Blurt is an English post-punk band, founded in 1979 in Stroud, Gloucestershire.
Blurt was founded in 1979 in Stroud, Gloucestershire by poet, saxophonist and puppeteer Ted Milton along with Milton's brother Jake, formerly of psychedelic group Quintessence, on drums and Peter Creese on guitar. After three albums Creese left the band to be replaced by Herman Martin on synthesizers who, after a year of constant touring left the band, and was replaced by Steve Eagles, former member of Satan's Rats, The Photos and Bang Bang Machine.
Shortly thereafter Jake Milton left to be replaced by Nic Murcott, who left shortly thereafter and was subsequently replaced by Paul Wigens. Eagles was replaced by Chris Vine as guitarist from 1990 to 1994, and returned to the band following Vine's departure. Wigens was briefly replaced by Charles Hayward between May and October 2001 before returning to the band, before departing the band for good in 2005. His replacement was Bob Leith, who stayed with the band until 2008, at which time he was replaced by the band's current drummer Dave Aylward.
Cut may refer to:
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve and wipe serve as the three primary transitions. The term refers to the physical action of cutting film or videotape, but also refers to a similar edit performed in software; it has also become associated with the resulting visual "break".
Due to the short length of early film stock, splicing was necessary to join together segments into long-form. Actuality directors spliced together reels prior to shooting in order to record for longer periods of time. Narrative directors, on the other hand, preferred shooting for shorter lengths, editing together shot footage. In either case, film was cut (and subsequently joining the cut segments) in order to remove excess footage, focusing attention on significant elements.
In earthmoving, cut and fill is the process of constructing a railway, road or canal whereby the amount of material from cuts roughly matches the amount of fill needed to make nearby embankments, so minimizing the amount of construction labor.
Cut slopes are rarely created greater than a slope of two to one (horizontal to vertical dimensions). Cut sections of roadway or rail are characterized by the roadway being lower in elevation than the surrounding terrain. From an operational standpoint there are unique environmental effects associated with cut sections of roadway. For example, air pollutants can concentrate in the ‘'valleys'‘ created by the cut section. Conversely, noise pollution is mitigated by cut sections since an effective blockage of line of sight sound propagation is created by the depressed roadway design.
Fill sections manifest as elevated sections of a roadway or trackbed. Environmental effects of fill sections are typically favorable with respect to air pollution dispersal, but in the matter of sound propagation, exposure of nearby residents is generally increased, since sound walls and other forms of sound path blockage are less effective in this geometry.
I can't cut it,
So I blow smoke in her eyes,
Our legs hanging over the edge
And baby I got cramps.
Soon I'll cut it,
So hard and so clear,
You reach far and get so near
To my body, it shakes,
I get a full blown itch and a...
Vision in my head of you and her,
A vision in my head of you and her,
So vivid I can't ignore, so perfect, so fuckin' pure.
I get a vision in my head of you and her,
A vision in my head of you and her,
So vivid I can't ignore
So perfect but there's,
Nothing in my heart.
There's nothing in my heart.
There's a risk, there's a risk
When you know you've got a product,
And your eager to sell
There's a risk, there's a risk
I know you've got a product,
But it shouldn't be love
I get a vision in my head of you and her,
A vision in my head of you and her,
I'm shifting away from the taller words,
Pulling my face through the noiseless thoughts
I get a vision in my head of you and her,
A vision in my head of you and her,
I can't decide which life to take,
All I'm feeling now, is
Nothing in my heart,
There's nothing in my heart