Cult (film)

Cult (カルト) is a 2013 Japanese horror found footage film written and directed by Kôji Shiraishi about the supernatural malevolent forces haunting the Kaneda family. It was released in Japan on July 20, 2013.

Plot

The film stars several idols who play themselves as they appear on a paranormal television show to investigate the exorcism of the Kaneda family. The supernatural events in the Kaneda household are recorded by the documentary team. A mysterious shaman seems to be the only hope of salvation not only for the family, but for the investigators as well.

Production

The film was released in Japan on July 20, 2013. The UK premiere took place on October 31, 2013.

References

External links

Cult (Bayside album)

Cult is the sixth studio album by American rock band Bayside released on February 18, 2014 on Hopeless Records in North America. In 2015, it was rereleased with a white cover and 4 bonus tracks.

Reception

The album received generally favorable reviews. The album was included at number 46 on Kerrang!'s "The Top 50 Rock Albums Of 2014" list.

Track listing

All songs written and composed by Ghanbarian/Guglielmo/O'Shea/Raneri; except for 'Hate Me': Accetta/Goodman/Ghanbarian/Guglielmo/ O'Shea/Raneri. 

Personnel

Chart performance

References

External links

Cult (Savant album)

Cult is the ninth album by Norwegian electronic dance music producer Aleksander Vinter, and his seventh under the alias "Savant". It was released on 7 July 2013. Savant also released 4 extra tracks for free on his Facebook fanpage to go with the album.

Track listing

References

External links

Cult (disambiguation)

A cult is a religious or social group with socially deviant or novel beliefs and practices.

Cult or cults may also refer to:

Sociology and religion

Music

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: