Dahej (film)
Dahej (Dowry) is a 1952 Hindi social family drama film based on the dowry system directed by V. Shantaram. Produced by Rajkamal Kalamandir, the director of photography was V. Avadhoot. Music was composed by Vasant Desai with lyrics by Shams Lucknavi, who also wrote the story and dialogues. The film starred Prithviraj Kapoor, Karan Dewan, Jayshree, Ulhas, Mumtaz Begum, Keshavrao Date and Lalita Pawar.
The story is set in the city of Lucknow and involves the social issue of dowry. The film is about a young bride who faces suffering and humiliation for not bringing a dowry and then makes the "ultimate sacrifice" with her death.
Plot
Thakur (Prithviraj Kapoor), his wife (Mumtaz Begum) and daughter Chanda (Jayshree) live in a big old-style house. Though he has this ancestral property, Thakur is not wealthy and he makes this clear to lawyer Biharilal (Ulhas) and his wife (Lalita Pawar) when they ask for Chanda's hand in marriage. He tells them that he can not give a dowry as tradition demands. The lawyer says he does not want a dowry for his son Suraj (Karan Dewan) and are happy having Chanda in their house. He has said this thinking that Thakur is rich and would anyway give a dowry. Soon after the marriage, the lawyer dies and Chanda's blamed by her mother-in-law for bringing bad luck. She plans to throw Chanda out of the house and get Suraj remarried. Meanwhile, seeing the suffering his daughter has to endure Thakur decides to sell his entire property and get a big dowry for Chanda. He proceeds to bring the dowry to Chanda's house with big fanfare. Suraj lies hurt following an accident and Chanda's mother-in-law refuses to let Chanda look after him. In the melee, Chanda also gets hurt when the door she's standing against is broken down. Suraj hearing the commotion gets out of his bed and collapses dead. Thakur reaches the house only to have Chanda die in his arms.
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
