Cult following
A cult following is a group of fans who are highly dedicated to a work of culture. A film, book, musical artist, television series or video game, among other things, will be said to have a cult following when it has a small but very passionate fanbase. A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric, bizarre, controversial or anti-establishment to be appreciated by the general public or to be a commercial success.
Many cult fans express a certain irony about their devotion. Sometimes, these cult followings cross the border to camp followings. Fans may become involved in a subculture of fandom, either via conventions, online communities or through activities such as writing series-related fiction, costume creation, replica prop and model building, or creating their own audio or video productions from the formats and characters.
The Cult
The Cult are a British rock band formed in 1983. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band with singles such as "She Sells Sanctuary", before breaking mainstream in the US in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". The band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of the Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock". Since their earliest form in Bradford during 1981, the band have had various line-ups; the longest-serving members are vocalist Ian Astbury and guitarist Billy Duffy, the band's two songwriters.
After moving to London, the band released the album Love in 1985, which charted at No. 4 in the UK, and which included singles such as "She Sells Sanctuary" and "Rain". In the late 1980s, the band supplemented their post-punk sound with hard rock in their third album, Electric; the polish on this new sound was facilitated by Rick Rubin, who produced the record. Their fourth album, Sonic Temple, proceeded in a similar vein, and these two LPs enabled them to break into the North American market.
Podcasts:
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by Poison Idea
Cult Band
by: Poison IdeaBuy now,
Pushing products down your throat,
Brain wash you but you don't know,
Lets rock,
What a fucking lame excuse,
Change your mind but its no use,
Fun for you don't come free, hey man smoke a joint for me,
Sold Out,
Youre wearing their uniform,
They laugh at you, you still buy more,
Shut up,
Listen what they say to you,
Can you believe any of its true?