Crucial Conflict is a Chicago hip hop group best known for its 1996 single "Hay" (from the album The Final Tic) and "Scummy" (from the album Good Side, Bad Side).
Good Side, Bad Side may refer to:
Good Side, Bad Side is the second album by the Chicago rap group Crucial Conflict. This album includes the hit singles "Scummy" and "Ghetto Queen". Featuring Three 6 Mafia, R. Kelly, and Do or Die.
Good Side, Bad Side is the eleventh studio album by American rapper Master P released on March 23, 2004 on The New No Limit and Koch Records. The production was handled by Master P, who also collaborated with other executive producers, alongside Lil Jon , DJ Daryl, Donald XL Robertson and Myke Diesel. It marked Master P's return to his independent roots.
After the New No Limit's deal with Universal Records expired a year earlier, P signed his company to a partnership with the independent Koch Records. Good Side, Bad Side was a moderate success. The double-disc album debuted at #22 on the Billboard 200 with nearly 42,135 copies sold in its first week in sales. Debuting on the charts in March 2004, it was Master P's highest position on the Billboard Pop Charts since his 1999 album "Only God Can Judge Me" debuted at number two.
There was hit singles entitled" "Act a Fool" and Them Jeans which peak at # 13 the Top Hip Hop Singles & tracks and right in front was a single called "Who Want Some" which was a huge success peaking at #12 on the Top/Hip Hop Singles & Tracks. Good Side, Bad Side also came out in a special, limited edition 3-disc set featuring a bonus DVD movie starring Master P entitled "Decisions." which was a big success itself. It also ranked amongst Billboard's Top 10 Year-End Independent Albums Sales Chart for 2004.
Side (Greek: Σίδη) is an ancient Greek city on the southern Mediterranean coast of Turkey, a resort town and one of the best-known classical sites in the country. It lies near Manavgat and the village of Selimiye, 78 km from Antalya in the province of Antalya.
It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.
Strabo and Arrian both record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. Its tutelary deity was Athena, whose head adorned its coinage.
Dating from the tenth century B.C., its coinage bore the head of Athena (Minerva), the patroness of the city, with a legend. Its people, a piratical horde, quickly forgot their own language to adopt that of the aborigines.
Possessing a good harbour for small-craft boats, Side's natural geography made it one of the most important places in Pamphylia and one of the most important trade centres in the region. According to Arrian, when settlers from Cyme came to Side, they could not understand the dialect. After a short while, the influence of this indigenous tongue was so great that the newcomers forgot their native Greek and started using the language of Side. Excavations have revealed several inscriptions written in this language. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation. Another object found in the excavations at Side, a basalt column base from the 7th century BC and attributable to the Neo-Hittites, provides further evidence of the site's early history. The name Side may be Anatolian in origin, meaning pomegranate.
Cue sports techniques (usually more specific, e.g., billiards techniques, snooker techniques) are a vital important aspect of game play in the various cue sports such as carom billiards, pool, snooker and other games. Such techniques are used on each shot in an attempt to achieve an immediate aim such as scoring or playing a safety, while at the same time exercising control over the positioning of the cue ball and often the object balls for the next shot or inning.
In carom games, an advanced player's aim on most shots is to leave the cue ball and the object balls in position such that the next shot is of a less difficult variety to make the requisite carom, and so that the next shot is in position to be manipulated in turn for yet another shot; ad infinitum.
Similarly, in many pocket billiards games, an advanced player's aim is to manipulate the cue ball so that it is in position to pocket (pot) a chosen next object ball and so that that next shot can also be manipulated for the next shot, and so on. Whereas in the carom games, manipulation of the object ball's position is crucial as well on every shot, in some pool games this is not as large a factor because on a successful shot the object ball is pocketed. However, many shots in one-pocket, for example, have this same added object ball control factor for most shots.
The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.
I'm catching feelings that somebody watching me
Tapping on my phone when I'm all alone (ain't got no privacy)
Trying to bring me down so I look around
Let me see your eyes, coming in disguise all in my mind
Trying to set me up for the kill, better be careful who I let ride
Where you know me from, I never seen you no day up in my life
Is you in my closet, under my ?bedroom floor and stalking?
Right next to me, plotting, watching
Trying to break up in my pockets, got me cautious
He might be stalking coming up the alley walking
Looking at me ride off and then roll up
Everything got through, telling all my bidness
Want to see me fall apart, take away my life sending me to prison
Maybe cause my religion (I'm having wicked visions)
Everybody coming up missing and he got my mind tripping
hook
You'd better watch out for the faceless ones
Because they might be coming for you (2X)
It's something missing in this picture, can't make out no clear description
Reception peeping on deceptions, seeking that evil luck, out to get ya'
Who plotting, who watching, who knocking you cause your you
But just like you, hopping I'm hopping
Gotta do what I gotta do if it is true
I'm clocking faceless ones, you might think you know one
When you don't know the faceless ones, I'm gonna be looking for 'em
Can't get away from none, they don't make 'em none to be
Trying to knock you straight off your feet
Playing games in the background, I'm beat
But you know what you sow you reap
What go around come around times three
Wait, hold on, we gone within deep
Death is in me, got him in my sleep
Nightmares, making me go deep, I stares looking up to see
Be aware, cause they on the creep playing for keeps
No sheets for the faceless ones
hook
I think somebody trying to peep me out, what the hell is this about
Ain't got no trust but to be scared, this person might be in my house
Now, budged it and dropped something, got me thinking wrong doings
Thangs look strange in four or five spots, help me Lord please not so soon
Hell, I'm ducking now, don't know who might try to pow-pow
Pack it fast before I'm down, on the low, can't be around
A faceless one is plotting me
Could it be my neighbor thats thinking that his wife liking me
He stare at me, he's bound to be the faceless one
But I don't know, sometimes he don't even speak
Not just him, its too many, but he stay right next to me
So I had to take a peek, cause I'll be DAMNED if I sleep
I get it on cause I ain't weak, leave it alone, your past weak to blast me
hook
Who dat' coming with the mac attack, attack of the mac
In the back with the sack from the front
Is is that freak that I met last week that offered me a blunt
(?) soon as I'm on and 'noid,
That seemed like our players and something end up being destroyed
I can't avoid this ain't my motto, don't help me from looking zoned
Cause a faceless one is a tasteless one casting them stones and going
Who put that patent on my seat, who that rat trying to steal my meat
Who that cat licking on my feet, (?)
Now buzzing something over my head is the cause and plot to take one
Trying to burn down the barn (?)
Going straight, and peeping game and moving moose horns
Have a demonstration, who dat, who dat racing
They chasing, car pacing, infiltration put it on my nation
Its the faceless one
hook