Cry Wolf is a melodic hard rock band formed in the San Francisco Bay Area in the mid-1980s. Originally named Heroes, the band consisted of Tim Hall (vocals), Steve McKnight (guitar), Phil Deckard (bass), John Freixas (drums) and JC Crampton (Keyboards).
Originally formed in the San Francisco Bay Area in the mid ‘80s before relocating to Southern California, Cry Wolf has been described as “much a part of the LA rock scene as Poison, Mötley Crüe and LA Guns, but they only managed one album, 'Crunch', released in 1990. This was a harder, darker affair than the products of their peer group and categorically distanced them from hair and glam rock.”
Twenty years later, Cry Wolf has returned with their highly anticipated new CD ‘Twenty Ten‘. “This is modern melodic rock“, states Brian McGowan (Revelationz.net), “Edgier, grittier, more challenging than its eighties' predecessor. A generation later, 'Twenty Ten' is a natural progression from 'Crunch'. We've all grown up and so has the music.”
When one is said to Cry wolf it is an expression that means to "raise a false alarm", derived from the fable The Boy Who Cried Wolf.
Cry Wolf may also refer to:
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"Cry Wolf" is a song originally recorded by American pop singer Laura Branigan, released as the third single from her 1987 album Touch becoming a US top-20 adult contemporary hit. It was written by singer-songwriter Jude Johnstone who later recorded the song herself for her 2002 debut album. Stevie Nicks recorded a cover in 1989 for The Other Side of the Mirror.
Cry Wolf is a 1947 mystery film directed by Peter Godfrey and featuring Errol Flynn and Barbara Stanwyck, based on the novel of the same name by Marjorie Carleton.
Sandra Marshall (Barbara Stanwyck), the widow of the owner of a remote mansion, arrives to take charge and claim the inheritance of her late husband. She receives a cold reception, especially from research scientist Mark Caldwell (Errol Flynn), who seems to be keeping her sister-in-law Julie (Geraldine Brooks) a virtual prisoner in the house.
The novel was published in early 1945. The New York Times said "the plot has pace; the manse is traditionally eerie, the heroine is charming. Situations and dialogue, however, are often clumsily handled." By April, Warner Bros bought the film rights as a vehicle for Barbra Stanwyck. Catherine Turney was assigned to do the script and Denis Morgan announced as co star.