"Cut Me Some Slack" is a song co-written and recorded by song by American country music singer Chris Janson. Janson co-wrote the song with Tiffany Goss and Kelly Roland.
Billy Dukes of Taste of Country gave the song a positive review, saying that "The whine of a pedal steel roots ‘Cut Me Some Slack,’ although the song doesn’t fall neatly into the traditional category. There’s clearly some rock influence with Janson, but he doesn’t let it take over his music."
Cut may refer to:
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve and wipe serve as the three primary transitions. The term refers to the physical action of cutting film or videotape, but also refers to a similar edit performed in software; it has also become associated with the resulting visual "break".
Due to the short length of early film stock, splicing was necessary to join together segments into long-form. Actuality directors spliced together reels prior to shooting in order to record for longer periods of time. Narrative directors, on the other hand, preferred shooting for shorter lengths, editing together shot footage. In either case, film was cut (and subsequently joining the cut segments) in order to remove excess footage, focusing attention on significant elements.
In earthmoving, cut and fill is the process of constructing a railway, road or canal whereby the amount of material from cuts roughly matches the amount of fill needed to make nearby embankments, so minimizing the amount of construction labor.
Cut slopes are rarely created greater than a slope of two to one (horizontal to vertical dimensions). Cut sections of roadway or rail are characterized by the roadway being lower in elevation than the surrounding terrain. From an operational standpoint there are unique environmental effects associated with cut sections of roadway. For example, air pollutants can concentrate in the ‘'valleys'‘ created by the cut section. Conversely, noise pollution is mitigated by cut sections since an effective blockage of line of sight sound propagation is created by the depressed roadway design.
Fill sections manifest as elevated sections of a roadway or trackbed. Environmental effects of fill sections are typically favorable with respect to air pollution dispersal, but in the matter of sound propagation, exposure of nearby residents is generally increased, since sound walls and other forms of sound path blockage are less effective in this geometry.
If I woke you up
Could we have a go again
I'll try to get things right
This time
Where did I go wrong
Did you know this all along
You know I can't go on
Without
Please hear me out
Forget all your doubts
Hey!
You're shutting me out
Don't you know that's what this means
Whatever you dream it's not for the better
I can't let go
And you know just what I mean
And if you cut me out you might as well cut me
And there'll be no hope
For the boy who's lost his soul
There's not enough rope to pull ashore
Please hear me out
Forget all them doubts
Hey!
You're shutting me out
Don't you know that's what this means
These webs that we weave
Are not for the bitter
Still I can't let go
And you know just what I mean
If you cut me out you might as well cut me
And there'll be no hope
For the boy who's lost his soul