The lux (symbol: lx) is the SI unit of illuminance and luminous emittance, measuring luminous flux per unit area. It is equal to one lumen per square metre. In photometry, this is used as a measure of the intensity, as perceived by the human eye, of light that hits or passes through a surface. It is analogous to the radiometric unit watts per square metre, but with the power at each wavelength weighted according to the luminosity function, a standardized model of human visual brightness perception. In English, "lux" is used in both singular and plural.
Illuminance is a measure of how much luminous flux is spread over a given area. One can think of luminous flux (measured in lumens) as a measure of the total "amount" of visible light present, and the illuminance as a measure of the intensity of illumination on a surface. A given amount of light will illuminate a surface more dimly if it is spread over a larger area, so illuminance (lux) is inversely proportional to area when the luminous flux (lumens) is held constant.
Luxé is a commune in the Charente department in southwestern France.
LUX is a global brand developed by Unilever. The range of products includes beauty soaps, shower gels, bath additives, hair shampoos and conditioners. Lux started as “Sunlight Flakes” laundry soap in 1899.
In 1925, it became the first mass-market toilet soap in the world. It is noted as a brand that pioneered female celebrity endorsements.
As of 2009, Lux revenue was estimated at €1 billion, with market shares spread out to more than 100 countries around the globe.
Today, Lux is the market leader in countries like India, Pakistan, Brazil, Thailand and South Africa
Developed by Unilever, Lux (soap) is now headquartered in Singapore.
The brand was founded by the Lever Brothers (today known as Unilever) in 1899. The name changed from “Sunlight Flakes” to “Lux” in 1900, a Latin word for “light” and suggestive of “luxury.”
Lux toilet soap was launched in the United States in 1925 and in the United Kingdom in 1928. Subsequently, Lux soap has been marketed in several forms, including handwash, shower gel and cream bath soap.
In computing, a data segment (often denoted .data) is a portion of an object file or the corresponding virtual address space of a program that contains initialized static variables, that is, global variables and static local variables. The size of this segment is determined by the size of the values in the program's source code, and does not change at run time.
The data segment is read-write, since the values of variables can be altered at run time. This is in contrast to the read-only data segment (rodata segment or .rodata), which contains static constants rather than variables; it also contrasts to the code segment, also known as the text segment, which is read-only on many architectures. Uninitialized data, both variables and constants, is instead in the BSS segment.
Historically, to be able to support memory address spaces larger than the native size of the internal address register would allow, early CPUs implemented a system of segmentation whereby they would store a small set of indexes to use as offsets to certain areas. The Intel 8086 family of CPUs provided four segments: the code segment, the data segment, the stack segment and the extra segment. Each segment was placed at a specific location in memory by the software being executed and all instructions that operated on the data within those segments were performed relative to the start of that segment. This allowed a 16-bit address register, which would normally provide 64KiB (65536 bytes) of memory space, to access a 1MiB (1048576 bytes) address space.
DATA were an electronic music band created in the late 1970s by Georg Kajanus, creator of such bands as Eclection, Sailor and Noir (with Tim Dry of the robotic/music duo Tik and Tok). After the break-up of Sailor in the late 1970s, Kajanus decided to experiment with electronic music and formed DATA, together with vocalists Francesca ("Frankie") and Phillipa ("Phil") Boulter, daughters of British singer John Boulter.
The classically orientated title track of DATA’s first album, Opera Electronica, was used as the theme music to the short film, Towers of Babel (1981), which was directed by Jonathan Lewis and starred Anna Quayle and Ken Campbell. Towers of Babel was nominated for a BAFTA award in 1982 and won the Silver Hugo Award for Best Short Film at the Chicago International Film Festival of the same year.
DATA released two more albums, the experimental 2-Time (1983) and the Country & Western-inspired electronica album Elegant Machinery (1985). The title of the last album was the inspiration for the name of Swedish pop synth group, elegant MACHINERY, formerly known as Pole Position.
The word data has generated considerable controversy on if it is a singular, uncountable noun, or should be treated as the plural of the now-rarely-used datum.
In one sense, data is the plural form of datum. Datum actually can also be a count noun with the plural datums (see usage in datum article) that can be used with cardinal numbers (e.g. "80 datums"); data (originally a Latin plural) is not used like a normal count noun with cardinal numbers and can be plural with such plural determiners as these and many or as a singular abstract mass noun with a verb in the singular form. Even when a very small quantity of data is referenced (one number, for example) the phrase piece of data is often used, as opposed to datum. The debate over appropriate usage continues, but "data" as a singular form is far more common.
In English, the word datum is still used in the general sense of "an item given". In cartography, geography, nuclear magnetic resonance and technical drawing it is often used to refer to a single specific reference datum from which distances to all other data are measured. Any measurement or result is a datum, though data point is now far more common.
Look into my face now
Stare into my eyes
Hellfire in my veins
in my veins
in my veins
in my vein, yeah.
I can see through your eyes,
Its no disguise to me,
I can see through the lies,
No one can make a fool of me.
Drowning in your lonliness,
Want to bring me down with you.
No one buys your innocence,
Gonna' break your walls in two.
Well in two,
Well in two.
No one buys it,
No one wanted to,
With you,
You,
Fuck you.
Dig your grave for two.
Walk my way,
Get out of my way.
Well I wanted you,
I saw right through ya.
Well I'm your man,
You'll understand,
You'll pay the price,
To live in a-paradise.
Look into my face now,
Stare into my eyes.
Hellfire in my veins,
In my veins,
In my veins,
In my vein yeah.
I can see through your eyes,
Well its no disguise to me.
I can see through the lies,
No one can make a fool of me.
I'm drowning in your lonliness,
Want to bring me down with you.
No one buys your innocence,
Gonna break your walls in two.
Well in two,
Well in two.
Well no one buys it,
No one wanted to,
With you,
You,
Fuck you.