Gaia | |
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![]() Gaia, by Anselm Feuerbach (1875) |
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Primordial Being of the Earth | |
Abode | Earth |
Consort | Uranus, Zeus, Pontus, and Poseidon |
Parents | Aether and Hemera or Chaos |
Siblings | Eros, Tartarus,Uranus and Nyx |
Children | Cronus, Pontus, the Ourea, Hecatonchires, Cyclopes, Titans, The Gigantes, Nereus, Thaumus, Phorcys, Ceto, Eurybia, Aphrodite, and Typhon |
Roman equivalent | Terra |
Gaia ( /ˈɡeɪ.ə/ or /ˈɡaɪ.ə/; from Ancient Greek Γαῖα, a poetical form of Γῆ, "land" or "earth";[1] also Gaea, or Ge) was the goddess or personification of Earth in ancient Greek religion,[2] one of the Greek primordial deities. Gaia was the great mother of all: the heavenly gods, the Titans and the Giants were born from her union with Uranus (the sky), while the sea-gods were born from her union with Pontus (the sea).
Her equivalent in the Roman pantheon was Terra.
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The Greek word "γαῖα" (trans. as gaia or gaea) is a collateral form of "γῆ"[3] (gē, Doric "γά" - ga and probably "δᾶ" da[4][5]) meaning Earth,[6] a word of unknown origin.[7] In Mycenean Greek Ma-ka (trans. as Ma-ga: Mother Gaia) contains also the root ga-.[8][9]
Greek deities series |
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Primordial deities | |
Chthonic deities | |
Hades and Persephone, |
Hesiod's Theogony (116ff) tells how, after Chaos, Gaia (i.e. Earth) arose as the everlasting foundation of the gods of Olympus. Gaia brought forth Uranus, the starry sky, her equal, to cover her, the hills (Ourea), and the fruitless deep of the Sea, Pontus, "without sweet union of love," out of her own self through parthenogenesis.[10] Alternatively, Uranus was sired by Aether, the god of heavenly light and the upper air.[11] Afterwards, as Hesiod tells it,
According to Hesiod, Gaia conceives further offspring with Uranus: the giant one-eyed Cyclopes, Brontes ("thunderer"), Steropes ("lightning") and the "bright" Arges; then the Hecatonchires, Cottus, Briareos and Gyges, each with a hundred arms and fifty heads. Uranus hides the Hecatonchires and the Cyclopes in a secret place within the Earth (i.e. Gaia). This causes Gaia pain; so she creates a grey flint (or adamantine) sickle. When Cronus is born, he uses the sickle to castrate his father Uranus as he approaches Gaia to have intercourse with her. From Uranus' spilled blood and semen, Gaia generates the Erinyes, the Giants and the Nymphs called the Meliae.[12]
From the testicles of Uranus in the sea came forth Aphrodite.[12] After Uranus's castration, Gaia, by Tartarus, gave birth to Echidna (by some accounts[who?]) and Typhon.[13] By her son Pontus (god of the sea), Gaia birthed the sea-deities Nereus, Thaumas, Phorcys, Ceto, and Eurybia.[14] Aergia, a goddess of sloth and laziness, is the daughter of Aether and Gaia.[citation needed]
Zeus hid Elara, one of his lovers, from Hera by hiding her under the earth. His son by Elara, the giant Tityos, is therefore sometimes said[by whom?] to be a son of Gaia, the earth goddess.
Gaia is believed by some sources[15] to be the original deity behind the Oracle at Delphi. Depending on the source, Gaia passed her powers on to Poseidon, Apollo or Themis. Apollo is the best-known as the oracle power behind Delphi, long established by the time of Homer, having killed Gaia's child Python there and usurped the chthonic power. Hera punished Apollo for this by sending him to King Admetus as a shepherd for nine years.[citation needed]
In classical art Gaia was represented in one of two ways. In Athenian vase painting she was shown as a matronly woman only half risen from the earth, often in the act of handing the baby Erichthonius (a future king of Athens) to Athena to foster (see example below). In mosaic representations, she appears as a woman reclining upon the earth surrounded by a host of Carpi, infant gods of the fruits of the earth (see example below).[citation needed]
Gaia also made Aristaeus immortal.[citation needed]
Oaths sworn in the name of Gaia, in ancient Greece, were considered the most binding of all.[citation needed]
Gaia is the personification of the Earth and these are her offspring as related in various myths. Some are related consistently, some are mentioned only in minor variants of myths, and others are related in variants that are considered to reflect a confusion of the subject or association.
