Dance (Ass)

"Dance (Ass)", often stylized "Dance (A$$)", is a song by American rapper Big Sean, released as the third single from his debut studio album, Finally Famous (2011). It was added to urban radio formats on September 20, 2011 as the album's third official single. The official remix of the song features Nicki Minaj and was made available for free download on her website.

Critical reception

The song received generally positive reviews from music critics. The Boston Globe commented on the track by saying it is " stale stripper anthem out of synch with what surrounds it. The production is heavy on vocal hooks, synths, and chattering beats, but the focus is Sean’s wit and insistent flow."The New York Times complimented the song's use of MC Hammer's "U Can't Touch This" and further went on to say that the song "basically cribs its chorus (uncredited) from the oeuvre of DJ Assault, the Detroit ghettotech innovator. Nowhere does Big Sean sound more confident or hilarious."The A.V. Club gave a positive review of the track and called it freewheeling, fast-footed, and full of swagger.The Village Voice complimented Sean's performance on the track and said "he took his microphone and turned it into an extension of his phallus, waving it down there like a gleeful toddler as the track imbued new meaning to MC Hammer's signature phrase 'Hammer Time'."

Generic top-level domain

Generic top-level domains (gTLDs) are one of the categories of top-level domains (TLDs) maintained by the Internet Assigned Numbers Authority (IANA) for use in the Domain Name System of the Internet. A top-level domain is the last label of every fully qualified domain name. They are called generic for historic reasons; initially, they were contrasted with country-specific TLDs in RFC 920.

The core group of generic top-level domains consists of the com, info, net, and org domains. In addition, the domains biz, name, and pro are also considered generic; however, these are designated as restricted, because registrations within them require proof of eligibility within the guidelines set for each.

Historically, the group of generic top-level domains included domains, created in the early development of the domain name system, that are now sponsored by designated agencies or organizations and are restricted to specific types of registrants. Thus, domains edu, gov, int, and mil are now considered sponsored top-level domains, much like the themed top-level domains (e.g., jobs). The entire group of domains that do not have a geographic or country designation (see country-code top-level domain) is still often referred to by the term generic TLDs.

Dance (Disco Heat)

"Dance (Disco Heat)" is the title of a 1978 single by American disco singer Sylvester James, who performed using just his first name, Sylvester. The song became Sylvester's first Top 40 hit in the US, where it peaked at #19 on the Billboard Hot 100 chart in the fall of 1978; it also reached #29 on the UK Singles Chart. The song appears on his 1978 album, Step II.

A 12" single was released in 1978, with "Dance (Disco Heat)" as the A-side and "You Make Me Feel (Mighty Real)" as the B-side, and these two extended dance mixes proved to be very popular in the dance clubs at the time. The two songs held down the top spot on the Billboard Dance/Disco chart for six weeks in August and September of that year and helped to establish Sylvester's career as a noted disco and dance music performer, both in the U.S. and abroad.

References

External links

Dance (surname)

Dance is a surname. Notable people with the surname include:

See also

Ass

Ass may refer to:

ASS may stand for:

Groups

Technology

SubStation Alpha

SubStation Alpha (or Sub Station Alpha), abbreviated SSA, is a subtitle file format created by CS Low (also known as Kotus) that allows for more advanced subtitles than the conventional SRT and similar formats. This format can be rendered with VSFilter in conjunction with a DirectShow-aware video player (on Microsoft Windows), or MPlayer with the SSA/ASS library. It is also the name of the popular, now discontinued tool used to edit subtitles.

This subtitle format is frequently used in anime fansubs, either to overlay subtitles onto video while it is being encoded (hardsubbing), or to store subtitle data alongside video data in a Matroska (MKV) container (softsubbing). Hardsubbing is irreversible but does not require VSFilter or other special resources for playback. Softsubbing allows the end user to choose whether subtitles will be displayed, and makes it possible to include multiple subtitle streams in the same video file.

The current version of SSA is v4.00.

There are many freeware and open source subtitling applications that support the SSA format.

Taylor Mead's Ass

Taylor Mead's Ass (1964) is a film by Andy Warhol featuring Taylor Mead, consisting entirely of a shot of Mead's buttocks, and filmed at The Factory.

According to Watson's Factory Made: Warhol and the Sixties, Taylor Mead had achieved a degree of fame that "inspired a backlash." One example was a letter to the editors at The Village Voice in August 1964 which complained about "films focusing on Taylor Mead's ass for two hours." Mead replied in a letter to the publication that no such film was found in the archives, but "we are rectifying this undersight." Two days later, Warhol shot the "sixty-minute opus that consisted entirely of Taylor Mead's Ass," during which Mead first exhibits a variety of movement, then appears to "shove a variety of objects up his ass." The film was Mead's last for Warhol "for more than three years", at the end of 1964, "Mead felt betrayed by Warhol for not showing the film."

The film was described as "seventy-six seriocomic minutes of this poet/actor's buttocks absorbing light, attention, debris" by Wayne Koestenbaum, in Art Forum. In his book, Andy Warhol, Koestenbaum writes "Staring at his cleft moon for 76 minutes, I begin to understand its abstractions: high-contrast lighting conscripts the ass into being a figure for whiteness itself, particularly when the ass merges with the blank leader at each reel's end. The buttocks, seen in isolation, seem explicitly double: two cheeks, divided in the centre by a dark line. The bottom's double structure recalls Andy's two-paneled paintings . . . "