Dance with the devil
Dance with the Devil may refer to:
See also
Perdita Durango
Perdita Durango, released as Dance with the Devil in the United States, is a 1997 Spanish crime-drama film directed by Álex de la Iglesia, based on Barry Gifford's novel 59° and Raining: The Story of Perdita Durango. It features a psychotic criminal couple who kidnaps a random teenage couple, and plans to rape and offer them in sacrifice. It stars Javier Bardem as Romeo Dolorosa, the main character, and Rosie Perez as Perdita Durango serves as the co-star. Inspired by Magdalena Solís and The Hernandez Brothers's sect.
Plot
Perdita (Rosie Perez) is a tough, no-nonsense lady clad in a Tura Satana-style black outfit. She meets Romeo Dolorosa (Javier Bardem), a maniacal criminal who also happens to be an even more maniacal witch doctor. Romeo robs a bank but risks getting caught in order to force the Bank Teller to strip her shirt and reveal her large breasts. Once in the street, he hides his face from the cops by grabbing and french kissing a random woman on the street. Crossing the border into Mexico together, Perdita and Romeo become lovers and partners in crime as they kidnap a random Anglo-Saxon teenage couple in order to sacrifice them. Along the way they also hijack a truckload of human fetuses and try to evade a determined Drug Enforcement Administration officer (James Gandolfini).
Dance with the Devil (instrumental)
Dance With The Devil is a solo drum instrumental by Cozy Powell based on the song "Third Stone From The Sun" by Jimi Hendrix. It reached No. 3 in the UK charts in January 1974. It was recorded as Cozy Powell's session work for RAK was taking off, and as his band Bedlam was finishing. The bass player on the track is Suzi Quatro.
The track is currently used in the buildup music at Milton Keynes Dons FC, just before the teams come out on to the pitch, showing footage of goals from previous games, players, managers and the odd Marshall amp, whose factory is across the road from the stadium.
The track was retitled Dance With The Drums for the South Africa release, and UK pressings issued for export to Denmark and Belgium came in picture sleeves, some on blue vinyl.
The song was later covered by drummer Mark Edwards (Steeler, Third Stage Alert, Lion) and released on his all-instrumental EP Code of Honor in 1985.
The song (and the background shouts) forms the basis for the intro of the song Rasputin (song) by the group Boney M.
Podcasts:
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by Wale
The Soup
by: Wale[George] "I didn't get any bread"
[Jerry] "Just forget it, let it go"
[George] "Excuse I think you forgot my bread"
[Soup Nazi] "You want bread?"
[George] "Yes, please"
[Soup Nazi] "No soup for you!"
[Wale]
Yeah, uh, where's the love for the sixteen writers
Who elevate the game when it was in need of a pilot?
Who made a situation from what you see it's a problem
What you thought was a prize is what I see as a blinder
They ask me why I never wear chains, but if you brought up
How I'm brought up, then you probably feel the same
And I ain't saying change sucker, probably get me 3 or 4
But I got cousins overseas that come to me for better clothes
And I can't go to Emmy Lola, stunting with no diamonds on
Mama bills piling up, her son don't got no time to ball
I don't got no time to call, hope that you ain't mad though
You know your son a asshole, but I hope you got those stacks though
Always on the road again,with Omega autobahn
Lost a couple friends, cool; nigga made a lot of fans
And I give it to y'all, cause y'all respect that
So gold albums or not, I did effect rap
Uh, for worse or for better
Ain't no one in my circle that can say they perform better
Huh, they poor effort annoys me, who supporting them?
Who endorse them, should pull the plug and stick a fork in them
They finito, why the fuck they all got egos?
My OG is Tyrique and my kick game be like Bobbito Garcia
This shit a freethrow, this shit here for my people
No soup for all you suckers while I'm re-ing up on me so
And they feeling me so, they not feeling y'all so
I volunteer every ten I see, Vince Yarbrough
Past summer dough, motherfuck a ho
This is More About Nothing, I'm the fucking show
Hold it, keep rolling
Respect is like food, nigga what it do?
I'm eating real good, no soup for you
"No--"
No soup for you
"No--"
No soup for you
"No--"
I'm eating real good, nigga
"No soup for you"
"No soup for, for, for you"
I got no time to be a hater, just trying to be your favorite
They trying to be the greatest, their whole signing was a favor
It's not about the paper, it's not about the fame
And I don't know no Triple H, but this is all about the game
Competition I ain't winning but admit it, I'm still in it though
Should've been an all-star, I'm Crawford for Interscope
Em starting, 50 staring, Gaga, Gang Starr
And Will.I.Am and the Peas, the sixth man I am, y'all
And though I came far, know I got a way to go
Waiting for Pitchfork to say "Wale on this, so way to go"
Text message from Elliot saying "tape was dope"
XXL favorite quote, what else do I need to post?
I am not no homophobe, good thing I don't read The Post
Unless your skin's winning, then I do it just to fucking boast
With this rap shit, you know I do the fucking most
I'm all over this beat like a motherfucking stethoscope
I'm forever dope, you can check your schedule
My timing was any better, then bitch, I'd be a metronome
I am such a renegade, but try to be professional
But I am way too passionate to patch shit up and let shit go
Want you all to listen so I rap it in election form
But when you intellectual, some niggas ain't gon' let you on
But I'm here, jo, I hope you niggas know it's on
No soup for you wack niggas, I'ma get my chowder on
Gone
"No soup for, for, for you"
[Susan] "What are you doing?
Since when do you smoke?"
[George] "I've always smoked"
[Susan] "I've never seen you smoke"
[George] "Oh yeah, well, I'm a big smoker