Cult film

A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.

Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well-respected or reassessed as classics; there is debate as to whether these popular and accepted films are still cult films. After failing in the cinema, some cult films have become regular fixtures on cable television or profitable sellers on home video. Others have inspired their own film festivals. Cult films can both appeal to specific subcultures and form their own subcultures. Other media that reference cult films can easily identify which demographics they desire to attract and offer savvy fans an opportunity to demonstrate their knowledge.

Cult

In the sociological classifications of religious movements in English, a cult is a religious or social group with socially deviant or novel beliefs and practices. However, whether any particular group's beliefs and practices are sufficiently deviant or novel is often unclear, thus making a precise definition problematic. In the English speaking world, the word often carries derogatory connotations, but in other European languages, it is used as English-speakers use the word "religion", sometimes causing confusion for English-speakers reading material translated from other languages. The word "cult" has always been controversial because it is (in a pejorative sense) considered a subjective term, used as an ad hominem attack against groups with differing doctrines or practices, which lacks a clear or consistent definition.

Beginning in the 1930s, cults became the object of sociological study in the context of the study of religious behavior. Certain groups have been labelled as cults and have been opposed by the Christian countercult movement for their unorthodox beliefs. Since the 1970s, some groups have been opposed by the anti-cult movement, partly motivated in reaction to acts of violence committed by members of some groups. Some of the claims by the anti-cult movement have been disputed by other scholars and by the news media, leading to further controversy. Public and governmental reactions to the cult issue have also been a source of controversy.

The Cult

The Cult are a British rock band formed in 1983. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band with singles such as "She Sells Sanctuary", before breaking mainstream in the US in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". The band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of the Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock". Since their earliest form in Bradford during 1981, the band have had various line-ups; the longest-serving members are vocalist Ian Astbury and guitarist Billy Duffy, the band's two songwriters.

After moving to London, the band released the album Love in 1985, which charted at No. 4 in the UK, and which included singles such as "She Sells Sanctuary" and "Rain". In the late 1980s, the band supplemented their post-punk sound with hard rock in their third album, Electric; the polish on this new sound was facilitated by Rick Rubin, who produced the record. Their fourth album, Sonic Temple, proceeded in a similar vein, and these two LPs enabled them to break into the North American market.

Cult (film)

Cult (カルト) is a 2013 Japanese horror found footage film written and directed by Kôji Shiraishi about the supernatural malevolent forces haunting the Kaneda family. It was released in Japan on July 20, 2013.

Plot

The film stars several idols who play themselves as they appear on a paranormal television show to investigate the exorcism of the Kaneda family. The supernatural events in the Kaneda household are recorded by the documentary team. A mysterious shaman seems to be the only hope of salvation not only for the family, but for the investigators as well.

Production

The film was released in Japan on July 20, 2013. The UK premiere took place on October 31, 2013.

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