Oda or ODA may refer to:
Oda (or Odo; died 958), called the Good or the Severe, was a 10th-century Archbishop of Canterbury in England. The son of a Danish invader, Oda became Bishop of Ramsbury before 928. A number of stories were told about his actions both prior to becoming and while a bishop, but few of these incidents are recorded in contemporary accounts. After being named to Canterbury in 941, Oda was instrumental in crafting royal legislation as well as involved in providing rules for his clergy. Oda was also involved in the efforts to reform religious life in England. He died in 958 and legendary tales afterwards were ascribed to him. Later he came to be regarded as a saint, and a hagiography was written in the late 11th or early 12th century.
Oda's parents were Danish, and he may have been born in East Anglia. His father was said to have been a Dane who came to England in 865, together with the Viking army of Ubba and Ivar, and presumably settled in East Anglia. Oda's nephew Oswald of Worcester later became Archbishop of York. It is possible that Oswald's relatives Oscytel, afterwards Archbishop of York, and Thurcytel, an abbot, were also relatives of Oda, but this is not known for sure.
Oda (Turkish: oda, "a room, chamber") is a room within a harem found in the Ottoman Empire.
During Ottoman period the harem division of the Topkapı Palace was home to the Valide sultan (Sultan's mother); the odalisques and wives of the Sultan; and the rest of his family, including children; and their servants. There were nearly 300 odas in the harem and it housed as many as 500 residents, which sometimes amounted up to 300 women, their children, and the eunuchs.
Dancer is a novel based on the life of Rudolf Nureyev, written by Colum McCann and published in 2003.
Nureyev was a Russian ballet dancer who achieved fame with the Kirov Ballet before defecting to the West in 1961 and subsequently became "one of the most written-about dancers in history". He died in 1992. McCann, born in Ireland, had previously written novels, short stories and newspaper reports while travelling and teaching in the United States and Japan; some of his work was set in Ireland and Northern Ireland. In 2001, already having "a growing reputation as an international writer", he moved to Russia where he researched his novel based on Nureyev while teaching English. A decade after the book's publication, McCann commented that he personally saw Nureyev as "a monster".
The book begins on the Eastern Front during World War Two, with Nureyev performing for injured Soviet soldiers as a child. It covers his good fortune in gaining the chance to study ballet in his home country, his success there and then his life, work, loves and excesses as a celebrity after his defection to the West.
Assault Attack is the third studio album from The Michael Schenker Group, and the only album to feature former Rainbow vocalist Graham Bonnet. The album was recorded in France at the Château d'Hérouville and was produced by Martin Birch.
After returning to the UK from Japan in August 1981, having recorded the live album One Night at Budokan, Schenker and his band played a short tour of the UK. After the tour, Cozy Powell and Peter Mensch (Michael Schenker Group's manager) wanted a better singer for the band and suggested David Coverdale, but Schenker himself wanted Graham Bonnet. After some disagreements, which ultimately led to the termination of the cooperation between Mensch and MSG, Bonnet joined the MSG in February 1982. Meanwhile, Powell and Paul Raymond left the band for their own reasons and were replaced by drummer Ted McKenna and session keyboardist Tommy Eyre. After four months the band went to France to start recording the album that would become Assault Attack with producer Martin Birch, who arrived fresh from Iron Maiden's album The Number of the Beast. The sessions took place at a French castle, Le Château d'Hérouville.
Hot Space is the tenth studio album by British rock band Queen, released in May 1982. Marking a notable shift in direction from their earlier work, they employed many elements of disco, funk, rhythm and blues, dance and pop music on the album. This made the album less popular with fans who preferred the traditional rock style they had come to associate with the band.
Queen's decision to record a dance-oriented album germinated with the massive success in the US of their 1980 hit "Another One Bites the Dust" (and to a lesser extent, the UK success of the song too).
"Under Pressure", Queen's collaboration with David Bowie, was released in 1981 and became the band's second #1 hit in the UK. Though included on Hot Space, the song was a separate project and recorded ahead of the album, before the controversy over Queen's new sound (disco-influenced rock music). The album's second single, "Body Language", peaked at #11 on the US charts.
In July 2004, Q magazine listed Hot Space as one of the top fifteen albums where great rock acts lost the plot. Most of the album was recorded in Munich during the most turbulent period in the band's history, and Roger Taylor and Brian May lamented the new sound, with both being very critical of the influence Freddie Mercury's manager Paul Prenter had on the singer. Estimated sales of the album currently stand at four million copies.