Carmen McRae
File:Carmen McRae.jpg
Background information
Birth name Carmen Mercedes McRae
Also known as "The Singer's Singer"
Born (1920-04-08)April 8, 1920
Origin Harlem,
New York City, New York,
United States
Died November 10, 1994(1994-11-10) (aged 74)
Beverly Hills, California, United States
Genres Vocal jazz, bebop, traditional pop
Occupations Singer, pianist
Instruments Piano
Years active 1944s–1994
Labels Decca, Verve, Atlantic, Novus, Columbia, Blue Note, Concord, Buddah
Associated acts Sammy Davis, Jr.
Billie Holiday
Cal Tjader
George Shearing
Dave Brubeck

Carmen Mercedes McRae (April 8, 1920 – November 10, 1994) was an American jazz singer, composer, pianist, and actress. Considered one of the most influential jazz vocalists of the 20th century, it was her behind-the-beat phrasing and her ironic interpretations of song lyrics that made her memorable.[1] McRae drew inspiration from Billie Holiday, but established her own distinctive voice. She went on to record over 60 albums, enjoying a rich musical career, performing and recording in the United States, Europe, and Japan.

Contents

Biography [link]

McRae was born in Harlem to Jamaican immigrant parents, Osmond and Evadne McRae. She began studying piano when she was eight, and the music of jazz greats like Louis Armstrong and Duke Ellington filled her home. She met singer Billie Holiday when she was just 17 years old. As a teenager McRae came to the attention of Teddy Wilson and his wife, the composer Irene Kitchings Wilson. One of McRae's early songs, "Dream of Life" through their influence, was recorded in 1939 by Wilson’s longtime collaborator Billie Holiday.[2] McRae considered Holiday to be her primary influence.

In her late teens and early twenties, McRae played piano at a New York club called Minton's Playhouse, Harlem's most famous jazz club, sang as a chorus girl, and worked as a secretary. It was at Minton's where she met trumpeter Dizzy Gillespie, bassist Oscar Pettiford, and drummer Kenny Clarke. Had her first important job as a pianist with the Benny Carter's big band (1944), worked with Count Basie (1944) and made first recording as pianist with Mercer Ellington Band (1946–1947). But it was while working in Brooklyn that she came to the attention of Decca’s Milt Gabler. Her five year association with Decca yielded 12 LPs.

In 1948 she moved to Chicago with comedian George Kirby. She played piano steadily for almost four years before returning to New York. Those years in Chicago, McRae told Jazz Forum, "gave me whatever it is that I have now. That's the most prominent schooling I ever had."[3] Back in New York in the early 1950s, McRae got the record contract that launched her career. In 1954, she was voted best new female vocalist by Down Beat magazine. She married bassist Ike Isaacs in the late 1950s.

Among her most interesting recording projects were Mad About The Man (1957) with composer Noël Coward, Boy Meets Girl (1957) with Sammy Davis, Jr., participating in Dave Brubeck's The Real Ambassadors (1961) with Louis Armstrong, a tribute album You're Lookin' at Me (A Collection of Nat King Cole Songs) (1983), cutting an album of live duets with Betty Carter, The Carmen McRae-Betty Carter Duets (1987), being accompanied by Dave Brubeck and George Shearing, and closing her career with brilliant tributes to Thelonious Monk, Carmen Sings Monk (1990), and Sarah Vaughan, Sarah: Dedicated to You (1991).

As a result of her early friendship with Billie Holiday, she never performed without singing at least one song associated with "Lady Day", and recorded an album in 1983 in her honor entitled For Lady Day, which was released in 1995. Some songs included are; "Good Morning Heartache", "Them There Eyes", "Lover Man", "God Bless the Child", "Don't Explain", just to name a few. McRae also recorded with the world best jazz musicians, Take Five Live (1961) with Dave Brubeck, Heat Wave (1982) with Cal Tjader, and Two for the Road (1989) with George Shearing.

Carmen McRae sang in jazz clubs throughout the United States—and across the world—for over fifty years. McRae was a popular performer at the legendary Monterey Jazz Festival (1961–1963, 1966, 1971, 1973, 1982). Performing with Duke Ellington's at the North Sea Jazz Festival in 1980, singing "Don't Get Around Much Any More", and at the Montreux Jazz Festival in 1989.[4]

Carmen McRae was forced to retire in 1991 due to emphysema.[5] McRae died on November 10, 1994, in Beverly Hills, California from a stroke, following complications from respiratory illness.

