Custom

Custom may refer to:

Sense: Customary

Sense: Import-export

Sense: Modification

Brands, titles and proper names

See also

Mores

Mores (generally pronounced /ˈmɔːreɪz/, and often /ˈmɔːriːz/; from Latin mōrēs, [ˈmoːreːs], plural form of singular mōs, meaning "manner", "custom", "usage", "habit") is a term introduced into English by William Graham Sumner (1840–1910), an early U.S. sociologist, to refer to social norms that are widely observed and are considered to have greater moral significance than others. Mores include an aversion for societal taboos, such as incest. The mores of a society usually predicate legislation prohibiting their taboos. Often, countries will employ specialized vice squads or vice police engaged in suppressing specific crimes offending the societal mores.

Folkways, in sociology, are norms for routine or casual interaction. This includes ideas about appropriate greetings and proper dress in different situations.

In short, mores "distinguish the difference between right and wrong, while folkways draw a line between right and rude".

Both "mores" and "folkways" are terms coined by William Graham Sumner in 1906.

Custom (musician)

Custom (also known as Duane Lavold) is a Canadian-born, New York-based rock musician best known for his song "Hey Mister".

Discography

Fast (released March 19, 2002) – Written and produced by Custom. Grammy-winning singer/songwriter Duncan Sheik co-wrote the song "Like You" and contributed instrumentals and background vocals to some of the tracks.

Song List:

Controversy

Minor controversy erupted when the music video for the song "Hey Mister" was banned from MTV. The video follows a young woman (22-year-old actress) as she frolics on the beach, hangs out with the singer, and goes shopping. The music video featured the song's sexually suggestive lyrics being written on the woman's skin as well as upskirt shots exposing her underwear. The video was banned, as the MTV Standards and Practices division felt that the entirety of the video and song were "pedophilic and offensive to women".

Fender Custom

The Fender Custom (or Maverick) was a short-lived model released by the CBS-owned Fender in 1969. Essentially a six-string Fender Electric XII, the Custom was an attempt to sell off unused factory stock instead of simply writing it off. The guitar was made with unused parts from Electric XII guitars, including the body, pickups and neck, and also unused Fender Mustang bridges. The six extra holes in the headstock for the tuning machines were filled and veneered over. The Custom was featured more prominently in sales material than its companion, the Swinger, but sold poorly, and was never expected to compete with Fender's more popular models. A notable fan of the Fender Custom was Cheap Trick's lead guitarist Rick Nielsen.

External links

Custom (law)

Custom in law is the established pattern of behavior that can be objectively verified within a particular social setting. A claim can be carried out in defense of "what has always been done and accepted by law." Related is the idea of prescription; a right enjoyed through long custom rather than positive law.

Customary law (also, consuetudinary or unofficial law) exists where:

Most customary laws deal with standards of community that have been long-established in a given locale. However the term can also apply to areas of international law where certain standards have been nearly universal in their acceptance as correct bases of action - in example, laws against piracy or slavery (see hostis humani generis). In many, though not all instances, customary laws will have supportive court rulings and case law that has evolved over time to give additional weight to their rule as law and also to demonstrate the trajectory of evolution (if any) in the interpretation of such law by relevant courts.

Ius (canon law)

Ius or jus is Latin for one sense of the English word, law. In the Canon Law of the Catholic Church, ius refers to custom, practice or "Tradition."

The early law of the Church, especially prior to the First Council of Nicaea in 325 a.d., was largely unwritten, at least in the form of law, but existed in the practices, customs and teachings of the early Christian community. What largely was communicated generation to generation was an oral tradition passed from the apostles to the Bishops, and from Bishops and priests to the faithful through their preaching and way of life. Some of what is included in the term ius would be interpretations of particular scriptural passages, theological understandings of the liturgy and liturgical practices themselves. Evidence for the content of this oral tradition of teaching is found among the writings of the Early Church Fathers as well as in the later legislation of the Church or lex.

Ius is typically understood in contradistinction to lex. The Early Church, which existed more or less under persecution in the Roman Empire prior to Constantine I in the early fourth century, was not in a position to gather large councils for the purpose of legislation or theological clarification prior to 325 a. d. Laws formalized as lex after 325 a.d. are sometimes falsely interpreted as having a "new" content. This is usually not the case. Most Church legislation is either a development of prior teaching, or practice or re-affirmation of teaching or practice unless otherwise expressly stated.