David Samson (rabbi)

David Samson (born 1956) is an Orthodox rabbi and one of the leading English-speaking Torah scholars in the Religious Zionist movement in Israel. Rabbi Samson has written five books most of which are on the teachings of Rabbi Avraham Yitzchak Kook and Rabbi Zvi Yehuda Kook.

Rabbi Samson was born in Baltimore, Maryland. His grandfather was Rabbi Chaim Eliezer Samson, who was the Rosh Yeshiva of the Talmudical Academy of Baltimore for over 50 years. After moving to Israel, he studied under the tutelage of Rabbi Zvi Yehuda Kook for twelve years. He served as a congregational rabbi of Kehillate Dati Leumi Synagogue in Har Nof, Jerusalem. He teaches Talmud and Jewish Studies at Yashlatz. Rabbi David Samson also appears on the weekly TV feature magazine "Israeli Salad" on Arutz Sheva broadcast. Currently he is the dean of Maale Erev Institutions, a set of high schools for youth at risk and the rosh yeshiva of yeshivat Lech Lecha, a mobile high school based in jeeps. In recent years Rabbi Samson has opened up a number of school in 2008 he started YTA (Yerushalayim Torah Academy) YTA Yerushalayim Torah Academy (Y.T.A) is a Yeshiva High School for English speakers located in Yerushalayim. It is designed especially for the immigrant community and offers a new and innovative program that has become the model for the Ministry of Education. Then in quick succession he opened YTA for girls a similar program for girls located in Kiryat Yovel. In September 2011 he founded, a third yeshiva High school for English speakers located in Kfar Saba.

David, Chiriquí

David (Spanish pronunciation: [daˈβið]) officially San José de David is a city and corregimiento located in the west of Panama. It is the capital of the province of Chiriquí and has an estimated population of 144,858 inhabitants as confirmed in 2013. It is a relatively affluent city with a firmly established, dominant middle class and a very low unemployment and poverty index. The Pan-American Highway is a popular route to David.

The development of the banking sector, public construction works such as the expansion of the airport and the David-Boquete highway alongside the growth of commercial activity in the city have increased its prominence as one of the fastest growing regions in the country. The city is currently the economic center of the Chiriqui province and produces more than half the gross domestic product of the province, which totals 2.1 billion. It is known for being the third-largest city in the country both in population and by GDP and for being the largest city in Western Panama.

David Abraham Cheulkar

David Abraham Cheulkar (1909 – 28 December 1981), popularly known as David, was a Jewish-Indian Hindi film actor and a member of Mumbai's Marathi speaking Bene Israel community. In a career spanning four decades, he played mostly character roles, starting with 1941 film Naya Sansar, and went on to act in over 110 films, including memorable films like, Gol Maal (1979), Baton Baton Mein (1979) and Boot Polish (1954) for which he was awarded the 1955 Filmfare Best Supporting Actor Award.

Early life

David graduated from the University of Bombay with a Bachelor of Arts degree in the year 1930. After a six year unsuccessful struggle to land himself a job, he decided to try his luck in the Hindi film industry by becoming a professional actor. During these years of struggle, he also managed to obtain a degree in law from the Government Law College.

Finally, on 15 January 1937, with the help of his close friend Mr. Nayampalli, a veteran character actor, he managed to land himself his first role in a movie. The movie was Zambo and it was being produced and directed by Mohan Bhavnani who was the Chief Producer of the Films Division of the Government of India.

David (company)

David was a Spanish company manufacturing cars in Barcelona between 1913 and 1923 and again between 1951 and 1957.

The original cars, developed by José Maria Armangué, were cyclecars using either a single cylinder 6–8 hp, or four-cylinder 6–8 hp, or 10–12 hp engine; and belt and pulley transmission giving 16 speeds and featuring front wheel brakes. Bodies were usually open two-seater, but 3-seat and closed versions were also made. Cyclecar production seems to have stopped in 1923, but the company continued making taxi bodies for fitting on Citroën chassis, for which they were Spanish distributors.

Car production started again in 1951 with a new generation of 3-wheeler light cars powered by single-cylinder two-stroke engines of 345 cc and 3-speed gearboxes. About 75 were made.

Samson

Samson (/ˈsæmsən/; Hebrew: שִׁמְשׁוֹן, Modern Shimshon, Tiberian Šimšôn, meaning "man of the sun"),Shamshoun (Arabic: شمشون‎ Shamshūn/Šamšūn), or Sampson (Greek: Σαμψών), is one of the last of the judges of the ancient Israelites mentioned in the Hebrew Bible (Book of Judges chapters 13 to 16).

According to the biblical account, Samson was given supernatural strength by God in order to combat his enemies and perform heroic feats such as killing a lion, slaying an entire army with only the jawbone of an ass, and destroying a pagan temple. Samson had two vulnerabilities, however: his attraction to untrustworthy women and his hair, without which he was powerless. These vulnerabilities ultimately proved fatal for him.

In some Jewish and Christian traditions, Samson is believed to have been buried in Tel Tzora in Israel overlooking the Sorek valley. There reside two large gravestones of Samson and his father Manoah. Nearby stands Manoah’s altar (Judges 13:19–24). It is located between the cities of Zorah and Eshtaol.

Samson (Handel)

Samson (HWV 57) is a three-act oratorio by George Frideric Handel, considered one of his finest dramatic works. It is usually performed as an oratorio in concert form, but on occasions has also been staged as an opera. The well-known arias "Let the bright Seraphim" (for soprano) and "Total eclipse" (for tenor) are often performed separately in concert.

History

Handel began its composition immediately after completing Messiah on 14 September 1741. It uses a libretto by Newburgh Hamilton, who based it on Milton's Samson Agonistes, which in turn was based on the figure Samson in Chapter 16 of the Book of Judges. Handel completed the first act on 20 September 1741, the second act on 11 October that year and the whole work on 29 October. Shortly after that he travelled to Dublin to put on the premiere of Messiah, returning to London at the end of August 1742 and thoroughly revising Samson.

The premiere was given at Covent Garden in London on 18 February 1743, with the incidental organ music probably the recently completed concerto in A major (HWV 307). The oratorio was a great success, leading to a total of seven performances in its first season, the most in a single season of any of his oratorios. Samson retained its popularity throughout Handel's lifetime and has never fallen entirely out of favor since.

Samson (1961 Polish film)

Samson is a 1961 film made by Academy Award-winning Polish director Andrzej Wajda that uses art house aesthetics to tell a story about the Holocaust. Wajda's World War II film alludes to the Old Testament story of Samson, who had supernatural physical strength. But unlike the Biblical character, Wajda's Samson has great emotional strength.

Plot

A dark coming-of-age film, Samson follows its Jewish protagonist (Serge Merlin) from an anti-Semitic private school to a prison, then into a Jewish ghetto, and finally over the ghetto wall to the outside world. Wajda uses this journey as a means to explore expressionist cinematography and the weighty issues facing the Jewish people.

The construction of the Jewish ghetto is communicated through a single, stationary shot. A shabbily dressed mass is clustered in front of the camera, and a pair of hands with a hammer and nails secures one board at a time, until the shot of people has been replaced with a shot of a wall. Through minimalism and simplicity, Wadja establishes a separation between the world of the impoverished Jew and the world outside the ghetto. The viewer looking on as the ghetto walls block the view of what happening inside, is made to feel detached from the horror inside.