Garage

Garage may refer to:

Vehicles

Film

Music

Other uses

Garage (residential)

A residential garage (/ˈɡærɪdʒ/ or /ɡæˈrɑːʒ/) is a walled, roofed structure for storing a vehicle or vehicles that is part of or attached to a home, or which is an associated outbuilding or shed. Residential garages typically have space for one or two cars, although three-car garages are used. When a garage is attached to a house, the garage typically has an entry door into the house. Garages normally have a wide door which can be raised to permit the entry and exit of a vehicle, and then closed to secure the vehicle. A garage protects a vehicle from precipitation, and, if it is equipped with a locking garage door, it also protects the vehicle(s) from theft and vandalism.

Some garages have an electrical mechanism to automatically open or close the garage door when the homeowner presses a button on a small remote control. Some garages have enough space, even with cars inside, for the storage of items such as bicycles or a lawnmower; in some cases, there may even be enough space for a workshop or a man cave. Garages that are attached to a house may be built with the same external materials and roofing as the house. Garages that are not connected to the home may use a different style of construction from the house. In some places, the term is used synonymously with "carport", though that term normally describes a structure that, while roofed, is not completely enclosed. A carport protects the vehicle to some degree from inclement weather, but it does not protect the vehicle from theft or vandalism.

Garage (film)

Garage is a 2007 Irish film directed by Lenny Abrahamson and written by Mark O'Halloran, the same team behind Adam & Paul. It stars Pat Shortt, Anne-Marie Duff and Conor J. Ryan. The film tells the story of a lonely petrol station attendant and how he slowly begins to come out of his shell.

Garage won the CICAE Art and Essai Cinema Prize at the Cannes Film Festival and the Best Film prize at the 25th Torino Film Festival.

Plot

Josie (Pat Shortt) is a good-natured man with learning difficulties who lives and works at a garage in a small rural Irish village. The owner, Mr Gallagher, is a former schoolmate who is not interested in the garage and is only waiting for the right offer from developers so he can sell. For Josie, one day rolls into another with nothing but his menial job and a few pints in the local pub, even though the regulars mock him and his ways. Kind-hearted Josie's only other companion is a large horse that is tethered alone in a field. He talks to the animal and brings it food.

Daydream

Daydreaming is a short-term detachment from one's immediate surroundings, during which a person's contact with reality is blurred and partially substituted by a visionary fantasy, especially one of happy, pleasant thoughts, hopes or ambitions, imagined as coming to pass, and experienced while awake.

There are many types of daydreams, and there is no consistent definition amongst psychologists, however the characteristic that is common to all forms of daydreaming meets the criteria for mild dissociation.

Society and the negative vs. positive aspects

Negative aspects of daydreaming were stressed after human work became dictated by the motion of the tool. As craft production was largely replaced by assembly line that did not allow for any creativity, no place was left for positive aspects of daydreaming. It not only became associated with laziness, but also with danger.

For example, in the late 19th century, Toni Nelson argued that some daydreams with grandiose fantasies are self-gratifying attempts at "wish fulfillment". Still in the 1950s, some educational psychologists warned parents not to let their children daydream, for fear that the children may be sucked into "neurosis and even psychosis".

Daydream (Mariah Carey album)

Daydream is the fifth studio album by American singer-songwriter Mariah Carey, released on October 3, 1995, by Columbia Records. The follow-up to her internationally successful album Music Box (1993) and holiday album Merry Christmas (1994), Daydream differed from the two by leaning increasingly towards contemporary R&B and hip hop. Throughout the project, Carey collaborated with Walter Afanasieff, with whom she wrote and produced most of her two previous albums. With Daydream, Carey took more control over the musical direction as well as the album's composition. Carey said she considered Daydream the beginning of her musical and vocal transformation, a change that became more apparent in her sixth album Butterfly (1997). During the album's production, Carey endured many creative differences with her label and husband Tommy Mottola.

On Daydream, Carey collaborated with Jermaine Dupri for the first time, and co-wrote and produced a song with Kenneth "Babyface" Edmonds, with whom she had collaborated on Music Box. It was also the first time she had worked with Boyz II Men, an R&B group consisting of four male vocalists. Together, they wrote the concept and lyrics for "One Sweet Day," a song that Carey co-produced with Afanasieff. With his assistance and the addition of a few contemporary producers, she was able to make a subtle transition into the R&B market. Daydream was nominated for six Grammy Awards at the 38th annual ceremony, during which Carey performed live. Due to the album's critical and commercial success, critics believed Carey would be one of the night's big winners. However, to her dismay, she was completely shut out, causing the subject to become very public and controversial.

Daydream (1981 film)

Daydream (白日夢, Hakujitsumu) (1981) is a Japanese film. A remake by director Tetsuji Takechi of his ground-breaking 1964 pink film of the same title, this film is considered the first hardcore theatrical release in Japan.

Background

Maverick theater and film director Tetsuji Takechi had directed Japan's first big-budget Pink film in 1964 with Daydream. He directed more films in the 1960s, including Black Snow 1965, which resulted in a high-profile obscenity trial. During the 1970s he concentrated on writing projects, and served as the host of a successful television series, The Tetsuji Takechi Hour for the previous decade. In 1981, the then 68-year old Takechi decided to return to film with a hardcore remake of Daydream. Takechi again chose Akira Takeda, Nagisa Oshima's cinematographer between 1965 and 1968, to shoot his film,

Noticing Kyōko Aizome in one of her nude photo magazine appearances, Takechi chose the then unknown actress to star in the film. After the film's release, Aizome added to the controversy by admitting to having performed actual sexual intercourse on camera. Though, as Japanese law required, sexual organs and pubic hair were fogged on screen, the Asahi Shimbun called it a breakthrough film as Japan's first hardcore pornographic movie, and Aizome received national notoriety from starring in the film, thereby becoming Japan's first hardcore pornographic star. Her name became a selling-point for future films such as Kyōko Aizome's Somber Reminiscence (1983).