band had worked in previously.

Promotion for Flood included television appearances, promotional videos, and an international tour. The album's mainstream promotion and success contributed to its status as the band's most well known album. Many fans, including young viewers of Tiny Toon Adventures, were first exposed to They Might Be Giants's music through Flood.