Awards [link]

Carmen McRae Grammy Award Recognitions[6]
Year Category Title Label Result
1990 Best Jazz Vocal Performance - Female Carmen Sings Monk Novus Nominee
1988 Best Jazz Vocal Performance - Female Fine and Mellow Concord Jazz Nominee
1988 Best Jazz Vocal Performance - Duo or Group The Carmen McRae-Betty Carter Duets Great American Music Hall Nominee
1987 Best Jazz Vocal Performance - Female Any Old Time Denon Nominee
1984 Best Jazz Vocal Performance You're Lookin' at Me (A Collection of Nat King Cole Songs) Concord Jazz Nominee
1977 Best Jazz Vocal Performance Carmen McRae at the Great American Music Hall Blue Note Nominee
1971 Best Jazz Performance - Soloist Carmen McRae Atlantic Nominee
Carmen McRae Awards
Year Organization Category Result
1994 National Endowment for the Arts NEA Jazz Masters Winner
1993 NAACP NAACP Image Awards Winner

Filmography [link]

Movies [link]

Television [link]

  • 1982: "L. A. Jazz"
  • 1981: "Billie Holiday. A Tribute"
  • 1981: "At the Palace"
  • 1980: "From Jumpstreet"
  • 1979: "Roots: The Next Generations", played Lila[11]
  • 1979: "Carmen McRae in Concert"
  • 1976: "Sammy and Company"
  • 1976: "Soul"

Partial Discography [link]

Year Title Label
1990 Sarah: Dedicated to You Novus
1988 Carmen Sings Monk Novus
1988 Fine and Mellow: Live at Birdland West (Live) Concord
1987 The Carmen McRae-Betty Carter Duets (Live, with Betty Carter) Great American Music Hall
1987 What Do The Words Say (with Ray Brown) Blue Music Group
1983 You're Lookin' at Me (A Collection of Nat King Cole Songs) Concord Jazz
1982 Heat Wave (with Cal Tjader) Concord Jazz
1980 Two for the Road (with George Shearing) Concord Jazz
1977 At The Great American Music Hall Blue Note
1975 Live at Century Plaza Atlantic
1972 The Great American Songbook Atlantic
1970 Just a Little Lovin' Atlantic
1967 Portrait of Carmen Atlantic
1967 Sounds of Silence Atlantic
1967 For Once in My Life Atlantic
1965 Alive! Columbia
1962 Something Wonderful Columbia
1962 The Real Ambassadors Columbia
1961 Carmen McRae Sings Lover Man and other Billie Holiday Classics Columbia
1961 Take Five Live Columbia
1960 Book of Ballads Kapp
1958 Boy Meets Girl (with Sammy Davis, Jr.) Decca
1958 Ella Fitzgerald and Billie Holiday at Newport (Released 2001) Verve
1957 After Glow Decca
1956 Blue Moon Decca
1955 Torchy Decca
1954 Easy to Love Bethlehem
1954 Carmen McRae Bethlehem

References [link]

External links [link]


https://wn.com/Carmen_McRae

Carmen McRae (1954 album)

Carmen McRae is a 1955 album by Jazz singer Carmen McRae. It was McRae's debut album and was released on the Bethlehem label. The album was reissued in 2000 with six additional tracks, alternate takes of songs from the original album.

Reception

Scott Yanow reviewed the album for Allmusic and wrote that of it that "Overall the music is pleasing but not too memorable and one wishes there were more variety".

Track listing

  • "You'd Be So Easy to Love" (Cole Porter) - 2:26
  • "If I'm Lucky" - 3:17
  • "Old Devil Moon" (E.Y. "Yip" Harburg, Burton Lane) - 2:40
  • "Tip Toe Gently" - 2:40
  • "You Made Me Care" - 2:09
  • "Last Time for Love" - 3:05
  • "Misery" (Tony Scott) - 3:53
  • "Too Much in Love to Care" - 2:33
  • "Too Much in Love to Care" - 3:19
  • "Old Devil Moon" - 2:37
  • "You Made Me Care" - 2:09
  • "Too Much in Love to Care" - 2:20
  • "Last Time for Love" - 3:03
  • Personnel

