Outrage

Outrage may refer to:

Film and television

Outrage (1973 film)

Outrage is a 1973 made-for-television film that aired on the American Broadcasting Company's (ABC) popular Movie of the Week franchise. The movie, which originally aired on November 28, 1973, tells the story of a suburban neighborhood and family that is repeatedly terrorized by a group of privileged young men from neighboring families. The film is set in an idealized rural suburban community.

The film stars Robert Culp, Marlyn Mason and Beah Richards, and featured Nicholas Hammond, James Sikking and Thomas Leopold. The film was directed Richard T. Heffron, and written by writer William Wood.

The film was originally titled One Angry Man.Turner Classic Movies lists the title of the film as "Outrage!" with the addition of the exclamation point. The movie would later inspire a 1998 TV film remake of the same name with Rob Lowe and Jennifer Grey.

Plot Summary

Jim Kiler, a suburbanite, finds himself and his family at the mercy of a group of young men from neighboring families who have singled out the Kilers after running roughshod over the greater community. While Kiler attempts at first to reason with the youths, their response is to step up the attacks on the family, which grow more emboldened and dangerous as the film continues. Kiler and his wife eventually feel that in addition to their personal safety, the youths are also trying to tempt their young daughter into situations that would harm her.

Outrage (emotion)

Outrage is a strong emotion characterized by reaction of shock, anger and indignation to a grave personal offense. It comes from old French and meant "beyond rage". The offense violates acceptable standards of behavior and the anger is directed at the person(s) who committed the act.

Moral outrage is concerned with maintaining and enforcing moral or societal norms or social hierarchy. Moral outrage is differentiated from a personal offense in that it is triggered by observation of injustice, perceived violations of deeply held beliefs around taboos, privileges or norms by a third party to which the observer may have no immediate relationship. Emotions experienced are usually anger and disgust in combination.

References

See also

Daydream

Daydreaming is a short-term detachment from one's immediate surroundings, during which a person's contact with reality is blurred and partially substituted by a visionary fantasy, especially one of happy, pleasant thoughts, hopes or ambitions, imagined as coming to pass, and experienced while awake.

There are many types of daydreams, and there is no consistent definition amongst psychologists, however the characteristic that is common to all forms of daydreaming meets the criteria for mild dissociation.

Society and the negative vs. positive aspects

Negative aspects of daydreaming were stressed after human work became dictated by the motion of the tool. As craft production was largely replaced by assembly line that did not allow for any creativity, no place was left for positive aspects of daydreaming. It not only became associated with laziness, but also with danger.

For example, in the late 19th century, Toni Nelson argued that some daydreams with grandiose fantasies are self-gratifying attempts at "wish fulfillment". Still in the 1950s, some educational psychologists warned parents not to let their children daydream, for fear that the children may be sucked into "neurosis and even psychosis".

Daydream (Mariah Carey album)

Daydream is the fifth studio album by American singer-songwriter Mariah Carey, released on October 3, 1995, by Columbia Records. The follow-up to her internationally successful album Music Box (1993) and holiday album Merry Christmas (1994), Daydream differed from the two by leaning increasingly towards contemporary R&B and hip hop. Throughout the project, Carey collaborated with Walter Afanasieff, with whom she wrote and produced most of her two previous albums. With Daydream, Carey took more control over the musical direction as well as the album's composition. Carey said she considered Daydream the beginning of her musical and vocal transformation, a change that became more apparent in her sixth album Butterfly (1997). During the album's production, Carey endured many creative differences with her label and husband Tommy Mottola.

On Daydream, Carey collaborated with Jermaine Dupri for the first time, and co-wrote and produced a song with Kenneth "Babyface" Edmonds, with whom she had collaborated on Music Box. It was also the first time she had worked with Boyz II Men, an R&B group consisting of four male vocalists. Together, they wrote the concept and lyrics for "One Sweet Day," a song that Carey co-produced with Afanasieff. With his assistance and the addition of a few contemporary producers, she was able to make a subtle transition into the R&B market. Daydream was nominated for six Grammy Awards at the 38th annual ceremony, during which Carey performed live. Due to the album's critical and commercial success, critics believed Carey would be one of the night's big winners. However, to her dismay, she was completely shut out, causing the subject to become very public and controversial.

Daydream (1981 film)

Daydream (白日夢, Hakujitsumu) (1981) is a Japanese film. A remake by director Tetsuji Takechi of his ground-breaking 1964 pink film of the same title, this film is considered the first hardcore theatrical release in Japan.

Background

Maverick theater and film director Tetsuji Takechi had directed Japan's first big-budget Pink film in 1964 with Daydream. He directed more films in the 1960s, including Black Snow 1965, which resulted in a high-profile obscenity trial. During the 1970s he concentrated on writing projects, and served as the host of a successful television series, The Tetsuji Takechi Hour for the previous decade. In 1981, the then 68-year old Takechi decided to return to film with a hardcore remake of Daydream. Takechi again chose Akira Takeda, Nagisa Oshima's cinematographer between 1965 and 1968, to shoot his film,

Noticing Kyōko Aizome in one of her nude photo magazine appearances, Takechi chose the then unknown actress to star in the film. After the film's release, Aizome added to the controversy by admitting to having performed actual sexual intercourse on camera. Though, as Japanese law required, sexual organs and pubic hair were fogged on screen, the Asahi Shimbun called it a breakthrough film as Japan's first hardcore pornographic movie, and Aizome received national notoriety from starring in the film, thereby becoming Japan's first hardcore pornographic star. Her name became a selling-point for future films such as Kyōko Aizome's Somber Reminiscence (1983).