De Stentor is an Apeldoorn-based Dutch regional newspaper, appearing in several editions, in the Eastern part of the Netherlands. It is owned by Wegener.
The following newspapers are published by De Stentor: Apeldoornse Courant, Zwolse Courant, Deventer Dagblad, Veluws Dagblad, Sallands Dagblad, Zutphens Dagblad, Gelders Dagblad, Nieuw Kamper Dagblad, Dagblad Flevoland.
In Greek mythology, Stentor (Greek: Στέντωρ; gen.: Στέντορος) was a herald of the Greek forces during the Trojan War. Although he is mentioned only briefly in Homer's Iliad, in which Hera takes Stentor's character to encourage the Greeks to fight, his name has been living in the term "stentorian" voice, meaning loud-voiced, for which he was famous: Homer said his "voice was as powerful as fifty voices of other men". Elsewhere, he is said to have died after his defeat by Hermes in a shouting contest.
Aristotle uses the concept of a Stentor in his Politics Book 7, Chapter IV saying, "For who can be the general of such a vast multitude, or who the herald, unless he have the voice of a Stentor?"
Stentor is a figure from Greek mythology.
Stentor can also refer to:
VEB Typoart was the only type foundry of East Germany. It was a state-owned enterprise ("Volkseigener Betrieb") located in Dresden. The foundry's most influential art directors were Herbert Thannhäuser and Albert Kapr.
VEB Typoart was created by the government of the German Democratic Republic in 1948 through a merger of several nationalised type foundries, including Schelter & Giesecke (1945) and Ludwig Wagner AG (1960). It was subordinated to Zentrag, a state enterprise coordinating all GDR printing activity. Typoart's principal mission was to create typefaces for Eastern Germany and other Eastern Bloc countries. It was frequently ordered to plagiarise Western typefaces that Zentrag could not afford to license.
In the course of German reunification, Typoart was privatised as Typoart GmbH in 1989 and went bankrupt in 1995. The copyright status of its typefaces remained uncertain, and some of them have been reissued in digital form by other type foundries.
Typoart's typefaces included:
yea, yo - yo - yo - YO! - (yo) - Holla (Holla)
The Last Temptation, we comin' through now niggaz
s'the problem?, (the problem?) s'the problem?, (the problem?)
Always has been, hahaha, yo partna (yo partna)
Turn me up this bitch up in my mothafuckin' headphones and shit
C'mon, well let these niggaz know, (niggaz know)
Let it known...muh'afuckas y'all want war wit' the GOD
C'mon y'all know better, I put holes in ya leather
Re-knit your sweater, and I bet the flows wet her
Then notion front property - better come at me properly
Niggaz better off poppin' me - but I believe
Y'all scared ta clap from henis
In the fact I'm unpredictable, gives me the advantage
What the fuck, am I'm speaking spanish niggaz
What I got ta tell y'all in detail how we murder niggaz
Handle ya buisness, Tha Inc. is religious
Murders a sacrifice, throwing ends niggaz
That means Murda fa' life, and I'll die for that bread and black
That house wit' tha chedda stack, wit' smiles in my kids face
What could replace this, this lil' nigga here
The coming grimce wit' death, ta taste it
My airs thick and filled wit' hatred
Surprise of that look in my eyes, but don't be
I'm just following the foots of the Lord, then thank me
If I go crazily insane, I'ma blame it on the world
Look what I became, 'cause they ain't give me all the fame
and the money mayne, maybe an I-con
So the world can catch a nigga wit' his lights on
That's the pros and con, ya never quite free
So just gimme a lil' room so I can breathe
And my pain goin' be the death of me
But to be loved is my destiny, My black peep...