Onslaught

Onslaught may refer to:

Onslaught (comics)

Onslaught is a fictional character that appears in comic books published by Marvel Comics. The character first appeared in cameo X-Man #15 (May 1996), his first full appearance in X-Men vol. 2, #53 (June 1996). Onslaught was co-created by writers Scott Lobdell, Mark Waid, and artist Andy Kubert. He was written and introduced as a villain that was part of the effect of events in the 1993 Fatal Attraction storyline. Onslaught's introduction into X-men storylines caused its own cross over event across multiple Marvel comic book titles (several Fantastic Four issues, X-men and Uncanny X-men issues, and the Cable issues).

Onslaught was written as a sentient psionic entity created from the consciousness of two mutants: Professor Charles Xavier and Magneto. During a battle between the X-Men and Magneto's Acolytes, Professor Xavier used his telepathic powers to shut down Magneto's mind, rendering him catatonic. It was explained through the Onslaught crossover series that the darkest aspect of Magneto's mind escaped into Xavier's subconscious, where it 'merged' with Xavier's own darker nature to eventually grow into a separate persona of its own.

Onslaught (Transformers)

Onslaught is the name of a fictional character in the various Transformers universes. He is usually portrayed as the leader of the Combaticons who turn into missile launching vehicles and combine with his comrades into Bruticus.

Transformers: Generation 1

Onslaught is a leader who prefers to formulate strategies and tactics to defeat his opponents rather than sheer brute force. However, when his plans fail, he can become a devastating force in battle, as his fury that his carefully laid out plans have been thwarted can inspire him to acts to violence. Joins with fellow Combaticons to form robot Bruticus.

Animated series

Onslaught debuted in the second season episode, "Starscream's Brigade". In the episode, Starscream is banished from Decepticon Headquarters after his latest attempt on Megatron's life. He is sent to the island of Guadalcanal where he discovers old World War II vehicles. Starscream decides to use these to build his own army. He raids a Decepticon detention center on Cybertron and steals the personality components of several renegade Decepticons. Onslaught is placed in an old WWII troop transport truck and the body is reformatted into a modern missile truck.

Damnation

Damnation (from Latin damnatio) is the concept of divine punishment and torment in an afterlife for actions committed on Earth. In Ancient Egyptian religious tradition, citizens would recite the 42 negative confessions of Maat as their heart was weighed against the feather of truth. If the citizen's heart was heavier than a feather they would face torment in a lake of fire. They all faced torment in a lake of fire. Zoroastrianism developed an eschatological concept of a Last Judgment called Frashokereti where the dead will be raised and the righteous wade though a river of milk while the wicked will be burned in a river of molten metal. Abrahamic religions such as Christianity have similar concepts of believers facing judgement on a last day to determine if they will spend eternity in Gehenna or heaven for their sin . A damned human "in damnation" is said to be either in Gehenna, or living in a state wherein they are divorced from Heaven and/or in a state of disgrace from God's favor. In traditional Abrahamic demonology, the Devil rules Gehenna, where he and his demons punish the damned.

Damnation (Ride the Madness)

Damnation (Ride the Madness) is the 1999 studio solo album of the American deathrock veteran musician Eva O, released on the German label Massacre Records. The album was announced as the first half of a two album set, but the sequel, to be titled Salvation (Are You Ready to Die?), was not released. Her 2005 album Damnation/Salvation includes rerecorded versions of songs from this album along with the Salvation (Are You Ready to Die?) songs.

Overview

The album deals with Eva's past in the occult world and spiritual struggles. "Damnation & Damnation II" begins with a sample depicting the four riders of the apocalypse approaching, creating an oppressive, hopeless atmosphere that characterizes the album. Common theme is Eva's struggle against hypocrisy and her existential journey between heaven and hell, a constant subject since her days as companion of now deceased Rozz Williams. The album's overall sound is dominated by her twisted vocals, harsh guitars, industrial beats, and apocalyptic folk guitar parts. Eva O criticizes Christian fundamentalists, stares into the eye of hell and preaches Crowleyan principles, all seeming as a kind of desperate mantra to exorcise her inner demons. The music is dramatic in the electro gothic tradition, laden with synthesizer strings and stately male backing vocals.

Damnation (album)

Damnation is the seventh full-length studio album by heavy metal band Opeth. It was released on 22 April 2003, five months after Deliverance, which was recorded at the same time. Damnation was produced by Steven Wilson. Mikael Åkerfeldt dedicated both albums to his grandmother, who died in a car accident during the time the albums were being recorded.

The album was a radical departure from Opeth's typical death metal sound, and the first Opeth album to use all clean vocals, clean guitars, and prominent mellotron, as well as being inspired by 1970s progressive rock, which typically features no heavy riffs or extended fast tempos. Despite the change in style from Opeth's previous albums, Damnation was critically acclaimed and boosted their popularity, leading to the release of Lamentations on DVD in late 2003.

Critical reception

In a rave review for Sputnikmusic, Mike Stagno wrote that Damnation is a progressive rock album that departs entirely from the extreme metal elements of Opeth's previous work, and stands as one of the best albums released in recent years. Ned Raggett of Pitchfork Media also felt that it succeeds without Opeth's previous death metal style, and showcases each band member's technical abilities on what is "the most surprising and entertaining album" in Opeth's discography.