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Some modern sources, such as James Mellaart, Marija Gimbutas and Barbara Walker, claim that Gaia as Mother Earth is a later form of a pre-Indo-European Great Mother, venerated in Neolithic times. Her existence is a speculation, and controversial in the academic community. Some modern mythographers, including Karl Kerenyi, Carl A. P. Ruck and Danny Staples interpret the goddesses Demeter the "mother," Persephone the "daughter" and Hecate the "crone," as aspects of a former Great goddess identified by some[who?] as Rhea or as Gaia herself. In Crete, a goddess was worshiped as Potnia Theron (the "Mistress of the Animals") or simply Potnia ("Mistress"), speculated[by whom?] as Rhea or Gaia; the title was later applied in Greek texts to Demeter, Artemis or Athena. The mother-goddess Cybele from Anatolia (modern Turkey) was partly identified by the Greeks with Gaia, but more so with Rhea and Demeter.
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Many Neopagans worship Gaia. Beliefs regarding Gaia vary, ranging from the belief that Gaia is the Earth to the belief that she is the spiritual embodiment of the earth, or the Goddess of the Earth.
The mythological name was revived in 1979 by James Lovelock, in Gaia: A New Look at Life on Earth; his Gaia hypothesis was supported by Lynn Margulis. The hypothesis proposes that living organisms and inorganic material are part of a dynamic system that shapes the Earth's biosphere, and maintains the Earth as a fit environment for life. In some Gaia theory approaches the Earth itself is viewed as an organism with self-regulatory functions. Further books by Lovelock and others popularized the Gaia Hypothesis, which was widely embraced and passed into common usage as part of the heightened awareness of environmental concerns of the 1990s.
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Gaia: One Woman's Journey is an album released by Olivia Newton-John in 1994. For the first time in her career; the album was entirely written by Newton-John herself. In addition to songwriting duties; Newton-John also co-produced the album.
The album was the first since Newton-John was diagnosed with breast cancer on 1992; and as such, many of the songs were influenced by her experiences - especially in the tracks "Why Me" and "Not Gonna Give into It". Newton-John's passion for environmental and conservation issues also served as a major influence.
The album was recorded in Australia during 1993 and 1994 and released via several independent labels internationally; except in Australia where Newton-John was still signed to Festival Records.
One of the most critically acclaimed of Newton-John's career, the album is a firm favourite among fans. Allmusic hails the album as "the most honest and inviting album of her career." One single was lifted from the album; "No Matter What You Do" which was an Australian Top 40 hit
The Kasakela chimpanzee community is a habituated community of wild eastern chimpanzees that lives in Gombe National Park near Lake Tanganyika in Tanzania. The community was the subject of Dr Jane Goodall's pioneering study that began in 1960, and studies have continued ever since. As a result, the community has been instrumental in the study of chimpanzees, and has been popularized in several books and documentaries. The community's popularity was enhanced by Dr Goodall's practice of giving names to the chimpanzees she was observing, in contrast to the typical scientific practice of identifying the subjects by number. Dr Goodall generally used a naming convention in which infants were given names starting with the same letter as their mother, allowing the recognition of matrilineal lines.
The seventh season of the television series, Law & Order: Special Victims Unit premiered September 20, 2005 and ended May 16, 2006 on NBC. It aired on Tuesday nights at 10:00 p.m. Critically the show's most successful season, both lead actors received nominations at the 2006 Emmy Awards with a win by Mariska Hargitay.
Repeating a pattern established by other SVU seasons, the Season 7 premiere was filmed before the airing of the Season 6 finale. Long-time SVU co-executive producers, Michele Fazekas, Tara Butters, and Lisa Marie Petersen departed the series at the end of Season 7. Additionally, long-time Law & Order franchise director Constantine Makris departed until his return in the twelfth season.
Mariska Hargitay won the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series for her performance in the episode "911". This made her the first regular cast member of any Law & Order series to win an Emmy. Christopher Meloni was nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series, his first Emmy nomination. Meloni was water skiing when the 2006 Emmy nominations were announced. He received a congratulatory call from showrunner Neal Baer and responded with "Cool! I'm going back to ski." Sources are not consistent about whether the episode submitted for Meloni's nomination was "Raw" or "Ripped". The Envelope section of The LA Times reported that SVU also made a bid for Ted Kotcheff to receive the Primetime Emmy Award for Outstanding Directing for a Drama Series, but he was not selected as a nominee.
Fat is a group of compounds that are generally soluble in organic solvents and largely insoluble in water. Another common meaning is a person or animal afflicted with obesity.
Fat or FAT may also refer to:
The Fat EP is an EP by the American punk rock band the Descendents, released in 1981 through New Alliance Records. It was the band's first recording with singer Milo Aukerman and established their presence in the southern California hardcore punk movement, with short, aggressive songs that represented a shift in style from their previous new wave and surf sound. The EP was re-released in later years as part of several compilation albums.
The Descendents' initial recording lineup of guitarist Frank Navetta, bassist Tony Lombardo, and drummer Bill Stevenson released the band's 1979 debut single "Ride the Wild" / "It's a Hectic World", with a sound that blended Devo-like new wave and Dick Dale-style surf music. Stevenson sold copies of the single to fellow students at Mira Costa High School, attracting the attention of classmate Milo Aukerman, who began attending the band's practices regularly. Aukerman soon became the band's lead singer after jumping in to sing with them at practice.