Dau (film)

Dau is a Russian film directed by Ilya Khrzhanovsky. The film deals with the life of the Nobel Prize winning Soviet scientist Lev Landau. The movie is one of Russia's largest and most controversial cinematic projects.

The preparation for the shooting for the film began in 2006, whereas the actual shooting started in 2008 and went on for three years. The world premiere of the movie was intended to take place at the 2012 Cannes Film Festival but was rescheduled to L’Atelier du Festival at Cannes in May 2014. As of 2015 it is still in post-production.

The film was shot at various sites in Russia, Ukraine, Germany, United Kingdom and Denmark. Most of the film was shot on a specially constructed set called The Institute in Kharkiv in northeastern Ukraine. The Institute was the largest film set in Europe, the area totalling 12,000 sq. meters. The set was a dynamic creative reconstruction of a Soviet restricted-access Institute in 1938-1968, located in Moscow. The destruction of the set became an integral part of the story and was shot on 8 November 2011. Teodor Currentzis, a Greek classical conductor plays the title role of Dau while Radmila Shchegoleva, the only professional actor in the cast plays his wife. Cast: Anatoly Vasiliev, Dmitry Chernyakov, Alexei Blinov, Peter Sellars, Romeo Castellucci, Carsten Höller, Marina Abramović, David Gross, Shing-Tung Yau, Nikita Nekrasov, Carlo Rovelli, James Fallon, and others.

Dau (surname)

Dau is a surname. Notable people with the surname include:

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: