The Urge

The Urge is an alternative rock band based in St. Louis, Missouri. Their music combines several genres, including hardcore punk, heavy metal, ska, reggae, funk, rock, and rhythm and blues. Consistent touring throughout the 1990s earned the band a reputation for high-energy live performances.

History

Early career (1987–1994)

The Urge was originally formed in 1987 by Webster Groves High School classmates Jeff Herschel (drums), Karl Grable (bass), and Pat Malecek (guitar). The band went through two singers before recruiting Steve Ewing for vocal duties in 1988. Their first album was released in 1989, the cassette-only Bust Me Dat Forty, followed a year later by the LP Puttin the Backbone Back, which featured the addition of saxophonist Jordan Chalden.

After trombonist Matt Kwiatkowski was recruited in 1992, the group released Magically Delicious, which also featured contributions from trumpeter Tony Albano. Chalden left the band shortly after to deal with substance abuse problems. Later that year, the group added saxophonist/keyboardist Bill Reiter and trombonist/keyboardist Todd Painter. In early 1993, the band released the LP Fat Babies in the Mix, a live concert album recorded at Mississippi Nights.

The Urge (album)

The Urge is the third solo album released by bassist Stuart Hamm, released in 1991. It was the first of Hamm's solo albums to feature vocals, and included guest appearances by guitarist Eric Johnson and Tommy Lee of Mötley Crüe. The song "Quahogs Anyone?" was recorded live at Santa Barbara on September 27, 1990.

Hamm's signature Fender bass guitar was also called "The Urge", and was followed by "The Urge II".

Track listing

Personnel

Dark Ages

Dark Ages may refer to:

In history and sociology

Dark Ages (historiography)

Dark Ages is a term of historical periodization traditionally meaning the Middle Ages. It emphasizes the cultural and economic deterioration that supposedly occurred in Western Europe following the decline of the Roman Empire. The label employs traditional light-versus-darkness imagery to contrast the "darkness" of the period with earlier and later periods of "light". The period is characterized by a relative scarcity of historical and other written records at least for some areas of Europe, rendering it obscure to historians.

The term once characterized the majority of the Middle Ages, or roughly the 6th to 14th centuries, as a period of intellectual darkness between extinguishing the "light of Rome" after the end of Late Antiquity, and the rise of the Italian Renaissance in the 14th century. This definition is still found in popular use, but increased recognition of the accomplishments of the Middle Ages has led to the label being restricted in application. Since the 20th century, it is frequently applied to the earlier part of the era, the Early Middle Ages (c. 5th–10th century). However, many modern scholars who study the era tend to avoid the term altogether for its negative connotations, finding it misleading and inaccurate for any part of the Middle Ages.

Modern Age of Comic Books

The Modern Age of Comic Books is an informal name for the period in the history of mainstream American comic books generally considered to last from the mid-1980s until present day. During this period, comic book characters generally became darker and more psychologically complex, creators became better-known and active in changing the industry, independent comics flourished, and larger publishing houses became more commercialized.

An alternate name for this period is the Dark Age of Comic Books, due to the popularity and artistic influence of grim titles, such as Batman: The Dark Knight Returns and Watchmen.

Developments

Because the time period encompassing the Modern Age is not well defined, and in some cases disputed by both fans and most professionals, a comprehensive history is open to debate. Many influences from the Bronze Age of Comic Books would overlap with the infancy of the Modern Age. The work of creators such as John Byrne (Alpha Flight, Fantastic Four), Chris Claremont (Iron Fist, Uncanny X-Men), and Frank Miller (Daredevil) would reach fruition in the Bronze Age but their impact was still felt in the Modern Age. The Uncanny X-Men is the most definitive example of this impact as Bronze Age characters such as Wolverine and Sabretooth would have a huge influence on the Marvel Universe in the 1980s and beyond.