Cut may refer to:
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve and wipe serve as the three primary transitions. The term refers to the physical action of cutting film or videotape, but also refers to a similar edit performed in software; it has also become associated with the resulting visual "break".
Due to the short length of early film stock, splicing was necessary to join together segments into long-form. Actuality directors spliced together reels prior to shooting in order to record for longer periods of time. Narrative directors, on the other hand, preferred shooting for shorter lengths, editing together shot footage. In either case, film was cut (and subsequently joining the cut segments) in order to remove excess footage, focusing attention on significant elements.
Cut is the seventh studio album by Australian rock band, Hunters & Collectors. It was mostly produced by American Don Gehman with the group and issued by White Label/Mushroom on 5 October 1992. It reached No. 6 on the ARIA Albums Chart and No. 17 on the New Zealand Albums Chart. The band were nominated for Best Group at the 1992 ARIA Music Awards and Album of the Year for Cut in the following year.
"Where Do You Go" was co-produced with Nick Sansano and released as a single in September 1991, prior to commencing the rest of the album with Gehman, but it was included on Cut. Subsequent singles were "Head Above Water" (July 1992), "We the People" (September), "True Tears of Joy" (November), "Holy Grail" (March 1993) and "Imaginary Girl" (August), all appeared on the ARIA Singles Chart Top 100.
Hunters & Collectors' seventh studio album, Cut, was recorded from late 1991 and into 1992. The line-up of the group was John Archer on bass guitar; Doug Falconer on drums, backing vocals, programming, percussion and tape loops; Jack Howard on trumpet, keyboards and backing vocals; Robert Miles on live sound and art design; Barry Palmer on lead guitar; Mark Seymour on lead vocals and guitar,; Jeremy Smith on French horn, keyboards, guitars and backing vocals; and Michael Waters on keyboards and trombone.
Above may refer to:
In music:
Finger Eleven is a Canadian rock band from Burlington, Ontario, formed in 1990. They have released seven total studio albums (six as Finger Eleven and one as Rainbow Butt Monkeys), with their album The Greyest of Blue Skies bringing them into the mainstream. The 2003 self-titled album achieved Gold status in the United States and Platinum in Canada, largely from the success of the single "One Thing", which marked the band's first placing on the US Hot 100 Chart at number 16. Their 2007 album, Them vs. You vs. Me, launched the single "Paralyzer", which went on to top numerous charts including the Canadian Hot 100 and both US rock charts, as well as reaching No. 6 on the US Hot 100 and No. 12 on the Australian Singles Chart. They won the Juno Award for Rock Album of the Year in 2008. It was later certified gold status in the US and multi platinum in Canada. They released their sixth studio album, Life Turns Electric, on October 5, 2010; it was nominated for a Juno Award for Best Rock Album of the Year. They released their first single, "Living in a Dream", adding a little bit of more of funk rock and dance rock, just like their hit song "Paralyzer". Five Crooked Lines, their 7th studio album, was released July 31, 2015, with "Wolves and Doors" as the lead single.
Above is the major label debut album of Christian rock band Pillar, released on September 26, 2000. The song "Open Your Eyes" won a Dove Award in 2001 for Hard Music Song of the Year. Most of the tracks had been previously released on their independent album Original Superman. In 2006, Pillar stopped performing any songs from "Above" during live shows.
[Snoop Dogg]
Yeah, yeah,
It's another one of those...
Snoop D-O-Double G, L.T. Hutton thangs
Yeah, we all off up in the hills right about now
It's about two in the morning!
I got big C-Style on the grill
EASTSIDE!!! Keepin' it way real
Dogg Dogg, LBC
Chorus: Snoop Dogg (repeat 4X)
If you got beef, with DPG,
Then holla at me, the D-O-G
Bridge: Charlie Wilson, Snoop
[C. W.] Any problems any problems you can holla at my dogg....
[S. D.] Holla, holla
[C. W.] Holla at my dogg, you could holla at my dogg, ohhhhh
Any problems any problems you could holla at my dogg,
Holla at my dogg, holla at my dogg, heeeeey heeeeeeey
Chorus 1/2
[Jayo Felony]
The life I lead
The average nigga would have broke down a long time ago
Try to bang in a show and get slumped like The Crow
Anyday now, we gonna run at my nigga them killas is Nathal
We see it all like night owls and we stay on the prowl
They don't wanna see me shine again
They fuckin' with my mind again
But as soon as I finish this Heineken
I gotta go get my nine again
(It got a body on it from a party don't it)
Yeah I been tryin' to slang it, but don't nobody want it
They can't help you with band-aids, we comin' with grenades,
You ain't seen this many niggas in your life with diamonds and braids
I'm from the home where they get sprayed and gang related raids
Fuck y'all, that start bangin' after quot;Colors quot; was made
Let's C-walk to that, and never give me no hassle
cause I come from one of the worst cottage in Paso
Chorus
[Tray Deee]
It ain't no mystery you dissin' me you dissin' my clique
And ain't no question we come steppin' straight to get in your shit
So why you actin' like a bitch Puttin' your business on wax
When we could scrap or slap a clip, if you wanted to crack
See in the pen we got a name for niggas runnin' they yap
Sale soldiers, roll 'em up with somethin' up in they back
Handles ours, battle scars, Shackles, guards and all
And we the last niggas standin' once they start to fall
Make the call, or fuck it, just kick off the brawl
Cuz I'm ridin' with my doggs, win, lose, or draw
Dogg pound insane, neighborhood twenty gangin' it
And every gangsta that I hang with down to bang
Full time pull mines and I gots to bust
Fuck a pass, when I mash, anybody get touched
So make my name taste just like a dick in your mouth
And watch the way you on my nuts when you spittin' it out
Dogghouse
Repeat Bridge
Chorus 1/4X
[Sylk E. Fine]
You got a muthafuckin' problem with my niggas then you got one with me
It's the S to the Y, the L, just drop three keys
As I flee, to the homie L.T.'s, to make the magic
It's those that talk, and those that make shit happen
So what'cha say You wanna spit You got beef
D.P serve the heat, straight to the street
Honey west, I make the mission complete
Therefore them bitches who talk that shit
Be them bitches that's gettin' they ass beat
[Snoop Dogg]
Now don't come round here fuckin' with us
Cuz on the real homeboy, we'll be fuckin' you up
And to you bitches who be thinking y'all could slide by
With that punk shit, BITCH, biddity bye bye
I fuck a bitch up faster than I do a nigga
See to me, most bitches is women but bitch you'z a nigga
We got rules and codes, G's and hoes
Friends and foes, ride or get rode on
Chorus 1/4x)
[Snoop Dogg]
Nigga, nigga, bitch