Dahlia /ˈdɑːlɪə/ is a fictional character from The Southern Vampire Mysteries/Sookie Stackhouse Series by author Charlaine Harris.
However, she only appears briefly in the novels and the only time she appears on the same page as Sookie Stackhouse is in All Together Dead.
Dahlia is the main character in a computer game and in a growing number of non-Sookie-related—though set in the same fictional universe—short stories.
She is a vampire and lives in the city of Rhodes, Iowa.
It is mentioned in Bacon that her original name was too difficult to spell and pronounce for people of the twentieth century so around 1925 she changed it to 'Dahlia' for her own convenience. In 1940, staying in London during the Blitz, Dahlia adopted a surname to get new papers. Since that time her full name has been Dahlia Lynley-Chivers.
In Dahlia Underground she tells humans that she "perhaps" has been a vampire for 900 years, but it is repeatedly said that she is very old, even ancient.
There are a few more hints about her actual age. For example, she considers her knowledge of some no-longer-spoken languages to be really advantageous. It is also said (in the same short story) that her friend Thalia, who is also originally from Greece and even older than Dahlia, is so ancient that she came across Odysseus "a time or two".
"Dahlia" is the thirteenth single by Japanese heavy metal band X Japan, released on February 26, 1996.
"Dahlia" went on to become the title track of the band's 1996 album and one of Yoshiki's last compositions in his signature blend of speed and symphonic metal. The song's title, "Dahlia", appears in the lyrics as an acronym during a voice over, which says "destiny, alive, heaven, love, innocence, always, destroy, aftermath, hell, life, infinite".
The single was released with two different covers. The B-side is a live version of "Tears", recorded on December 30, 1993 at the Tokyo Dome. The same recording also appears on their live compilation album Live Live Live Tokyo Dome 1993-1996.
The single reached number 1 on the Oricon charts, and charted for 8 weeks. In 1996, with 412,810 copies sold was the 72nd best-selling single of the year, being certified Platinum by RIAJ.
All songs written and composed by Yoshiki, except track 2 lyrics by Hitomi Shiratori and Yoshiki.
Dahlia is the fifth studio album by the Japanese heavy metal band X Japan, released on November 4, 1996 by Atlantic Records. It is the band's last album before breaking up the following year, and the last to feature new work by guitarist hide, due to his death two years later. The album is composed largely of ballads, with only a few tracks retaining the band's heavier musical traits seen on previous releases. It topped the Oricon chart and stayed on the chart for only 15 weeks, but managed to sell over half a million copies. Seven, nearly all, of the album's songs were released as singles, most of which also topped the singles chart and sold well.
Only a few months after the release of Art of Life in 1993, X Japan began recording and releasing singles that would appear on their next studio album Dahlia, which released in 1996 turned out to be their last. 1994 held few performances for the band as the members were focusing on their solo and side projects, but they did play two consecutive New Year's Eve concerts at the Tokyo Dome, titled Aoi Yoru (青い夜, Blue Night) and Shiroi Yoru (白い夜, White Night) respectively. These concerts were released on DVDs in 2007 as Aoi Yoru and Shiroi Yoru. The following year was also slow, until November 19 when the band began the tour for their next album, Dahlia Tour 1995-1996. Around this time, is when the group dropped most of its original visual kei aesthetics in favor of a more casual look.
Species is one of the basic units of biological classification.
Species may also refer to:
In early Greek music theory, an octave species (εἶδος τοῦ διὰ πασῶν, or σχῆμα τοῦ διὰ πασῶν) is a sequence of incomposite intervals (ditones, minor thirds, whole tones, semitones of various sizes, or quarter tones) making up a complete octave (Barbera 1984, 231–32). The concept was also important in Medieval and Renaissance music theory.
Greek theorists used two terms interchangeably to describe what we call species: eidos (εἶδος) and skhēma (σχῆμα), defined as "a change in the arrangement of incomposite [intervals] making up a compound magnitude while the number and size of the intervals remains the same" (Aristoxenus 1954, 92.7–8 & 92.9–11 (da Rios), translated in Barbera 1984, 230). Cleonides (the Aristoxenian tradition) described (in the diatonic genus) three species of diatessaron, four of diapente and seven of diapason. Ptolemy in his "Harmonics" called them all generally "species of primary consonances" (εἴδη τῶν πρώτων συμφωνιῶν). Boethius, who inherited Ptolemy's generalization under the term "species primarum consonantiarum" (Inst. mus. IV,14), expanded species theory of Greeks; along with the traditional orderings of three primary species he introduced three further their orderings (Boethius 1989, 149). For epistemology of the Antiquity music theory, the most important of all was the octave species, because "from the species of the consonance of the diapason arise what are called modes" (Boethius 1989, 153).