  • Carmen McRae - vocals
  • Herbie Mann - flute, tenor saxophone
  • Mat Mathews - accordion
  • Mundell Lowe - guitar
  • Wendell Marshall - double bass
  • Day by Day

    Day by Day may refer to:

    Books

  • "Day by Day", a popular prayer ascribed to Richard of Chichester
  • Day by Day (Lowell book), a 1977 poetry collection by Robert Lowell
  • Day by Day (book), a daily meditation book for alcoholics and addicts
  • Music

  • Day by Day (hymn), an 1865 hymn
  • Day by Day Entertainment, an American hip hop record label and record distributor
  • Albums

  • Day by Day (Doris Day album), 1956
  • Day by Day (EP), a 2012 EP by South Korean girl group T-ara
  • Day by Day (Femi Kuti album), 2008
  • Day by Day (Fly to the Sky album)
  • Day by Day (Yolanda Adams album), 2005
  • Day by Day, by Bet.e & Stef
  • Day by Day, a series of Beatles bootleg recordings
  • Day by Day with Cilla, a 1973 album by Cilla Black
  • Songs

  • "Day by Day" (song), a pop standard written by Axel Stordahl, Paul Weston and Sammy Cahn
  • "Day by Day" (Godspell song), a 1971 song from the musical Godspell
  • "Day by Day" (Kevin Ayers song), 1974
  • "Day by Day" (Regina song), 1997
  • "Day by Day" (T-ara song), 2012
  • "Day by Day", a song by Dajae
  • "Day by Day", a song by dc Talk from Jesus Freak, 1995
  • Day by Day (book)


    Day by Day is a daily meditation book for alcoholics and addicts. It was written in 1973 by members of the Young People's Group of Alcoholics Anonymous in Denver, Colorado. The project was spearheaded by Shelly M., a member of the group who went on to compile Young, Sober & Free and The Pocket Sponsor.Day by Day was written when there were fewer than 200 Narcotics Anonymous meetings held worldwide, and was the group’s effort to produce twelve step literature inclusive of addicts. Each day’s entry contains a meditation, followed by and open-ended statement after which there is a blank space for writing. Every entry concludes with the sentence, “God help me to stay clean and sober today!”

    BBC World War I centenary season

    The BBC World War I centenary season is the marking of the centenary of the First World War across the BBC. Programming started in 2014 and will last until 2018, corresponding to 100 years after the war. The BBC season will include 130 newly commissioned radio and television programmes which will last over 2500 hours, including more than 600 hours of new content. The programmes will be broadcast on over twenty BBC television and radio stations.

    Overview

    The First World War centenary season was announced on 16 October 2013 by the BBC. Adrian Van Klaveren, the BBC World War I centenary controller called the project the "biggest and most ambitious pan-BBC project ever commissioned". The series will feature a wide variety of programming that according to its producers is intended to present a more neutral and accurate picture of the war than the view commonly held by the public. In support of this goal, several programmes will explore lesser-known topics such as the experiences of troops from New Zealand and Australia in the Gallipoli Campaign and several others will be focused on presenting the impact that the war has had on the world today. Other programmes will attempt to show the effect that the war had on the individuals involved in it and one documentary will show numerous veteran interviews that were filmed for the BBC documentary The Great War on the conflict's fiftieth anniversary in 1964 but were omitted from that programme.

    Podcasts:

    Carmen McRae

    ALBUMS

    Born: 1920-04-08

    Died: 1994-11-10

    PLAYLIST TIME:

    Ill Be Seeing You

    by: Carmen Mcrae

    Cathedral bells were tolling
    And our hearts sang on
    Was it the spell of Paris
    Or the April dawn?
    Who knows if we shall meet again
    But when the morning chimes ring sweet again
    I'll be seeing you
    In all the old familiar places
    That this heart of mine
    Embraces all day through
    In that small cafe
    The park across the way
    The children's carousel
    The chestnut trees
    The wishing well
    I'll be seeing you
    In every lovely summer's day
    In everything that's light and gay
    I'll always think of you that way
    I'll find you in the morning sun
    And when the night is new
    I'll be looking at the moon
    But I'll be seeing you
    I'll find you in the morning sun
    And when the night is new
    I'll be looking at the moon




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