MDC

MDC may refer to:

Manuel de Codage

The Manuel de Codage (abbr. MdC) is a standard system for the computer-encoding of transliterations of Egyptian hieroglyphic texts.

History

In 1984 a committee was charged with the task to develop a uniform system for the encoding of hieroglyphic texts on the computer. The resulting Manual for the Encoding of Hieroglyphic Texts for Computer-input (Jan Buurman, Nicolas Grimal, Jochen Hallof, Michael Hainsworth and Dirk van der Plas, Informatique et Egyptologie 2, Paris 1988) is generally shortened to Manuel de Codage. It presents an easy to use way of encoding hieroglyphic writing as well as the abbreviated hieroglyphic transliteration. The encoding system of the Manuel de Codage has since been adopted by international Egyptology as the official common standard for registering hieroglyphic texts on the computer.

Egyptologists have scheduled a revision for 2007 of the Manuel de Codage, in order to ensure broader implementation in current and future software.

List of Gardiner's fundamental uniliteral hieroglyphs and their transliteration

MDC (band)

MDC (Millions of Dead Cops) is an American punk rock band formed in Austin, Texas in 1981. The band was subsequently based in San Francisco, California, and are currently based in Portland, Oregon. Originally formed as The Stains before changing their name, the band also changed their name to a different initialism of MDC with every new record released. They play fast hardcore punk music espousing far-left sociopolitical ideals, with singer Dave Dictor expressing his animal rights and anti-capitalist convictions.

MDC eventually released material through ex-Dead Kennedys singer Jello Biafra's independent Alternative Tentacles label. In the 1990s, Dictor published editorials for the internationally distributed fanzine Maximumrocknroll. MDC's initial run ended in 1995, and the band spent five years on hiatus before Dictor returned in 2000 with new band members.

Career

Early years

Formed in late 1970s as The Stains and playing their first gig under this name in August 1980, MDC were one of three pioneering hardcore punk bands in Austin, Texas, in the early '80s, alongside The Dicks and Big Boys. These bands frequently played together and established the Austin hardcore scene. They released one single as the Stains in 1981, featuring a slower version of the future MDC song "John Wayne Was a Nazi" backed with "Born to Die". Both songs were later released on the debut MDC album.

Clown (film)

Clown is a 2014 Canadian-American 3D psychological thriller-supernatural horror film directed by Jon Watts, produced by Mac Cappuccino, Eli Roth and Cody Ryder, and written by Christopher D. Ford and Watts. The film stars Laura Allen, Andy Powers, and Peter Stormare. The visual effects for the clown monster were done by Alterian, Inc. and Tony Gardner. Principal photography began in November 2012, in Ottawa. The UK premiere was February 27, 2015, in Scotland at FrightFest Glasgow 2015. The film was theatrically released in Italy on November 13, 2014 by Dimension Films and FilmNation Entertainment. Clown was released on DVD and Blu-ray on March 2, 2015, by StudioCanal.

Plot

Kent McCoy, a real estate agent, is a loving husband and father who, for the birthday of his son Jack, hosts a party and invites a clown to amuse Jack and his friends. The clown accidentally goes to another party, but Kent discovers an old clown costume in the attic of one of the houses he is overseeing and decides to wear it, entertaining his son and his friends. After the party, Kent falls asleep still wearing the clown costume, but the next morning he is no longer able to take it off, as the body suit, wig, and red nose are progressively adhering to his skin. When his pregnant wife Meg tries to help Kent remove the fake nose, it rips from his flesh, wounding him. Kent also begins to show strange behaviour and a deep sense of hunger, with a noisy gurgling in his stomach.

Violator (comics)

Violator (also referred to at times as The Violator) is a fictional supervillain, who appears in the Spawn comic books published by Image Comics. The character first appeared in Spawn #2 (May 1992) and was created by writer-artist Todd McFarlane. He serves as a major antagonist in issues 1-100 and later became a secondary antagonist in the recent issues. He is Spawn's most recognizable enemy.

In 2009, Violator was ranked as IGN's 97th Greatest Comic Book Villain of All Time.

Fictional character biography

Violator is the oldest and most powerful of five hell-born demons known as the Phlebiac Brothers, and his main purpose is to guide Hellspawns towards fulfilling Satan's desire: to cultivate Evil souls on Earth for Hell's army. He has been Hell's guide for multiple Hellspawn, his latest charge being the current Spawn, Al Simmons. However, Violator views humanity as weak and so asserts that demons should lead the armies of Hell, not Spawn. Accordingly, much of his terrestrial activities, sanctioned by Hell or not, are aimed at proving his superiority to his master. The Violator's current disguise is that of The Clown, a 5'6" overweight, balding man with menacing face-paint. The Violator is not a demon to be taken lightly: he has shown many times that he is more than a match for a young Hellspawn. His hands are tied by his role, though, as he cannot kill a Spawn without an order from his superiors. His role is not to kill the Hellspawn, but to weaken them and cause them to waste their powers in wreaking havoc. His chief purpose is to groom and prepare the young Hellspawn for their service in Satan's army. He has been killed multiple times, each time to be returned to Hell and reanimated by his master.

Feste

Feste is a fool in the William Shakespeare comedy Twelfth Night. He is attached to the household of the Countess Olivia. He has apparently been there for some time, as he was a "fool that the Lady Olivia's father took much delight in" (2.4). Although Olivia's father has died within the last year, it is possible that Feste approaches or has reached middle age, though he still has the wit to carry off good 'fooling' when he needs to, and the voice to sing lustily or plangently as the occasion demands. He is referred to by name only once during the play, in answer to an inquiry by Orsino of who sang a song that he heard the previous evening. Curio responds "Feste, the jester, my lord; a fool that the lady Olivia's father took much delight in. He is about the house" (2.4). Throughout the rest of the play, he is addressed only as "Fool," while in the stage directions he is mentioned as "Clown."

Feste seems to leave Olivia's house and return at his pleasure, rather too freely for a servant. (At the very least he is doing some free-lance entertaining over at the house of Duke Orsino (2.4).) His habit of roaming get him into trouble with Lady Olivia: when we first see him, he must talk his way out of being turned out — a grim fate in those days — for being absent, as it were, without leave. He succeeds, and once back in his lady's good graces, he weaves in and out of the action with the sort of impunity that was reserved for a person nobody took seriously.