Indian Art consists of a variety of art forms, including plastic arts (e.g., pottery and sculpture), visual arts (e.g., cave paintings), and textile arts (e.g., woven silk). Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan and Bangladesh. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
The origin of Indian art can be traced to pre-historic Hominid settlements in the 3rd millennium BC. On its way to modern times, Indian art has had cultural influences (e.g., Indus Valley and Hellenistic), as well as religious influences such as Hinduism, Buddhism, Jainism and Islam. In spite of this complex mixture of religious traditions, generally the prevailing artistic style at any time and place has been shared by the major religious groups.
In historic art, sculpture in stone and metal, mainly religious, has survived the Indian climate better than other media, and provides most of the best remains. Many of the most important ancient finds that are not in carved stone come from surrounding, drier regions rather than India itself. Indian funeral and philosophic traditions exclude grave goods, which are a main source of ancient art in other cultures.
Paraguayan Indian art is the visual art created by the indigenous peoples of Paraguay. While indigenous artists embrace contemporary Western art media, their arts also include pre-Columbian art forms. Indian art of aboriginal origin includes ceramics, baskets, weaving and threading, feather art and leather work. Indian art of a hybrid nature includes the embroideries, lace, woodcarving and different metal products. Paraguay is particularly known for its indigenous featherwork and basket weaving.
The handmade products of Paraguay are of a great variety and comprise ceramic articles, as well as embroideries and sewn articles, as well as wood, baskets, leather work and silver work. Pre-Columbian ceramics made in the Paraguayan territory were rustic and made from terracotta clay. They were painted in red, and occasionally in black and white. The clay used to be worked by hand. Some tribes incised their pottery with decorations before firing.
The Spanish, especially the Jesuits, influenced the technical level of production and the finishing of the native ceramics. These had been characterized by extreme simplicity and production of functional goods. The Jesuits taught the Indian population in the missions.
India? is the third studio album by the band Suns of Arqa, recorded and released in 1984 by Rocksteady Records. The album was produced by Suns of Arqa founder Michael Wadada. It is their fourth album overall when including their 1983 live album with Prince Far I, and this is indicated subtly on the spine with the letters "Vol IV". The spine also reads "Such big ears, but still you can't see".
'India?' is a radical departure from the style of the previous two albums Revenge of the Mozabites and Wadada Magic. As the title suggests, this album has a strong Indian feel to its arrangements and instrumentation. It has not been released on CD, however three of the five tracks have found their way onto other Suns of Arqa CD releases.
Track A1 'Give Love' which features Ras Michael appears on the 1991 compilation CD 'Land of a Thousand Churches', and tracks A3/B2 (Kalashree/Vairabi) both appear on the 1992 CD Kokoromochi.
The sleevenotes for this LP include thank-yous to Adrian Sherwood, Style Scott, Gadgi, Martin Hannett, Chris Nagle and Kevin Metcalf.
India (Syriac: Beth Hindaye) was an ecclesiastical province of the Church of the East, from the seventh to the sixteenth century. The Malabar Coast of India had long been home to a thriving East Syrian (Nestorian) Christian community, known as the St. Thomas Christians. The community traces its origins to the evangelical activity of Thomas the Apostle in the 1st century. The Indian Christian community were initially part of the metropolitan province of Fars, but were detached from that province in the 7th century, and again in the 8th, and given their own metropolitan bishop.
Due to the distance between India and the seat of the Patriarch of the Church of the East, communication with the church's heartland was often spotty, and the province was frequently without a bishop. As such, the Indian church was largely autonomous in operation, though the authority of the Patriarch was always respected. In the 16th century, the Portuguese arrived in India and tried to bring the community under the authority of the Latin Rite of the Catholic Church. The Portuguese ascendancy was formalised at the Synod of Diamper in 1599, which effectively abolished the historic Nestorian metropolitan province of India. Angamaly, the former seat of the Nestorian metropolitans, was downgraded to a suffragan diocese of the Latin Archdiocese of Goa.
India is the first studio album by Spanish singer Vega, released on November 7, 2003 on Vale Music Spain.
This album represents her success after having sold more than 200.000 copies of her first single "Quiero Ser Tú" (Spanish for "I Want to Be You"), which was a task to be accomplished before being entitled to a recording contract. The album itself sold more than 110.000 copies in Spain alone.
The country, India, has always been an inspiration to Vega, and that is why she decided to name her album after it. All but two songs on the album, "That's Life" (Frank Sinatra cover) and "Believe" (K's Choice cover), were written by Vega. The eighth track, "Olor A Azahar", is dedicated to the city she was born in.
The first single from India was "Grita!", which became the best-selling single of 2003 in Spain. After the success of the first single, "La Verdad (ft. Elena Gadel)" and "Directo Al Sol" followed. Elena Gadel, a member of the girl-group Lunae, whom Vega had met during the time they were part of Operación Triunfo, also helped with the background vocals for "Grita!".