Dong or DONG may refer to:
A dong or neighborhood is a submunicipal level administrative unit of a city and of those cities which are not divided into wards throughout Korea. The unit is often translated as neighborhood and has been used in both administrative divisions of North Korea and South Korea.
A dong is the smallest level of urban government to have its own office and staff in South Korea. In some cases, a single legal-status neighborhood is divided into several administrative neighborhoods. In such cases, each administrative dong has its own office and staff. Administrative dongs are usually distinguished from one another by number (as in the case of Myeongjang 1-dong and Myeongjang 2-dong).
The primary division of a dong is the tong (통/統), but divisions at this level and below are seldom used in daily life. Some populous dong are subdivided into ga (가/街), which are not a separate level of government, but only exist for use in addresses. Many major thoroughfares in Seoul, Suwon, and other cities are also subdivided into ga.
Dong (simplified Chinese: 东; traditional Chinese: 東; pinyin: dōng; literally: "East") is a 2006 documentary film by Chinese director, Jia Zhangke. It is the companion piece to Jia's Still Life, which was released concurrently although Dong was reputedly conceived of first. The film, which runs a relatively short 66 minutes, follows the artist and actor Liu Xiaodong as he invites Jia to film him while he paints a group of laborers near the Three Gorges Dam (also the subject of Still Life) and later a group of women in Bangkok. The film was produced and distributed by Jia's own production company, Xstream Pictures, based out of Hong Kong and Beijing.
Dong was screened at the 2006 Venice International Film Festival as part of its "Horizons" Program, and as part of the 2006 Toronto International Film Festival's "Real-to-Reel" Program.
Dong was filmed in HD digital video.
Filmed at the same time as Jia's fiction film, Still Life, Dong also shares the same setting (the Three Gorges area of central China) and in certain instances, the same shots. Han Sanming, one of the leads in Still Life, also appears (in character) within Dong as do other characters from that film.
Dickie 6 - "This here's Dickie 6, I need a radio check my one point seventy nine, come back"
Black Dong - "You got Black Dong here, biggest and most powerful thing in the world, back"
D6 - "Yeah, Black Dong, I just left the titty car wash in Hurricane. They got a fourteen year old girl in the cabin with Daddy puttin' her hand on the stove, trying to put the fear of Jesus in her and I'm just trying to appeal to her better side."
BD - "Hey, hey, that's all fine and dandy. I'm travelling up 79, going past Charleston. Might stop off and see a little honey of mine named Alison. But I'm really looking for Bald Knob, you got your ears on? What's your twenty Knob?"<
Knob - "Knob, I have got these whores, I got ten ful, every chain man does, and every wet station's on my knee. I'm gonna Me-xi-co. I'm looking for some sexual healin'. Why don't you boys meet me up at the bar in Mo-town."
Black Dong - *(Car turns round, tires screeching)* "Wow, that's a good idea, I'll bypass Charleston and meet you in Morgantown. What do you think Dickie?"
D6 - "I got the pedal to the metal now, I'm heading to Mo-town."
BD - "Bald Knob!"